
Did you know
Shot for just $0.6M — micro-budget by Hollywood standards.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
“Some stories are better left unspoiled.”
Sheigo Arai
Self - Swimmer, Japan (uncredited)
Albert Bachmann
Self - Gymnastics, Switzerland (uncredited)
Daniel Barrow
Self - Single Sculls Rower, USA (uncredited)

Jack Beresford
Self - Rower, Britain (uncredited)
Ralf Berzsenyi
Self - Small-Bore Rifle, Hungary (uncredited)
Ferenc Csík
Self - Swimmer, Hungary (uncredited)
Richard Degener
Self - Springboard Diver, USA (uncredited)
Willemijntje den Ouden
Self - Swimmer, Holland (uncredited)
Credits
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Cinephile deep dive
Leni Riefenstahl directs. Willy Hameister behind the camera. Herbert Windt scores. Leni Riefenstahl cuts. Produced in Germany. Dialogue in German.
Trivia
Awards
1 win
Part of
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Part one, Festival of the Nations, captures a renowned introduction that compares modern Olympians to classical Greek heroes, and goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals. Part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
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Production companies
Olympia-Film GmbH
DE
Themes & keywords
Release history · US
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