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Troll

"Mountains will move."

2022 1h 44m NO
👍
6.5
SOLID
★6.5TMDB · 2,115
FantasyActionAdventure
Synopsis
Spoiler shield

When an explosion in the Norwegian mountains awakens an ancient troll, officials appoint a fearless paleontologist to stop it from wreaking deadly havoc.

“Mountains will move.”

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Cast

Credits

Behind the camera

Director
Roar Uthaug
Writers
Espen Aukan, Roar Uthaug
Languages
English, Norwegian
Countries
Norway

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
ERA

Did you know

Released 4 years ago.

MoodPlayr · trivia#01
2 / 8
WORLD

Did you know

Dialogue crosses 2 languages: English, Norwegian.

MoodPlayr · trivia#02
3 / 8
CINEMA

Did you know

Part of the "Troll (2022) Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Directed by Roar Uthaug, shot by Jallo Faber. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Original score by Johannes Ringen. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Editor Christoffer Heie shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06
7 / 8
CAST

Did you know

Ine Marie Wilmann and Kim S. Falck-Jørgensen and Mads Sjøgård Pettersen carry the top of the cast.

MoodPlayr · trivia#07
8 / 8
FACT

Did you know

Marketing tagline: "Mountains will move.".

MoodPlayr · trivia#08

Cinephile deep dive

The take

Roar Uthaug directs. Jallo Faber behind the camera. Johannes Ringen scores. Christoffer Heie cuts. Produced in Norway. Dialogue in English, Norwegian.

Trivia

Things worth knowing

  • 1Released 4 years ago.
  • 2Dialogue crosses 2 languages: English, Norwegian.
  • 3Part of the "Troll (2022) Collection" — so the characters or world continue elsewhere.
  • 4Directed by Roar Uthaug, shot by Jallo Faber. Note their partnership — DPs and directors often return to each other across a career.
  • 5Original score by Johannes Ringen. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 6Editor Christoffer Heie shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 7Ine Marie Wilmann and Kim S. Falck-Jørgensen and Mads Sjøgård Pettersen carry the top of the cast.
  • 8Marketing tagline: "Mountains will move.".
  • 9IMDB entry: tt11116912 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography
Jallo Faber
Original score
Johannes Ringen
Editing
Christoffer Heie
Production design
Koja
Costume design
Karen Fabritius Gram
Makeup / hair
Dorte Pedersen
VFX supervisor
Esben Syberg
Sound
Kristian Tybakken
Stunt coordinator
Deni Jordan
Runtime
104 min · 1h 44m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
NO
Certification (US)
PG-13

Part of

Troll (2022) Collection

When an ancient troll is awakened in a Norwegian mountain, a ragtag group of heroes must come together to try and stop it from wreaking deadly havoc.

Also by

Roar Uthaug

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Peter McGinn
    ★ 8/10

    I found this movie to be entertaining. It reminded me of Trollhunter, another movie on the same subject, but which was perhaps smaller in scale as it involved a small group of troll hunters rather than the entire government of Norway and its military. When it comes to science fiction or fantasy I tend to give more slack for the writing and I found this to be fairly well written and well acted. There were a few clichés about government leaning on the military as their first and only response to a crisis, but in an odd way it is a relief that it is some country besides the United States being portrayed as doing that. I thought the special effects of the creature and the scenes of destruction were pretty good, though I do not profess to be all that knowledgeable about the world of special effects. The ending of the movie seemed a little anticlimactic and not quite believable to me as far as the final plan to neutralize the troll went and the final scene of there being more trolls feels a slam to the earlier assertions that this was indeed the last troll in existence. But as I said at the outset, the movie held my intention and was entertaining overall. So what more could I ask for?

  • whitsbrain
    ★ 6/10

    There's nothing very original about this, but it's got some likeable characters and really solid special effects. The explosions and fire of the military's offensive against the giant troll being the most impressive.

  • Manuel São Bento
    ★ 7/10

    Watched for the first time in preparation for TROLL 2. Rating: B I've always appreciated how Roar Uthaug manages to ground high-concept disasters in human emotion, so I went into TROLL hoping for that same balance applied to folklore. What we get is undeniably a patchwork of Hollywood's monster movie tropes — you can feel the DNA of GODZILLA and KING KONG in almost every beat — but Uthaug elevates the material through a distinct Norwegian atmosphere. While the narrative is formulaic and the supporting characters often fall into the trap of making frustratingly dumb decisions, the visuals are genuinely spectacular, delivering a tangible sense of scale and weight to the creature that puts many significantly more expensive blockbusters to shame. Nevertheless, where TROLL truly succeeds for me is in its thematic resonance, which saves it from being just another creature flick. It's not merely about a monster smashing buildings; it represents a violent clash between tradition and modernization, where the industrial expansion of the present literally awakens the suppressed ghosts of the past. The film incorporates a fascinating layer of commentary regarding the Christianization of Norway, erasing pagan history and painting the creature not as a villain, but as a tragic, displaced king fighting for a home that has been paved over. TROLL turns a familiar premise into a surprisingly emotional defense of nature and heritage, reminding us that some legends aren't meant to be conquered, but respected.

Production companies

Who made it

  • Motion Blur

    Motion Blur

    NO

Key crew

  • Production DesignKoja
  • Visual Effects SupervisorEsben Syberg
  • EditorChristoffer Heie
  • Additional MusicChris Forsgren
  • Production ExecutiveJasmina Torbati
  • Stunt CoordinatorDeni Jordan
  • Makeup DesignerDorte Pedersen
  • StuntsRobert Follin
  • Production ManagerHenriette Sørli
  • Art DirectionVilius Vanagas
  • Line ProducerSanne Glæsel
  • First Assistant DirectorSascha Marden
  • CastingIngrid Lykkeslet Strømskag
  • Assistant EditorVesa Happonen
  • Sound DesignerKristian Tybakken
  • Costume DesignKaren Fabritius Gram
  • Supervising Sound EditorChristian Schaanning
  • Executive ProducerVeslemøy Ruud Zwart
  • Executive ProducerHarald Zwart
  • Executive ProducerTim King
  • Executive ProducerRoar Uthaug
  • Post ProducerJenny Victoria Jærn
  • Executive ProducerEspen Sandberg
  • ColoristJean-Clement Soret

Themes & keywords

What it's about, really

  • mountain
  • mythical creature
  • creature
  • oslo, norway
  • monster movie
  • norwegian folklore

Release history · US

When it landed

  • Digital2022-12-01PG-13· Netflix

Also known as

International titles

  • 山怪巨魔CN
  • トロールJP
  • トロール:2022JP
  • Trol : 2022ES

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