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Shot for just $2.2M β micro-budget by Hollywood standards.

"Love means never having to say youβre sorry."
Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail.
βLove means never having to say youβre sorry.β
Where to watch Β· US

Ali MacGraw
Jennifer Cavilleri

Ryan O'Neal
Oliver Barrett IV

John Marley
Phil Cavilleri

Ray Milland
Oliver Barrett III

Russell Nype
Dean Thompson

Tommy Lee Jones
Hank Simpson

Sydney Walker
Dr. Shapeley
Robert Modica
Dr. Addison
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
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Cinephile deep dive
Arthur Hiller directs. Richard C. Kratina behind the camera. Francis Lai scores. Robert C. Jones cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.
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Community reviews
Well acted tear-jerker has some nice scenes and dialogue between Ryan O'Neil and Ali MacGraw, and thankfully not overly schmaltzy. Today this sort of thing would be on Lifetime but back in 70 was a box office hit. Not sure it's something I'll watch again anytime soon but decent for a romance-drama. 3.5/5
Ryan O'Neal ("Oliver") is the son of a wealthy family who falls in love with "Jenny"(Ali McGraw) - a working class girl of whom his father (Ray Milland) does not approve. When the couple decide they are serious, his relationship with his father breaks down. He is studying law, qualifies third in his class at Harvard, gets a decent job and their now married life together looks set fair - until, that is, they struggle to conceive a child. A visit to the doctor presents their idyllic lifestyle with a massive shock and the two, at just twenty four years of age, must come to terms with a looming tragedy. There is quite a bit of engaging, first love, chemistry between these actors, and the script is peppered with some gentle humour as their lively romance blossoms in front of us. The production is adequate, all it needs to be in a performance driven film like this but the nature of the ending served little purpose and felt really quite unnecessarily unfulfilling and downbeat. It is a good film, but I suspect that Francis Lai's theme tune will long outlive the memory of anything we see on screen.
Production companies

Paramount Pictures
US
Love Story Company
Themes & keywords
Release history Β· US
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