Suburbicon

Cinephile deep dive

The take

George Clooney directs. Robert Elswit behind the camera. Alexandre Desplat scores. Stephen Mirrione cuts. A commercial under-performer on release. Produced in China, United States of America. Dialogue in English.

Trivia

Things worth knowing

• 1Earned back only 51% of its budget on initial theatrical — a commercial disappointment on release.
• 2Released 9 years ago.
• 3International production across 2 countries: China, United States of America.
• 4Directed by George Clooney, shot by Robert Elswit. Note their partnership — DPs and directors often return to each other across a career.
• 5Original score by Alexandre Desplat. Worth a dedicated listen after — most great films lose half their impact without the score.
• 6Editor Stephen Mirrione shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
• 7Matt Damon and Julianne Moore and Noah Jupe carry the top of the cast.
• 8Marketing tagline: "Welcome to the neighborhood".
• 9IMDB entry: tt0491175 — still the authoritative cross-reference for credits and trivia.
• 10Released under 11 different titles around the world.

The technical file

Cinematography

Robert Elswit

Original score

Alexandre Desplat

Editing

Stephen Mirrione

Production design

James D. Bissell

Costume design

Jenny Eagan

Makeup / hair

Aurora Bergere

VFX supervisor

Matt Kasmir

Sound

Paul Massey

Stunt coordinator

Jeffrey Lee Gibson

Runtime

105 min · 1h 45m

Aspect ratio (typical)

1.37:1 (Academy)

Status

Released

Budget

$25,000,000

Box office

$12,751,667

Return

51% of budget

Original language

EN

Certification (US)

R

IMDB

Suburbicon (2017) ↗

Also by

George Clooney

• 
  Unscripted

  2005 · ★ 8.5
• 
  Catch-22

  2019 · ★ 7.3
• 
  The Boys in the Boat

  2023 · ★ 7.2
• 
  Good Night, and Good Luck.

  2005 · ★ 7.1
• 
  Confessions of a Dangerous Mind

  2002 · ★ 6.7
• 
  The Ides of March

  2011 · ★ 6.7

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

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Trailers & featurettes

Watch the pieces

• 

  ▶
  Official Trailer

  Trailer · Official

Community reviews

What people are saying

• Filipe Manuel Neto2022-06-23
  ★ 4/10

  A film that recreates the modus vivendi of the 50s suburbs, but fails to give us a story with tension and suspense that we can adhere to. Any Cohen Brothers film is always a film that promises not to be like any other. Their style is quite unique and does not suit everyone. And this time they bring us a film that is entirely about the importance of appearances, the rottenness they cover up, and a certain self-destruction latent beneath an impeccable appearance. It's a film that tries to teach us that nothing is what it seems, nothing is perfect, there are no paradises on Earth, and everything that seems too perfect always has something decadent or spoiled behind it. Yet another film that promises to annoy those who see it... a nuisance that helps us understand why the film was so poor at the box office. This is the lesson of Suburbicon, a seemingly perfect and very friendly community, all white Caucasians, with impeccable houses, cars and lawns, which will begin to experience days of enormous turmoil and riot when a black family decides to move there. The family in question seems as impeccable as they are, and as wealthy as any of their neighbors... but they are black, and that is enough to be undesirable in the eyes of the neighbors. At the same time, one of those impeccable families begins to implode after a home invasion results in a murder and, days later, an inspector shows up, thinking it's all a crime committed to grab the life insurance money. As we can see, the script is not difficult to describe succinctly, despite joining two plots that, alone, could make a solo film. Set in the 1950s, the film shows us how the suburban neighborhood was born, with a large urbanization boosted by the growing prosperity and purchasing power of a rapidly growing middle class. However, throughout the film, the feeling of artificiality and falsehood that surrounds the neighborhood (and that ideal family in particular) is accentuated, in proportion to the suspicions of the authorities and the hostility towards the black family. Unfortunately, the film fails to convey that tension to the audience, and the atmosphere is never as thick and disturbing as it should be. George Clooney may not be part of the cast, but he ensures a safe direction and is aware of what he wants... although he doesn't seem to know exactly how to get there! He takes great efforts in the most technical and artistic points, in the sets design, in the recreation of the period, but he fails to shape the environment in such a way that the tension and suspense can be built up on the way to the climax, nor that the cast corresponds with the same effort and commitment. The proof is Matt Damon, who brings the protagonist to life in a lukewarm way, similar to what he did in Good Shepherd (the similarity between characters, from a visual and behavioral point of view, is huge and not pleasant). Julianne Moore turns out to be the best actress here, with a good performance where she combines a calculating and meticulous spirit with an appearance of an ideal housewife. Technically, it's a well-executed film on many levels: the cinematography is colorful, vivid, and the filming work was well done. The sets manage to resurrect the idyllic appearance of the middle-class suburb of the 50s, with the sets betting on period furniture and colors between green and pink. The cars are an important part of the movie, and they are all magnificent. The costumes, most particularly Moore's, are also excellent and bring back the women's fashion of that period. Alexander Desplat signs the soundtrack and does a very well executed job.

  Read full review ↓
• GenerationofSwine2023-01-12
  ★ 1/10

  The Coens are experts in their ability to write a political satire, or a movie with a strong political message, and make it feel natural and organic to the plot so much so that, even if you don't agree with whatever they are trying to say, you don't care because they are still telling a great story...and the story always comes first. However, put George Clooney at the helm and all the talent that the Coens have for expertly into a stylish story goes straight out the window. And the result is...a bore. Clooney put the politics above the story and you can tell. It felt preachy, it felt pretentious, it felt like a lecture...What it didn't feel like was entertainment. But that's what happens when you have a great script with a strong political message...and you decide that the political message has to be front and center, in your face, at the expense of actually telling a story. Had the Coen's actually directed it, they could have sold the audience the same message, without making it feel like it was forced down your throat.

  Read full review ↓

Production companies

Who made it

• 

  Black Bear Pictures

  US

• 

  Dark Castle Entertainment

  US

• 

  Smokehouse Pictures

  US

• HU

  Huahua Media

  CN

Key crew

• CastingEllen Chenoweth
• Craft ServiceJeff Winn
• Location ScoutKen Haber
• Casting AssociateSusanne Scheel
• Production DesignJames D. Bissell
• ProducerGeorge Clooney
• Location ScoutKathy M. Berry
• ProducerTeddy Schwarzman
• Production AssistantAnthony Keating
• Executive ProducerJoel Silver
• LeadmanBrent Rice
• ProducerGrant Heslov
• OtherCarrie Prince
• OtherKaren Teneyck
• FinanceBryan Persichetti
• OtherBethany Haynes
• Location ManagerMichael J. Burmeister
• Key Makeup ArtistAurora Bergere
• Makeup Department HeadJulie Hewett
• Makeup ArtistRichard Redlefsen
• Makeup ArtistEllen Vieira
• Sound MixerEdward Tise
• DriverBrian Stackhouse
• Key Hair StylistDarlene Brumfield

Themes & keywords

What it's about, really

• dark comedy

Release history · US

When it landed

• Theatrical2017-10-27R
• Physical2018-02-06R

Also known as

International titles

• Bienvenue à SuburbiconFR
• 完美社區謀殺案TW
• ПредграђеRS
• Suburbicon: Bienvenidos al ParaísoAR
• 迷镇CN
• 小镇郊区CN
• 서버비콘KR
• Suburbicon - Der Tod wohnt in der VorstadtDE
• Suburbicon: Tiszta udvar, rendes házHU
• Kenar MahalleTR
• Suburbicon - Willkommen in der NachbarschaftDE