
Did you know
76 years old β a genuine piece of film history.

"Is it a question... or an answer?"
Two hoodlum brothers are brought into hospital for gunshot wounds, and when one dies, the other accuses their Black doctor of murder.
βIs it a question... or an answer?β

Richard Widmark
Ray Biddle

Linda Darnell
Edie Johnson

Sidney Poitier
Luther Brooks

Stephen McNally
Dan Wharton

Mildred Joanne Smith
Cora Brooks

Harry Bellaver
George Biddle

Stanley Ridges
Sam Moreland

Dots Johnson
Lefty Jones
Credits
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Cinephile deep dive
Joseph L. Mankiewicz directs. Milton Krasner behind the camera. Alfred Newman scores. Barbara McLean cuts. Produced in United States of America. Dialogue in English.
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Individual records documented via Wikidata; the summary above may count more.
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Community reviews
Talk about biting the hand that would feed you! Two petty thieves end up in hospital after a robbery went wrong. βRayβ (Richard Widmark) is an angry and odious character who refuses to let the duty doctor βBrooksβ (Sydney Poitier) anywhere near his injured brother. His protestations are ignored, but when the patient dies his brother begins to make all sorts of vile racist assertions against the doctor. These noises are soon being heard on the streets, and with racial tensions already running high the situation becomes dangerous for the doctor, his family, his hospital and amidst a community at large just itching for a brawl. Central to this toxicity is βEdieβ (Linda Darnell). She was formerly married to the deceased man and although sheβs not quite a card-carrying member of the KKK, she is still fairly bigoted and is inclined to support the allegations of βRayβ. However, as she sees the brutality unfold might she realise that she is wrong, that βRayβ is wrong and that she might be the only one who can help - especially when βRayβ escapes and sets off on his own path of vengeance. Widmark wasnβt always the most engaging of actors, indeed he could be downright wooden at times, but here there is something viscerally unpleasant about his characterisation and he commits himself completely to depicting an ignorant man convincingly. Darnell is also on great form as a troubled soul for whom it is quite difficult to have sympathy at the start, but whose performance rather effectively epitomises struggles across America with matters of racism, mental illness and to an extent, sexism too. Poitierβs character isnβt so very well developed, but he still manages to bring a professional dignity to his role, especially towards the conclusion, and all in all this is a thought-provoking film that even manages to evoke a little pity, too.
Production companies

20th Century Fox
US
Themes & keywords
Release history Β· US