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Tight 30-minute runtime — shorter than most television pilots.

"Will Colette ultimately fall for Antoine's romanticism?"
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
“Will Colette ultimately fall for Antoine's romanticism?”

Jean-Pierre Léaud
Antoine Doinel

Marie-France Pisier
Colette

Rosy Varte
La mère de Colette

François Darbon
Le beau-père de Colette
Patrick Auffay
René Bigey
Jean-François Adam
Albert Tazzi
Pierre Schaeffer
Pierre Schaeffer
Credits
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Cinephile deep dive
François Truffaut directs. Raoul Coutard behind the camera. Georges Delerue scores. Claudine Bouché cuts. Runs lean at under 100 minutes. Produced in France. Dialogue in French.
Trivia
Part of
The release of François Truffaut’s The 400 Blows in 1959 shook world cinema to its foundations. The now-classic portrait of troubled adolescence introduced a major new director in the cinematic landscape and was an inaugural gesture of the revolutionary French New Wave. But The 400 Blows did not only introduce the world to its precocious director—it also unveiled his indelible creation: Antoine Doinel. Initially patterned closely after Truffaut himself, the Doinel character (played by the irrepressible and iconic Jean-Pierre Léaud) reappeared in four subsequent films that knowingly portrayed his myriad frustrations and romantic entanglements from his stormy teens through marriage, children, divorce, and adulthood.
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Les Films du Carrosse
FR
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