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Poltergeist

""They're here.""

1982 1h 54m EN
πŸ‘
7.2
SOLID
πŸ…
89%
FRESH
πŸ‘Œ
79
METACRITIC
⭐
7.3
IMDB
β˜…7.2TMDB Β· 3,480πŸ…89%Rotten Tomatoes●79Metacriticβ˜…7.3IMDB Β· 193,703
Horror
Synopsis
Spoiler shield

The Freelings' suburban home becomes the center of paranormal activity that opens a portal to the 'other side'. With help, they must cross over to get their daughter back.

β€œ"They're here."”

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Cast

Credits

Behind the camera

Director
Tobe Hooper
Writers
Steven Spielberg, Michael Grais, Mark Victor
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Grossed $122M β€” a 11.4Γ— return. The kind of profit studios chase for a decade.

MoodPlayr Β· trivia#01
2 / 8
ERA

Did you know

44 years old β€” old enough to be someone's favourite childhood film.

MoodPlayr Β· trivia#02
3 / 8
CINEMA

Did you know

Part of the "Poltergeist Collection" β€” so the characters or world continue elsewhere.

MoodPlayr Β· trivia#03
4 / 8
DIRECTOR

Did you know

Directed by Tobe Hooper, shot by Matthew F. Leonetti. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#04
5 / 8
ERA

Did you know

Original score by Jerry Goldsmith. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#05
6 / 8
DIRECTOR

Did you know

Editor Michael Kahn shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#06
7 / 8
CAST

Did you know

JoBeth Williams and Craig T. Nelson and Beatrice Straight carry the top of the cast.

MoodPlayr Β· trivia#07
8 / 8
FACT

Did you know

Marketing tagline: ""They're here."".

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

Tobe Hooper directs. Matthew F. Leonetti behind the camera. Jerry Goldsmith scores. Michael Kahn cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Grossed $122M β€” a 11.4Γ— return. The kind of profit studios chase for a decade.
  • 244 years old β€” old enough to be someone's favourite childhood film.
  • 3Part of the "Poltergeist Collection" β€” so the characters or world continue elsewhere.
  • 4Directed by Tobe Hooper, shot by Matthew F. Leonetti. Note their partnership β€” DPs and directors often return to each other across a career.
  • 5Original score by Jerry Goldsmith. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 6Editor Michael Kahn shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 7JoBeth Williams and Craig T. Nelson and Beatrice Straight carry the top of the cast.
  • 8Marketing tagline: ""They're here."".
  • 9IMDB entry: tt0084516 β€” still the authoritative cross-reference for credits and trivia.
  • 10Classified under 15 themes, including "dying and death", "parent child relationship", "medium", "poltergeist".

The technical file

Cinematography
Matthew F. Leonetti
Original score
Jerry Goldsmith
Editing
Michael Kahn
Production design
James H. Spencer
Makeup / hair
Dorothy J. Pearl
VFX supervisor
Richard Edlund
Stunt coordinator
Glenn Randall Jr.
Runtime
114 min Β· 1h 54m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$10,700,000
Box office
$121,733,131
Return
1138% of budget
Original language
EN
Certification (US)
PG
Rotten Tomatoes
89% πŸ… Fresh
Metacritic
79/100
IMDB rating
7.3/10 Β· 193,703 votes
MPAA
PG

Awards

Nominated for 3 Oscars. 5 wins & 9 nominations total

  • Saturn Award for Best Make-up

Individual records documented via Wikidata; the summary above may count more.

Part of

Poltergeist Collection

The Poltergeist movies are a trilogy of American horror films distributed by Metro-Goldwyn-Mayer during the 1980s. The films revolve around the members of the Freeling family, who are stalked and terrorized by a group of ancient ghosts that are attracted to the youngest daughter, Carol Anne. The original film was co-written by Steven Spielberg.

Also by

Tobe Hooper

Stills Β· wallpapers

Selected frames

Full-resolution frames β€” open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Ted Fraraccio
    β˜… 10/10

    One of the biggest moments of my childhood was seeing Poltergeist for the first time at 7 years old. I saw it on a 4:3 set on a very old DVD in my parents' bedroom, after my mom had recently come home from the hospital after surgery. One night, my dad came home from the library with some DVDs, and one of them was Poltergeist. I popped it into the DVD player without hesitation as I'd wanted to see it since I was 5. I knew from the moment it started, Poltergeist was going to be a great movie, but little did I know it would become my favorite movie of all time, and I'd want to experience it again and again. Craig T. Nelson and JoBeth Williams star in this classic as Steve and Diane Freeling, who live with their three children, 16-year-old Dana (Dominique Dunne), 8-year-old Robbie (Oliver Robins), and 5-year-old Carol Anne (Heather O'Rourke) in Cuesta Verde, CA, soon learn that their home is haunted, and that the spirits talk to Carol Anne through their television. Everything seem normal at first. Dana gives construction workers the finger and talks on the phone later than she's supposed to, Robbie is a huge Star Wars fan, and Carol Anne feeds her goldfish an entire tube of food. One night, a tree tries to eat Robbie, but they quickly save him. When the ghosts kidnap Carol Anne through the closet, they are forced to fight the evil spirit that holds their daughter if they ever want to see her again. Well-acted, well-written, and well-directed, with great special effects, Poltergeist is, in my opinion, the greatest ghost story of all time. Let's start with the acting. The way lines are said, the facial expressions, body language, everything about the characters feels real. Craig T. Nelson's performance as Steve is the most real dad in a movie I've ever seen. JoBeth Williams' performance as Diane is the most real mom in a movie I've ever seen. Heather O'Rourke gives the best performance by a 5-year-old I've ever seen. Zelda Rubinstein is also great. It doesn't even seem like they're acting. The performances are top-notch. The special effects still hold up, because they still look real. The plot is still very original, because it's set in modern suburban America, and it's about a normal family that loves each other, rather than an abusive husband and father. Poltergeist is so well-written that nobody has to die, nor does it have to be gory to keep us on the edge of our seats. Hooper and Spielberg keep it subtle by hardly showing the ghosts. Poltergeist features a great plot, great acting, great directing, and great writing. I can't recommend Poltergeist enough. Poltergeist is a kid's movie, so it's not all that scary, though there are scenes that may scare you or creep you out, but you won't be scarred for life. In the end it really is a fun thrill ride. It's a movie every kid must see by the time they're 8 years old. For some reason, I find myself trying, sometimes unsuccessfully, to hold back tears every time I see it. Poltergeist is my favorite movie of all time, it truly is a great classic, and it still holds up after over 30 years as its message is still relevant today. Poltergeist tells the story of a family nothing can tear apart. It's a classic good versus evil story, a story of perseverance in spite of your worst fears coming to light, and holding it together in spite of everything seeming to fall apart. It's about never giving up hope. When I watched Craig T. Nelson, I saw my dad on that screen, and I see him on that screen even more now. When I watched JoBeth Williams, I saw my mom on that screen, and I see her on that screen even more now. Your experience might not be exactly like this, but there's no denying that this movie is awesome. I know you're probably worried because of things you've read online about it being scary, gory, or boring, but don't be. The violence is never gory. The occasional cursing never gets too bad. Despite everything that happens, there's a sense of hope that stays the entire movie. Let your kids see it. They'll thank you.

  • John Chard
    β˜… 5/10

    We know it as the beast. The Freeling family are happy and functioning perfectly well until one night their youngest daughter announces that thru the TV, the supernatural are here! Poltergeist divides the horror crowd big time, the gore fans are simply not impressed by the events in the film, while ghostly supernatural fans such as myself see it as a wasted opportunity. But strip away the flashy production and you start to see the core joke of kids infatuation with the goggle box, so yes, the film could easily be titled under the banner of being a Black Comedy. But be that as it may, and lets not be under any illusions here that, Poltergeist is not a knowing wink wink horror film of substance, the film really could have been a truly terrifying piece of work to cater for all tastes, and I firmly believe that that was the main intention of the makers from the off. Thus lies the chief problems with Poltergeist, it tries so hard to cover all bases it gets that confused to the point it veers from tedium to shock and back again before you have time to digest, and it kills what should have been a genre masterpiece. There are moments in the film that chill the blood, the sense of creeping menace hangs heavy during a storm, a toy clown becomes evil personified just by being lit in the stormy light, and then? Well it violently switches to something involving a tree that wouldn't be fit for Creepshow 27! On the film goes, suspense with chairs and pieces of meat, and then BAM...monster time! It just doesn't work, it's a collage of genre splicing that both director Tobe Hooper & producer Steven Spielberg are firmly to be held responsible for, because it's obvious that both their signature's clash to create an uneasy bedfellow. Yet as uneven as it is, and as blatantly plagiarised as it is of Twilight Zone episode Little Girl Lost, I still find myself enjoying watching Poltergeist, with its slick production and some memorable moments; the clown, poor darling Heather O'Rourke saying "they're here", the first chair sequence, and the always creepy Mrs. Tuthill, all things that help to make it a frustratingly enjoyable nights viewing. 6/10 Just don't go into the light afterwards I guess...

  • MaxTyrone
    β˜… 5/10

    Like most of my contemporaries, I remember as a kid staying up late at night during the AMC Halloween horror movie marathon week (or was it a complete 31 days?) and watching the Freeling family get spooked by some O. G. paranormal activity; watching their house turn into a portal for spirits, some of which abducting their youngest daughter. Unlike some of my contemporaries, I'm very split on this film. As a fan of the genre, horror always intrigues me, even when it's done poorly/reuses the tired tropes. When rewatching Poltergeist for what seems to be the twentieth time - now in my early twenties - the movie seems dated, to the point where what made it bone-chilling in the first place, seems calm and a little ridiculous. Perhaps I'm desensitized to this type of movie. Perhaps I'll appreciate it more when I do have a family, when I am Craig T. Nelson. But currently, the film struggles against its pacing, unconvincing effects (see scene in the children's room where the closet tries to vacuum them up, and the "face" scene - you'll know), and the nature of it attempting to be both family friendly and a horror movie. Sustained over the years since its release, however, are the performances by the cast, specifically the parents. Overall, it's still a fun film; but because of some considerable flaws, it hasn't aged too well. Recommended for kids? - Hell yes. How else are they going to attain the fear of clowns?

Production companies

Who made it

  • Metro-Goldwyn-Mayer

    Metro-Goldwyn-Mayer

    US

  • SLM Production Group

    SLM Production Group

    US

Key crew

  • CastingMike Fenton
  • Makeup ArtistDorothy J. Pearl
  • Supervising Sound EditorRichard L. Anderson
  • ProducerFrank Marshall
  • EditorMichael Kahn
  • Special EffectsJeff Jarvis
  • CastingMarci Liroff
  • CastingJane Feinberg
  • Stunt CoordinatorGlenn Randall Jr.
  • ProducerSteven Spielberg
  • Production DesignJames H. Spencer
  • Set DecorationCheryal Kearney
  • Makeup ArtistToni-Ann Walker
  • Visual EffectsMilton Gray
  • Associate ProducerKathleen Kennedy
  • AnimationArt Vitello
  • Sound Effects EditorMark Mangini
  • Visual EffectsPaul Huston
  • StuntsJeannie Epper
  • Second Assistant DirectorBob Roe
  • Animation SupervisorJohn Bruno
  • StuntsBob Herron
  • Visual Effects SupervisorRichard Edlund
  • StuntsBobby Clark

Themes & keywords

What it's about, really

  • dying and death
  • parent child relationship
  • medium
  • poltergeist
  • halloween
  • ghostbuster
  • haunted house
  • paranormal phenomena
  • family relationships
  • suburbia
  • power of goodness
  • haunted
  • anxious
  • dramatic
  • awestruck

Release history Β· US

When it landed

  • Premiere1982-05-21PG
  • Theatrical (limited)1982-10-29R
  • Theatrical (limited)2022-10-06RΒ· 40th anniversary re-release

Also known as

International titles

  • Juegos DiabolicosSV
  • ι¬Όε“­η₯žθ™ŸTW
  • PoltergeistCZ
  • ΠŸΠΎΠ»Ρ‚Π΅Ρ€Π³Π΅ΠΉΡΡ‚RU
  • Poltergeist (1982)US
  • Poltergeist : La vengeance des fantΓ΄mesCA
  • 吡闹鬼CN
  • PolterqeystAZ

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