Lights Out

"You were right to be afraid of the dark."

2016 1h 21m EN

😐

6.4

MID

★6.4TMDB · 4,259

HorrorMystery

Synopsis

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Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.

“You were right to be afraid of the dark.”

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Cast

Teresa Palmer
Rebecca
Maria Bello
Sophie
Gabriel Bateman
Martin
Alexander DiPersia
Bret
Alicia Vela-Bailey
Diana
Billy Burke
Paul
Andi Osho
Emma
Maria Russell
Gomez

Credits

Behind the camera

Director: David F. Sandberg
Writers: Eric Heisserer, Todd Harris
Languages: English
Countries: United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

RUNTIME

Did you know

81 minutes exactly — the "classic feature" runtime most directors aim for.

MoodPlayr · trivia#01

2 / 8

MONEY

Did you know

Shot for just $4.9M — micro-budget by Hollywood standards.

MoodPlayr · trivia#02

3 / 8

MONEY

Did you know

Grossed $149M — a 30.5× return. The kind of profit studios chase for a decade.

MoodPlayr · trivia#03

4 / 8

ERA

Did you know

Released 10 years ago.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Directed by David F. Sandberg, shot by Marc Spicer. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Original score by Benjamin Wallfisch. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Editor Kirk M. Morri shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#07

8 / 8

CAST

Did you know

Teresa Palmer and Maria Bello and Gabriel Bateman carry the top of the cast.

MoodPlayr · trivia#08

Cinephile deep dive

The take

David F. Sandberg directs. Marc Spicer behind the camera. Benjamin Wallfisch scores. Kirk M. Morri cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

181 minutes exactly — the "classic feature" runtime most directors aim for.
2Shot for just $4.9M — micro-budget by Hollywood standards.
3Grossed $149M — a 30.5× return. The kind of profit studios chase for a decade.
4Released 10 years ago.
5Directed by David F. Sandberg, shot by Marc Spicer. Note their partnership — DPs and directors often return to each other across a career.
6Original score by Benjamin Wallfisch. Worth a dedicated listen after — most great films lose half their impact without the score.
7Editor Kirk M. Morri shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
8Teresa Palmer and Maria Bello and Gabriel Bateman carry the top of the cast.
9Marketing tagline: "You were right to be afraid of the dark.".
10IMDB entry: tt4786282 — still the authoritative cross-reference for credits and trivia.
11Classified under 17 themes, including "suicide", "sibling relationship", "darkness", "supernatural".

The technical file

Cinematography: Marc Spicer
Original score: Benjamin Wallfisch
Editing: Kirk M. Morri
Production design: Jennifer Spence
Costume design: Kristin M. Burke
Makeup / hair: Eleanor Sabaduquia
VFX supervisor: Peter Crosman
Sound: Bill R. Dean
Stunt coordinator: Mark Norby
Runtime: 81 min · 1h 21m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $4,900,000
Box office: $149,368,835
Return: 3048% of budget
Original language: EN
Certification (US): PG-13
IMDB: Lights Out (2016)

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David F. Sandberg

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Community reviews

What people are saying

talisencrw2016-08-04
★ 8/10
My son Julian (13) and my lady Tammy, themselves two horror-film aficionados, and I went and saw this theatrically, and we were all quite pleased, though at least Julian and I tend to go for the classic stuff. Well worth checking out, if you're in for this sort of thing.
Frank Ochieng2016-08-18
Although a simplistic and familiar theme is explored involving sinister forces tormenting a child in distress, Swedish director David F. Sandberg brings something chillingly fresh to his horror/psychological offering Lights Out. Sandberg, making his feature film debut, delivers an adequate amount of tension and trickery for all things considered ominous in the edginess of darkness. Lights Out is a reasonable chiller that demonstrates a decent measurement of depth without tripping over its cliched feet. The characterizations that go “bump in the night” in Lights are not as disposable as one is routinely used to experiencing in produced over-indulgent, generic boofests. The construction of Lights Out feels atmospheric and sparse at times but the manufactured thrills somehow add the necessary alarm factor in a psychological thriller that boasts solid performances particularly by actress Maria Bello as the tortured soul at the center of the CGI creepiness. Sandberg’s adventurous direction and screenwriter Eric Heisserer’s spell-binding script works in part because Lights Out never extends itself beyond its lean and claustrophobic confines. The storytelling is taut and the scare tactics create worthy jolts without further monotony. There are predictable jumpy cuts and the movie never fully deviates from the conventional suspenseful landscape that populates countless fright fables. Still, Lights Out manages to shine some shady brightness on this effectively drawn hair-raising spectacle. The premise introduces the long-lasting notion of childhood fear and despair on the jeopardized shoulders of young insomniac Rebecca (Teresa Palmer) who has long since left the haunting homestead where the evil vibes of a dastardly spirit had tortured her relentlessly. Rebecca is now concerned that the tawdry tradition of this shifty spook is now about to terrify her little 10-year old stepbrother Martin (Gabriel Bateman). In fact, Martin wants to split his hellish household and escape to Rebecca’s place for some guaranteed safety. After all, who can blame the poor kid for wanting to abandon his doomed domicile. Enter the problematic Sophie (Bello). As the nervous-wreck mother to both Rebecca and Martin, Sophie has had her share of disappointments, heartaches and breakdowns in the past and present. It was revealed that Sophie had spent some critical time in a mental institution many years ago which explains her current complicated issues with men/relationships not to mention the strained connection with her disillusioned children. More important, Sophie faces the dilemma of encountering an assortment of deceased figures that randomly pop up from time to time within her expansive, worrisome walls. But nothing is more arousing or concerning than Sophie’s run-ins with the devilish Diana (Alicia Vela-Bailey), her troubled off-the-wall pal and fellow asylum inmate from yesteryear. What is so jittery about Diana’s presence in the house is that she is so clingy and protective of her precious Sophie. The key to Diana’s horrifying existence is when the lights are turned off, Thus, it allows the deranged feminine entity to roam the house in a blanket of blackness while staking the beleaguered Sophie in the process. Lights Out (originally Sandberg’s short film competition entry years ago) acts as a symbolic mirror reflecting the echoes of mental illness and inherent self-destruction concerning the fragile psyche. The film percolates convincingly when Bello’s Sophie is scarred constantly by the harried ties that bind. Sandberg demonstrates a wounded woman on the edge of insanity. The suffering of inner conflict and outer self-doubt has consumed Sophie to the point where she has personalized her self-inflicted poison with baggage ranging from a couple of deceased husbands to the harsh reality that her children are weary of her toxic nuttiness. Bello displays the brokenness and confusion of her portrayal with applauded conviction. The sister-brother tandem of Palmer’s Rebecca and Bateman’s Martin is both comforting and intriguing as they are joined at the hip in their fright night delusions. Vela-Bailey’s Diana is deliciously shadowy as the intrusive Diana applying the statically gloom. The nightmarish special effects are challenging and imaginative and cinematographer Marc Spicer’s experimental lighting gives Lights Out its gripping sheen. Overall, Sandberg’s menacing mechanism of a movie certainly forces the shaky hand of its skeptical audience to snuggle up to the nearest light switch. Lights Out (2016) Rat-Pac Tune Entertainment 1 hr, 21 mins. Starring: Maria Bello, Teresa Palmer, Gabriel Bateman, Billy Burke, Alicia Vela-Bailey, Alexander DiPersia Directed by: David F. Sandberg MPAA Rating: PG-13 Genre: Horror/Psychological Thriller/Supernatural Critic’s rating: * stars (out of 4 stars) (c) Frank Ochieng (2016)
Gimly2016-11-23
★ 6/10
2016 continues to be a great year for horror, and Lights Out is a decent example of that, with a whole lot of originality. Final rating:★★★ - I personally recommend you give it a go.