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Tight 60-minute runtime β shorter than most television pilots.

"A Mystery Thrill-Treat from the Annals of The Shadow"
While investigating the theft of a valuable jade statue known as "The Missing Lady" -- and the subsequent murder of an art dealer -- imperceptible sleuth Lamont Cranston aka the Shadow finds himself being blamed for the crime. It doesn't help the Shadow's claims of innocence when more bodies begin piling up. Good thing he knows exactly who's guilty among an increasingly smaller group of suspects.
βA Mystery Thrill-Treat from the Annals of The Shadowβ
Where to watch Β· US

Kane Richmond
Lamont Cranston / The Shadow

Barbara Read
Margo Lane

George Chandler
Shrevvie

James Flavin
Police Insp. Cardona

Pierre Watkin
Police Commissioner Weston

Dorothea Kent
Jennie Delaney

Almira Sessions
Miss Effie

Nora Cecil
Miss Millie
Credits
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Cinephile deep dive
Phil Karlson directs. William A. Sickner behind the camera. Ace Herman cuts. Runs lean at under 100 minutes. Dialogue in English.
Trivia
Part of
The Shadow is a super hero. Who like many super heroes fights crime in New York City. Behind the mask of The Shadow is a young wealthy man known as Lamont Cranston, also known as Kent Allard.
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Community reviews
So Kane Richmond takes top billing as the "Shadow/Cranston" but it's really "Miss Effie" (Almira Sessions) and "Miss Millie" (Nora Cecil) who steal the scenes as the busy-body lift operators who shimmy around in perfectly symmetrical attire running one of those counter-weight elevators that has a mind of it's own as they entrap their "passengers" whilst they accrue all the gossip. The rest of the plot is all centred on rather a silly misunderstanding between our sleuth and police inspector "Cardona" (James Flavin). You see, the eponymous character is not actually a person, but a foot-high jade statue worth a cool $250,000 - and it's been pinched. The policeman thinks it's a person but "Cranston" knows it's not - and that's the premiss of the hour as they both try to track it/her down whilst the body count mounts up. There's plenty of fisticuffs, trashed furniture and a few wise cracks along the way to an ending that's probably about as convoluted as they come. It's all production-line stuff this with little to remember, but I did think there was just a soupΓ§on of charisma on display here from Barbara Read's "Margo" and the dynamic between the investigator, the inspector and is boss, the "Commissioner" (Pierre Watkin) does raise a smile now and again.
Themes & keywords
Release history Β· US