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Eraserhead poster

Eraserhead

"Where your nightmares end..."

1977 1h 29m EN
πŸ‘
7.3
SOLID
β˜…7.3TMDB Β· 2,857
HorrorScience Fiction
Synopsis
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First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.

β€œWhere your nightmares end...”

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Cast

Credits

Behind the camera

Director
David Lynch
Writers
David Lynch
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
RUNTIME

Did you know

89 minutes exactly β€” the "classic feature" runtime most directors aim for.

MoodPlayr Β· trivia#01
2 / 8
MONEY

Did you know

Shot for just $0.1M β€” micro-budget by Hollywood standards.

MoodPlayr Β· trivia#02
3 / 8
MONEY

Did you know

Grossed $7M β€” a 71.0Γ— return. The kind of profit studios chase for a decade.

MoodPlayr Β· trivia#03
4 / 8
ERA

Did you know

49 years old β€” old enough to be someone's favourite childhood film.

MoodPlayr Β· trivia#04
5 / 8
DIRECTOR

Did you know

Directed by David Lynch, shot by Herbert Cardwell. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#05
6 / 8
DIRECTOR

Did you know

Original score by David Lynch. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#06
7 / 8
DIRECTOR

Did you know

Editor David Lynch shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#07
8 / 8
CAST

Did you know

Jack Nance and Charlotte Stewart and Allen Joseph carry the top of the cast.

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

David Lynch directs. Herbert Cardwell behind the camera. David Lynch scores. David Lynch cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 189 minutes exactly β€” the "classic feature" runtime most directors aim for.
  • 2Shot for just $0.1M β€” micro-budget by Hollywood standards.
  • 3Grossed $7M β€” a 71.0Γ— return. The kind of profit studios chase for a decade.
  • 449 years old β€” old enough to be someone's favourite childhood film.
  • 5Directed by David Lynch, shot by Herbert Cardwell. Note their partnership β€” DPs and directors often return to each other across a career.
  • 6Original score by David Lynch. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 7Editor David Lynch shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 8Jack Nance and Charlotte Stewart and Allen Joseph carry the top of the cast.
  • 9Marketing tagline: "Where your nightmares end...".
  • 10IMDB entry: tt0074486 β€” still the authoritative cross-reference for credits and trivia.
  • 11Classified under 14 themes, including "baby", "nightmare", "mutant", "claustrophobia".

The technical file

Cinematography
Herbert Cardwell
Original score
David Lynch
Editing
David Lynch
Production design
David Lynch
Runtime
89 min Β· 1h 29m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$100,000
Box office
$7,100,000
Return
7100% of budget
Original language
EN
Certification (US)
NR

Also by

David Lynch

Stills Β· wallpapers

Selected frames

Full-resolution frames β€” open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • PostCut_The_Film_Podcast
    β˜… 8/10

    <div id="buzzsprout-player-8546506"></div> <script src="https://www.buzzsprout.com/1610599/8546506-the-brainburner.js?container_id=buzzsprout-player-8546506&player=small" type="text/javascript" charset="utf-8"></script> Listen to the full review above! "For anybody of a given age or someone who is a real cinephile... You only need to hear... David Lynch. The first impression I had was tension, then I watched it again... it's nightmarish." David M. Brown. "It's one of those things that can only be described as a lucid dream come to life. It takes a certain caliber of person to actually put out work like that. And it's not crazy.... It's Genius." Sarah Peterson. "Definitely a brain Burner. It was definitely the weirdest movie I've watched. I can't describe this movie in words... It's not of this earth. I want to go sit in a corner in a dark place and think. This is not a movie.... It's beyond a movie." David Veerkamp

  • Sigeki Ogino

    We believe that films should "make people happy" (euphoria). No, we believe it should. Of course, there were thorny issues in getting there. I used to say that "movies are the art version of pornography" if there was even a hint of sexuality, and in middle and high school I mainly watched "erotic" movies ("A Clockwork Orange" being the first of these). Looking back, I was a "foolish spectator." One day, however, a change came to me. I believe that an encounter with a movie can change your life, and the movie I encountered was "Mulholland Drive," which turned my view of movies upside down, saying, "I have never seen a movie like this. Until then, to my surprise, I had never even heard of David Lynch (I'm embarrassed to say β€ΌοΈŽ). From memory, between the ages of 12 and 13, I saw this surreal, showbiz-crazed entertainment at least a dozen times and was not only never bored, but drawn in. Isn't that amazing? I mean, "It was a 'monumental' movie in my life" (my strongest experience in a movie theater was when I saw "The Return of the King"). ...... So I had to see this film by a great filmmaker. In comparison, "Lost Highway" was an insignificant film. Honestly, I don't know, but it seemed to be well received by the public. However, this is a common phenomenon. A friend says, "This movie is interesting," so I take his opinion and watch it, only to find that it is actually not that interesting. Now it has become my "rule" and "motto" to "choose my own movies." Even 'Blue Velvet,' which is considered Lynch's best film, was really bad." What is so interesting about David Lynch?" I am often asked. It is difficult to answer this question. In fact, even if he had retired from the film industry after one film, "Mulholland Drive," David Lynch would still be revered as the king of surrealist cinema, but my "Lynch experience" ends there. However, it was "Eraserhead" that started my "Lynch experience" back to the classics, and that is where it should have ended. This creepy, nightmarish film, which even psychotic patients can't hold (and if Lynch portrays psychosis, he certainly sucks at it), was released in 1978 and although it didn't gain immediate popularity, it did gain a cult following by being shown in drive-in theaters and elsewhere. "What is this creepy movie?" I was astonished to learn that this movie was made in 1977. There were few ups and downs in the story and no visual beauty. It was just a dusty, sandy factory area. An alien obsessed with the "peculiar hairstyle" of the main character, played by Jack Nance, gives birth to a deformed child and is sexually abused by his stepmother. It is the story of Mary, the "crazy fiancΓ©e" who gave birth to the deformed baby and abandoned him, her sexual neighbors, and the puppies who suck chubby titties from the female dog. The chicken at the table runs like clockwork. The "deformed" baby cries and we dissect it. The "vomit" comes down our throats, and it's painful to watch. Frankly, it made me sick. Was it my fault or the movie? Was it Jack Nance's fault? By the way, please don't assume that "Eraserhead" is super difficult to understand. To me, Christopher Nolan's films are esoteric, but David Lynch's films are not so esoteric if you are in a position to "watch" them. The images may be boring because they embody a world that could happen to anyone (e.g., insanity or psychosis), but Lynch would not want to make it "esoteric." Eraserhead is, in short, experimental science fiction (not breathtaking "entertainment") only in the guise of "surrealism." It begins with two shots of "Henry" and a "deformed child" drifting through "outer space," and eventually a creepy woman appears in "high places" and "deep waters." The "factory zone" and "outer space" are connected until the creepy woman sings "In Heaven." The "Alien Child" is in "intergalactic union" with the man from "The Distant Star" and Henry Spencer.

  • captain_douche

    Straight up: I don't like this movie. It is a grotesque, bizarre horror movie. There is no real plot. The only thing this movie will do is make you feel uncomfortable. It makes you feel like in a bizarre nightmare. And this it does really well. I give it 3 stars for the artistic creation that it is and the effect it can create on the audience. Disclaimer: I walked out of the cinema after 3/4 watching...

Production companies

Who made it

  • AFI

    AFI

    US

Key crew

  • ProducerDavid Lynch
  • EditorDavid Lynch
  • Production DesignDavid Lynch
  • Art DirectionDavid Lynch
  • Special EffectsDavid Lynch
  • Assistant CameraCatherine E. Coulson
  • Production ManagerDoreen G. Small
  • Assistant DirectorCatherine E. Coulson
  • Sound EffectsDavid Lynch
  • SoundAlan Splet
  • Special EffectsFrederick Elmes
  • Executive ProducerFred Baker

Themes & keywords

What it's about, really

  • baby
  • nightmare
  • mutant
  • claustrophobia
  • parents-in-law
  • pencil
  • surrealism
  • black and white
  • torture
  • parallel world
  • disturbed
  • body horror
  • ambiguous
  • gloomy

Release history Β· US

When it landed

  • Premiere1977-03-19Β· Filmex Festival
  • Theatrical (limited)1977-09-28NR
  • Theatrical1978-02-03NR

Also known as

International titles

  • Labyrinth ManFR
  • Cabeza borradoraES
  • Π“ΠΎΠ»ΠΎΠ²Π°-Π³ΡƒΠΌΠΊΠ°UA
  • Cabeza de borradorMX
  • μ΄λ ˆμ΄μ €ν—€λ“œKR
  • μ΄λ ˆμ΄μ € ν—€λ“œKR
  • Silgi KafaTR

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