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Hostiles poster

Hostiles

"We are all…"

2017 2h 14m EN
👍
7.0
SOLID
★7.0TMDB · 2,598
DramaWesternHistoryAdventure
Synopsis
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A legendary Native American-hating Army captain nearing retirement in 1892 is given one last assignment: to escort a Cheyenne chief and his family through dangerous territory back to his Montana reservation.

“We are all…”

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Cast

Credits

Behind the camera

Director
Scott Cooper
Writers
Scott Cooper, Dan Sweetman, Donald E. Stewart
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Mid-budget at $55M — the now-extinct middle tier of Hollywood.

MoodPlayr · trivia#01
2 / 8
MONEY

Did you know

Earned back only 67% of its budget on initial theatrical — a commercial disappointment on release.

MoodPlayr · trivia#02
3 / 8
ERA

Did you know

Released 9 years ago.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Directed by Scott Cooper, shot by Masanobu Takayanagi. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Original score by Max Richter. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Editor Tom Cross shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06
7 / 8
CAST

Did you know

Christian Bale and Rosamund Pike and Wes Studi carry the top of the cast.

MoodPlayr · trivia#07
8 / 8
FACT

Did you know

Marketing tagline: "We are all…".

MoodPlayr · trivia#08

Cinephile deep dive

The take

Scott Cooper directs. Masanobu Takayanagi behind the camera. Max Richter scores. Tom Cross cuts. A commercial under-performer on release. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Mid-budget at $55M — the now-extinct middle tier of Hollywood.
  • 2Earned back only 67% of its budget on initial theatrical — a commercial disappointment on release.
  • 3Released 9 years ago.
  • 4Directed by Scott Cooper, shot by Masanobu Takayanagi. Note their partnership — DPs and directors often return to each other across a career.
  • 5Original score by Max Richter. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 6Editor Tom Cross shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 7Christian Bale and Rosamund Pike and Wes Studi carry the top of the cast.
  • 8Marketing tagline: "We are all…".
  • 9IMDB entry: tt5478478 — still the authoritative cross-reference for credits and trivia.
  • 10Classified under 18 themes, including "widow", "montana", "new mexico", "chief".

The technical file

Cinematography
Masanobu Takayanagi
Original score
Max Richter
Editing
Tom Cross
Production design
Donald Graham Burt
Costume design
Jenny Eagan
Makeup / hair
Siobhan Carmody
VFX supervisor
Jake Braver
Sound
Skip Lievsay
Stunt coordinator
Doug Coleman
Runtime
134 min · 2h 14m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$55,000,000
Box office
$36,976,336
Return
67% of budget
Original language
EN
Certification (US)
R

Also by

Scott Cooper

Stills · wallpapers

Selected frames

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Trailers & featurettes

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Community reviews

What people are saying

  • Wuchak
    ★ 5/10

    RELEASED IN LATE 2017 and written & directed by Scott Cooper, “Hostiles” is a Western starring Christian Bale as a renowned Army captain who grudgingly agrees to escort a dying hated chief (Wes Studi) & his family from New Mexico to Cheyenne lands in Montana in 1892. Rosamund Pike plays a grieving settler that the detail picks up on the way. Rory Cochrane plays Sgt. Metz and Jonathan Majors Corp. Woodsen. While the flick starts great and the Western "road movie" plot is full of potential, some elements are too contrived/unlikely (e.g. the whole fur trapper episode) or wannabe heavy (e.g. Sgt. Metz' apology in the rain) and the film just wallows in unrelenting glumness. Still, there is some good in it and you’ll discern a glimmer here or there. It's just that after the excellent set-up, I thought I was in for a great Western, but it wasn't to be. The script needed serious rewriting. THE MOVIE RUNS 2 hours & 14 minutes and was shot in New Mexico/Arizona/Colorado. ADDITIONAL WRITER: Donald E. Stewart. GRADE: C/C- (4.5/10)

  • Gimly
    ★ 5/10

    Four Weddings and a Funeral Except the Weddings Were Actually Just Extra Funerals. Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.

  • John Chard
    ★ 9/10

    I've killed everything that's walked or crawled. If you do it enough, you get used to it. Hostiles is directed by Scott Cooper and Cooper adapts the screenplay from the story written by Donald E. Stewart. It stars Christian Bale, Rosamund Pike, Wes Studi, Rory Cochrane, John Benjamin Hickey, Jeremiah Wilks and Jesse Plemons. Music is by Max Richter and cinematography by Masanobu Takayanagi. In 1892, legendary Capt. Joseph J. Blocker (Bale) reluctantly has to escort his old Cheyenne adversary Chief Yellow Hawk (Studi) and his family through dangerous territories. The aim is to get them to the Cheyenne tribal homelands of Montana so Yellow Hawk can get his wish to die in peace. Where we at these days with the grand old bastion of American cinema, the Western? The only real constant is that thankfully for lovers of the form there are new directors willing to tackle the genre and bring something to the newer generations. Here we have Scott Cooper, who right from the off hasn’t hid the fact that Hostiles is his rallying call for a better world, or at least a better understanding of different cultures. What better way to cry out than to do it in a Western, using the Indian Wars as the backdrop. Perfect really. Hostiles jumps right out of the blocks to grab you by the throat with soul shattering violence, with Cooper and his team initially facing charges of old by fronting up a one sided argument – but there is more. Quickly a switch ensures that both sides of this particular bloody coin have been tossed, scene set for what will follow. A meeting back at Fort Berringer where Captain Blocker receives the orders he simply doesn’t want to obey is in hushed tones, yet the words being spoken are brutally loud and to the point. And on to the journey, damaged souls unbound who not only have to fear hostiles from outside their group, but the hostiles within it and within themselves. As the story moves through the journey undertaken by our protagonists, the makers have not cut corners with the characterisations, the emotional development of the principals is one of the film’s strengths (cast are superb, there’s a real authenticity to their respective performances). Also worthy is the pacing, it is deliberately unhurried and allows the characters to breathe, it also gives the jolts of action more potency, whilst simultaneously we can absorb the stunning landscapes (New Mexico/Arizona) and rejoice at the pleasures of an outdoor Western. While how nice it is to have a musical score that doesn’t blunderbuss the important sequences, rounding out what is a top technical production. There’s some irritants here, though, so it’s not perfect, and this is before it is marked poorly by those not in sync with the messages of the piece. Ben Foster turns up as Philip Wills, a most edgy character that makes one wish there was far more of him in the pic, for as it is it ends up feeling a bit pointless since he only emphasises what we have learned about Blocker at the start. Then there’s a key turn of events for the story’s coup de grâce that leaves a frustrating taste in the mouth, not as a film killer or even close in fact, but it should have gone another way one feels. Especially given the two sides of the argument stance Cooper and co had began with. Yet this is for Western fans a real treat, following in the footsteps of new era classics like Dances With Wolves and Unforgiven, Hostiles may have a new age sensibility in its narrative thrust, but traditionally old age adultness propels it forward. 9/10

Production companies

Who made it

  • Waypoint Entertainment

    Waypoint Entertainment

    US

  • LE

    Le Grisbi Productions

    US

  • BL

    Bloom

    US

  • Entertainment Studios

    Entertainment Studios

    US

Key crew

  • Visual Effects ProducerBrice Liesveld
  • Sound Re-Recording MixerSkip Lievsay
  • Supervising Sound EditorSkip Lievsay
  • Makeup ArtistSiobhan Carmody
  • ProducerJohn Lesher
  • ProducerScott Cooper
  • ProducerKen Kao
  • Producer's AssistantEmily Cheung
  • Co-ProducerSean Murphy
  • Co-ProducerJosh Rosenbaum
  • Executive ProducerWill Weiske
  • EditorTom Cross
  • CastingJo Edna Boldin
  • CastingRene Haynes
  • CastingFrancine Maisler
  • Production DesignDonald Graham Burt
  • Art DirectionElliott Glick
  • Set DecorationEdward McLoughlin
  • Makeup ArtistSvetlana Britt
  • Key Makeup ArtistDoniella Davy
  • Makeup ArtistKatie Douthit
  • Makeup Department HeadJane Galli
  • Hair DesignerLori Guidroz
  • Hair Department HeadLori Guidroz

Themes & keywords

What it's about, really

  • widow
  • montana
  • new mexico
  • chief
  • native american
  • assignment
  • grief
  • murder
  • gunfight
  • massacre
  • brutality
  • native american reservation
  • u.s. cavalry
  • 19th century
  • indigenous peoples
  • new mexico territory
  • 1890s
  • violence

Release history · US

When it landed

  • Premiere2017-09-02R· Telluride Film Festival
  • Premiere2017-10-20· Middleburg Film Festival
  • Theatrical (limited)2017-12-22R
  • Theatrical2018-01-26R
  • Physical2018-04-24R

Also known as

International titles

  • 하스타일KR
  • НедругиUA
  • HostisBR
  • عدائيونSA

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