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56 years old β a genuine piece of film history.

"A man called "Horse" becomes an Indian warrior in the most electrifying ritual ever seen!"
In 1825, English peer Lord John Morgan is cast adrift in the American West. Captured by Sioux Indians, Morgan is at first targeted for quick extinction, but the tribesmen sense that he is worthy of survival. He eventually passes the many necessary tests that will permit him to become a member of the tribe.
βA man called "Horse" becomes an Indian warrior in the most electrifying ritual ever seen!β

Richard Harris
John Morgan

Jean Gascon
Batise

Judith Anderson
Buffalo Cow Head

Corinna Tsopei
Running Deer

Manu Tupou
Yellow Hand

Dub Taylor
Joe

James Gammon
Ed

William Jordan
Bent
Credits
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Cinephile deep dive
Elliot Silverstein directs. Robert B. Hauser behind the camera. Leonard Rosenman scores. Philip W. Anderson cuts. Produced in Mexico, United States of America. Dialogue in English, French.
Trivia
Awards
1 win & 2 nominations total
Part of
A Man Called Horse is a 1970 Western film directed by Elliot Silverstein, produced by Sandy Howard, written by Jack DeWitt. It is based on the short story "A Man Called Horse" by the Western writer Dorothy M. Johnson, first published in 1950 in Collier's magazine and again in 1968 in Johnson's book Indian Country. The basic story was used in a 1958 episode of the television series Wagon Train, titled "A Man Called Horse". The film stars Richard Harris as the titular character, alongside Judith Anderson, Jean Gascon, Manu Tupou, Corinna Tsopei, Dub Taylor, and James Gammon. Partially spoken in Sioux, the film tells the story of an English aristocrat who is captured by the Sioux people. The film received generally positive critical reviews, and was a financial success, spawning two sequels; The Return of a Man Called Horse (1976) and Triumphs of a Man Called Horse (1983).
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Trailers & featurettes
Community reviews
I'm not a bloody horse! This is the story of Lord John Morgan, an honest earthy person who is captured by the Sioux in 1825. Abused and treated as an animal he comes to adapt to his life in order to survive. Enduring torture and oppression he must earn their respect in order to be accepted as part of their tribe. The white man as part of a Sioux tribe story was given a major shot in the arm with Kevin Costner's Oscar bagger, Dances With Wolves in 1990. This picture came out some twenty years before Costner's stylish picture but the two films couldn't be further apart in terms of story telling. Here in Elliot Silverstein's picture, the scenery and scope is certainly lush, but the niceties stop there for this is a harsh, at times painful, story with realism dripping from each frame. Silverstein wanted to get as close as he could to the facts of the Sioux way of life, even bringing in a Sioux historian to oversee the production. The Sioux are painted on both sides of the canvas, on one side we are shown them to be violent, even sadistic, but Silverstein also portrays them as an intelligent race driven on by intense loyalty to their ways and culture. Richard Harris plays our main protagonist and has a clear license to act with immense verve and vigour, it's a memorable turn that lingers long after the credits roll. Hurting the film is a twee romance between Morgan and the Chiefs daughter (Judith Anderson) and Jean Gascon's fluctuating accents start to grate entering the film's last quarter. But really the plus points far outweigh the little irritants in the piece. The editing from Philip W. Anderson & Michael Kahn is like a whirling paean to hallucinations, and some scenes are from the top draw, most notably the Vow To The Sun ritual that literally is painful to watch. A Man Called Horse may well be of its time, but it's certainly a very interesting and highly intelligent film. 7/10
Production companies
Sandy Howard Productions

Cinema Center Films
US

Estudios Churubusco Azteca
MX
Themes & keywords
Release history Β· US
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