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mother! poster

mother!

"Seeing is believing."

2017 2h 1m EN
👍
6.9
SOLID
★6.9TMDB · 7,286
HorrorDrama
Synopsis
Spoiler shield

A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

“Seeing is believing.”

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Cast

Credits

Behind the camera

Director
Darren Aronofsky
Writers
Darren Aronofsky
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
ERA

Did you know

Released 9 years ago.

MoodPlayr · trivia#01
2 / 7
DIRECTOR

Did you know

Directed by Darren Aronofsky, shot by Matthew Libatique. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02
3 / 7
DIRECTOR

Did you know

Original score by Jóhann Jóhannsson. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#03
4 / 7
DIRECTOR

Did you know

Editor Andrew Weisblum shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 7
CAST

Did you know

Jennifer Lawrence and Javier Bardem and Ed Harris carry the top of the cast.

MoodPlayr · trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "Seeing is believing.".

MoodPlayr · trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt5109784 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Darren Aronofsky directs. Matthew Libatique behind the camera. Jóhann Jóhannsson scores. Andrew Weisblum cuts. Profitable at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Released 9 years ago.
  • 2Directed by Darren Aronofsky, shot by Matthew Libatique. Note their partnership — DPs and directors often return to each other across a career.
  • 3Original score by Jóhann Jóhannsson. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 4Editor Andrew Weisblum shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Jennifer Lawrence and Javier Bardem and Ed Harris carry the top of the cast.
  • 6Marketing tagline: "Seeing is believing.".
  • 7IMDB entry: tt5109784 — still the authoritative cross-reference for credits and trivia.
  • 8Classified under 29 themes, including "husband wife relationship", "nightmare", "nihilism", "chaos".
  • 9Released under 10 different titles around the world.

The technical file

Cinematography
Matthew Libatique
Original score
Jóhann Jóhannsson
Editing
Andrew Weisblum
Production design
Philip Messina
Costume design
Danny Glicker
Makeup / hair
Félix Larivière
VFX supervisor
Ben Snow
Sound
Craig Henighan
Stunt coordinator
Marc Désourdy
Runtime
121 min · 2h 1m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$30,000,000
Box office
$44,516,999
Return
148% of budget
Original language
EN
Certification (US)
R

Also by

Darren Aronofsky

Stills · wallpapers

Selected frames

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Trailers & featurettes

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Community reviews

What people are saying

  • jessetaylor
    ★ 8/10

    This film defies being rated on a scale of 1 through 5 - it's truly almost impossible to do so. I want to rate this a 5 and I want to rate this a 3 at the same time. Both would be wrong though so I'll just settle in the middle. Aronofsky has given us many brainsick films in the past, but this is on a whole other level. Remember the batshit crazy climax of Requiem for a Dream? Multiply that by 50 and you get the batshit crazy climax of mother! - and that is a huge understatement. I don't really want to talk too much about the film's plot or the finale as not much about the film is known to the public at this point. It's absolutely worth it to go into this film as blind as possible or maximum effectiveness. All I'll say is that the Rosemary's Baby influenced poster and marketing so far is a big curve ball - it has nothing to do with that film although Polanski horror elements are clearly an inspiration to Aronofsky here. I do want to praise three specific elements of this film that worked the best for me: (1) The sound design was absolutely magnificent. There is no score to this film - not quite sure what Jóhann Jóhansson did here - but the sound design is eerie as hell and supremely memorable. (2) The production design is next level. The house in this film is basically the co-lead (you'll see what I mean when you watch it) and it evolves drastically over the course of the film (again, you'll see what I mean when you watch it). Excellent art direction that I haven't stopped thinking about all day. (3) The performance from Jennifer Lawrence is harrowing as she really gave herself to this film and to Aronofksy's vision, but the performance that stuck with me is the one from Michelle Pfeiffer. She really embodied her character and even though she's only in maybe the first 60% of the film, she left a deep impression on the rest of it as well. Her character is crucial to the film and she injected such mystery and gravity to the events that followed her exit. Will soon watch this again and hopefully have more meaningful thoughts. It's hard to say too much right now when hardly anyone has seen the film yet, but believe me, there is a lot to be said about mother!

  • Gimly
    ★ 5/10

    mother!, a movie title with no upper case letters. Well mother!, I'm glad you saved those capitals because I have a question which is going to require a lot of them: "WHO THE FUCK WAS THIS FOR!?" Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.

  • prestonthedm
    ★ 2/10

    I'll start by saying, maybe I'm not the demographic this film was intended for. That said, I spent 95% of the movie with a confused expression on my face, and asking myself "what the hell is this?" I walked into the theater expecting something good--not necessarily great, but enjoyable. This movie was confusing, inexplicably violent, never got to the point or fleshed out a story/plot, and left me feeling very uncomfortable throughout the film's entirety. I really DON'T recommend this movie. It seemed like a total waste of time. The plot was non-existent. Confusing. Disturbing at times, without any explanation, context or reason. I'd give it 1 star, only because the sets were really well done. Other than that not worth even one watch, I think.

Production companies

Who made it

  • Paramount Pictures

    Paramount Pictures

    US

  • Protozoa Pictures

    Protozoa Pictures

    US

Key crew

  • ProducerScott Franklin
  • Associate ProducerDylan Golden
  • ProducerAri Handel
  • Executive ProducerMark Heyman
  • Associate ProducerJennifer Madeloff
  • Executive ProducerJosh Stern
  • Executive ProducerJeff G. Waxman
  • Visual Effects ProducerColleen Bachman
  • VFX ArtistManda Cheung
  • Visual Effects ProducerRyan Cunningham
  • EditorAndrew Weisblum
  • CastingLindsay Graham Ahanonu
  • CastingMary Vernieu
  • Production DesignPhilip Messina
  • Supervising Art DirectorIsabelle Guay
  • Set DecorationLarry Dias
  • Costume DesignDanny Glicker
  • Hair DesignerFélix Larivière
  • Hair Department HeadFélix Larivière
  • Unit Production ManagerJim Kontos
  • Production SupervisorJennifer Madeloff
  • Key Makeup ArtistGillian Chandler
  • Makeup Department HeadJudy Chin
  • HairstylistFrédèric Duguay

Themes & keywords

What it's about, really

  • husband wife relationship
  • nightmare
  • nihilism
  • chaos
  • pregnancy
  • bible
  • house
  • vandalism
  • cult
  • surrealism
  • writer
  • nature
  • death
  • madness
  • stranger
  • macabre
  • mysterious
  • shocking
  • chaotic
  • forbidden fruit
  • philosophical
  • mother nature
  • uninvited guest
  • reflective
  • introspective
  • tense
  • intense
  • ambiguous
  • foreboding

Release history · US

When it landed

  • Premiere2017-09-13R· New York City
  • Theatrical2017-09-15R
  • Digital2017-12-05R
  • Physical2017-12-19R

Also known as

International titles

  • Madre!ES
  • Mãe!BR
  • MotherDE
  • madre!IT
  • Mother!FR
  • ¡Madre!MX
  • 마더!KR
  • мајка!RS
  • Μητέρα!GR
  • Ana!AZ

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