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Bride of Frankenstein poster

Bride of Frankenstein

"More fearful than the monster himself!"

1935 1h 15m EN
👍
7.5
SOLID
🔥
98%
CERTIFIED FRESH
💯
95
METACRITIC
⭐
7.8
IMDB
★7.5TMDB · 1,146🍅98%Rotten Tomatoes●95Metacritic★7.8IMDB · 57,416
HorrorScience Fiction
Synopsis
Spoiler shield

After recovering from injuries sustained in the mob attack upon himself and his creation, Dr. Henry Frankenstein falls under control of his former mentor, Dr. Pretorius, who insists the now-chastened doctor resume his experiments in creating new life. Meanwhile, the Monster remains on the run from those who wish to destroy him.

“More fearful than the monster himself!”

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Cast

Credits

Behind the camera

Director
James Whale
Writers
Robert Florey, Mary Shelley, Edmund Pearson
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
RUNTIME

Did you know

Tight 75-minute runtime — shorter than most television pilots.

MoodPlayr · trivia#01
2 / 8
MONEY

Did you know

Shot for just $0.4M — micro-budget by Hollywood standards.

MoodPlayr · trivia#02
3 / 8
MONEY

Did you know

Made its money back 5.1× over at the box office.

MoodPlayr · trivia#03
4 / 8
ERA

Did you know

91 years old — a genuine piece of film history.

MoodPlayr · trivia#04
5 / 8
CINEMA

Did you know

Part of the "Frankenstein (Universal) Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Directed by James Whale, shot by John J. Mescall. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#06
7 / 8
DIRECTOR

Did you know

Original score by Franz Waxman. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#07
8 / 8
DIRECTOR

Did you know

Editor Ted J. Kent shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#08

Cinephile deep dive

The take

James Whale directs. John J. Mescall behind the camera. Franz Waxman scores. Ted J. Kent cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Tight 75-minute runtime — shorter than most television pilots.
  • 2Shot for just $0.4M — micro-budget by Hollywood standards.
  • 3Made its money back 5.1× over at the box office.
  • 491 years old — a genuine piece of film history.
  • 5Part of the "Frankenstein (Universal) Collection" — so the characters or world continue elsewhere.
  • 6Directed by James Whale, shot by John J. Mescall. Note their partnership — DPs and directors often return to each other across a career.
  • 7Original score by Franz Waxman. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 8Editor Ted J. Kent shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 9Boris Karloff and Colin Clive and Valerie Hobson carry the top of the cast.
  • 10Marketing tagline: "More fearful than the monster himself!".
  • 11IMDB entry: tt0026138 — still the authoritative cross-reference for credits and trivia.
  • 12Classified under 13 themes, including "hermit", "monster", "lightning", "cemetery".
  • 13Released under 11 different titles around the world.

The technical file

Cinematography
John J. Mescall
Original score
Franz Waxman
Editing
Ted J. Kent
Costume design
Vera West
Makeup / hair
Otto Lederer
Runtime
75 min · 1h 15m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$393,750
Box office
$2,000,000
Return
508% of budget
Original language
EN
Certification (US)
NR
Rotten Tomatoes
98% 🍅 Fresh
Metacritic
95/100
IMDB rating
7.8/10 · 57,416 votes
MPAA
Approved

Awards

Nominated for 1 Oscar. 6 wins & 4 nominations total

Part of

Frankenstein (Universal) Collection

A Universal Production film series beginning with Frankenstein in 1931 and followed by four sequels up to 1944.

Also by

James Whale

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • CinemaSerf
    ★ 7/10

    Ernest Thesiger is superb in James Whale's sequel to "Frankenstein" as the scientist who has perfected the art of growing rather than harvesting tissue. When he meets up with Baron Frankenstein's original monster they set about coercing the reluctant Baron to create a wife for the lonely Boris Karloff. This is a cracking tale of science fiction, horror and even romance as the monster ends up endowed with far more "humanity" than either scientist. Una O'Connor and Elsa Lanchester are both great too, though feature sparingly. The special effects stand better scrutiny than many a sci-film being made twenty years later and the cannibalised classical musical score brings tension, joy, love and despair a-plenty to compensate for, admittedly a rather stilted script. Easily amongst the best "Frankenstein" films ever made in my book.

  • Wuchak
    ★ 7/10

    Dr. Frankenstein and his former mentor try to create a mate for the monster The monster (Karloff) survives the windmill burning of the previous film and wanders the countryside of Bavaria while Doctor Pretorius (Ernest Thesiger) approaches Baron Frankenstein (Colin Clive) with the idea of collaborating to create a mate for the monster, which presumably will domesticate him. This Universal classic from 1935 was one of the first sequels to a mainstream film and arguably started the concept of a movie franchise or, at least, a cinematic trilogy: The 1931 movie, this sequel, and the follow-up “Son of Frankenstein” (1939) all feature Boris Karloff as the monster along with other overlapping actors and characters. It has a story arc and comes to a clear ending in the third flick. Valerie Hobson is a highlight on the female front as Elizabeth Frankenstein (replacing Mae Clarke from the first film). Meanwhile Elsa Lanchester plays the dual role of Mary Shelley and the titular character at the end. The prologue presents a glaring issue since Mary conveys this sequel to Lord Byron and Percy Bysshe Shelley not long after the success of “Frankenstein,” which was published in 1818. Since the film obviously contains fashions & technology of the early 1930s mixed with elements of the 1800s (which the director described as an “alternate universe”), Mary would have to be predicting what it would be like in the distant future, at least 1899 (which is the tomb’s date on a recently deceased woman in the story). This is one of those rare occasions where the sequel is better. It’s marked by increased camp (but not overkill), the monster’s memorable friendship with a blind man in the forest, and the fact that he learns to speak in a monosyllabic fashion (which Karloff objected to). It’s an iconic addition to the Frankenstein story, a Gothic horror tragedy highlighted by unforgettable renditions of the monster and his “bride.” The B&W movie runs 1 hour, 15 minutes, and was shot entirely in the studio at Universal Studios in Greater Los Angeles. GRADE: B+

Production companies

Who made it

  • Universal Pictures

    Universal Pictures

    US

  • JA

    James Whale Productions

Key crew

  • ProducerCarl Laemmle Jr.
  • EditorTed J. Kent
  • Special EffectsJohn P. Fulton
  • Assistant Makeup ArtistOtto Lederer
  • Sound SupervisorGilbert Kurland
  • Sound EngineerWilliam Hedgcock
  • HairstylistIrma Kusely
  • Sound Effects EditorEdwin Wetzel
  • Original StoryMary Shelley
  • Assistant DirectorHarry Mancke
  • AdaptationJosef Berne
  • AdaptationLawrence G. Blochman
  • AdaptationR.C. Sherriff
  • Additional WritingTom Reed
  • Assistant DirectorFred Frank
  • AdaptationMorton Covan
  • Hair SetupIrma Kusely
  • Visual EffectsCleo E. Baker
  • Special Effects TechnicianKen Strickfaden
  • Scoring MixerLarry Aicholtz
  • Assistant DirectorJoseph A. McDonough
  • Makeup TraineeOtto Lederer
  • Special Effects AssistantDavid S. Horsley
  • Camera OperatorAlan Jones

Themes & keywords

What it's about, really

  • hermit
  • monster
  • lightning
  • cemetery
  • mill
  • halloween
  • mad scientist
  • sequel
  • black and white
  • comedic relief
  • frankenstein
  • casual
  • shrunken human

Release history · US

When it landed

  • Premiere1935-04-19NR· Chicago, Illinois
  • Theatrical1935-04-20
  • Theatrical1935-05-06NR

Also known as

International titles

  • Frankensteins RückkehrDE
  • Frankenstein Lives Again!DE
  • The Return of FrankensteinDE
  • La fiancée de FrankensteinFR
  • A Noiva de FrankensteinBR
  • La novia de FrankensteinES
  • 프랑켄쉬타인의 신부KR
  • 프랑켄슈타인 2 - 프랑켄슈타인의 신부KR
  • Frankenstein 2: The Bride of FrankensteinUS
  • Frankenşteynin GəliniAZ
  • Frankenstein'ın GeliniTR

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