Mountain

2017 1h 13m EN

👍

6.9

SOLID

🍅

87%

FRESH

💯

METACRITIC

⭐

7.2

IMDB

★6.9TMDB · 84🍅87%Rotten Tomatoes●82Metacritic★7.2IMDB · 4,325

Documentary

Synopsis

Spoiler shield

An epic cinematic and musical collaboration between SHERPA filmmaker Jennifer Peedom and the Australian Chamber Orchestra, that explores humankind's fascination with high places.

“Some stories are better left unspoiled.”

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Where to watch · US

Cast

Willem Dafoe
Narrator (voice)

Credits

Behind the camera

Director: Jennifer Peedom
Writers: Jennifer Peedom, Robert Macfarlane
Languages: English
Countries: Australia

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

RUNTIME

Did you know

Tight 73-minute runtime — shorter than most television pilots.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

Released 9 years ago.

MoodPlayr · trivia#02

3 / 8

RUNTIME

Did you know

Lean credit list — fewer than 30 people officially credited.

MoodPlayr · trivia#03

4 / 8

DIRECTOR

Did you know

Directed by Jennifer Peedom, shot by Renan Öztürk. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Original score by Richard Tognetti. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Editor Scott Gray shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06

7 / 8

WILD

Did you know

IMDB entry: tt6203570 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

8 / 8

WILD

Did you know

Only 84 TMDB ratings — you're getting ahead of the curve on this one.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Jennifer Peedom directs. Renan Öztürk behind the camera. Richard Tognetti scores. Scott Gray cuts. Runs lean at under 100 minutes. Produced in Australia. Dialogue in English.

Trivia

Things worth knowing

1Tight 73-minute runtime — shorter than most television pilots.
2Released 9 years ago.
3Lean credit list — fewer than 30 people officially credited.
4Directed by Jennifer Peedom, shot by Renan Öztürk. Note their partnership — DPs and directors often return to each other across a career.
5Original score by Richard Tognetti. Worth a dedicated listen after — most great films lose half their impact without the score.
6Editor Scott Gray shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
7IMDB entry: tt6203570 — still the authoritative cross-reference for credits and trivia.
8Only 84 TMDB ratings — you're getting ahead of the curve on this one.

The technical file

Cinematography: Renan Öztürk
Original score: Richard Tognetti
Editing: Scott Gray
Sound: David White
Runtime: 73 min · 1h 13m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Box office: $2,129,889
Original language: EN
Certification (US): PG
IMDB: Mountain (2017)
Rotten Tomatoes: 87% 🍅 Fresh
Metacritic: 82/100
IMDB rating: 7.2/10 · 4,325 votes
MPAA: PG

Awards

3 wins & 6 nominations total

Also by

Jennifer Peedom

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

The Movie Diorama2020-01-17
★ 7/10
Mountain peaks with its immersive cinematic photography and glacial poetry. “Mountains were places of peril, not beauty. An upper world to be shunned, not sought out. How then have mountains now come to hold a spellbound? Drawing us into their dominion. Often at the cost of lives. Because the mountains we climb are not made only of rock and ice, but also dreams...and desire. The mountains we climb, are mountains of the mind.” Passages from Macfarlane’s book ‘Mountains of the Mind’ sweep through the piercing crevices of Ozturk’s mountaineering photography, accompanied by Dafoe’s heavenly soothing narration. Exploring the relationship between humanity and mountains across time, “into a space where time warps...and bends”. Providing insight into their alluring endangerment, the mind’s requirement to feel alive. A lust for death-defying experiences where the stoic poses of grandiose mountains intimidate, cursed with the uncontrollable meteorology that governs them. Souls perish beneath the snow encrusted rocks. Others enlightened by the achievement they have just accomplished. “Sensations are thrillingly amplified”. Earth’s most imposing natural wonders of the world, have now become passions. “Our fascination became an obsession”. To conquer. To discover. To relinquish one’s self unto the summits where deities rest. Mountain refuses to be categorised as just a documentary, but rather cinematic immersion. Enabling nature’s seduction to beguile and mesmerise. Towering peaks hypnotise to the accompaniment of Beethoven and Vivaldi’s stringed odes. The Australian Chamber Orchestra supplying an additional poetic interpretation to the lofty heights of snow-capped summits. Panoramic horizons woven into a methodical observation, edited exquisitely to create a narrative flow. The first expedition to Everest. Humanity’s eternal desire to achieve the unachievable. Modern tourism and its environmental impact. Extreme sports. Nature’s water cycle. A symphony of characteristics brought together to enrapture those who dream of the bone deep cold. Stunning. Bewitching. Photographic beauty that is rarely surpassed onscreen. For every shot of these formidable rock formation, is a mental link that questions the psychology of humanity. A surprisingly affecting and visceral experience. However, much like the terrain that is captured, its pace is uneven. The balance between physical and human geography tipped towards the latter. Aspects such as the water cycle, volcanic surplus and glacial formations failed to coincide with the human element that enveloped this documentary. Furnishing no insight other than to resemble a rudimentary geography lesson one would watch at school. The daredevil stunts, mountaineering expeditions and environmental detriments were at the forefront, fortunately. Still, even these aspects were depicted unevenly with the environmentalism garnering a total of five minutes of the runtime. Considering the feature is just over an hour long, its secondary message had insufficient time to manifest. To end this review, a passage from Macfarlane’s book, which should be read just for its exquisite poetry in itself, will suffice and perfectly sum up Mountain as a feature. “Stone and ice though are far less gentle to the hand’s touch than to the mind’s eye. The mountains of the Earth have often turned out to be more resistant, more fatally real, than the mountains we imagine”.

Production companies