Under Paris

2024 1h 42m FR

😐

5.9

MID

★5.9TMDB · 1,463

ActionHorror

Synopsis

Spoiler shield

In order to save Paris from an international bloodbath, a grieving scientist is forced to face her tragic past when a giant shark appears in the Seine.

“Some stories are better left unspoiled.”

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Where to watch · US

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Cast

Bérénice Bejo
Sophia Assalas
Nassim Lyes
Adil
Léa Léviant
Mika
Sandra Parfait
Caro
Aksel Üstün
Nils
Aurélia Petit
Angèle
Marvin Dubart
Markus
Daouda Keita
Léopold

Credits

Behind the camera

Director: Xavier Gens
Writers: Maud Heywang, Yannick Dahan, Xavier Gens
Languages: French
Countries: France

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7

ERA

Did you know

Released 2 years ago.

MoodPlayr · trivia#01

2 / 7

CINEMA

Did you know

Part of the "Under Paris Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#02

3 / 7

DIRECTOR

Did you know

Directed by Xavier Gens, shot by Nicolas Massart. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03

4 / 7

DIRECTOR

Did you know

Original score by Alex Cortés. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04

5 / 7

DIRECTOR

Did you know

Editor Riwanon Le Beller shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05

6 / 7

CAST

Did you know

Bérénice Bejo and Nassim Lyes and Léa Léviant carry the top of the cast.

MoodPlayr · trivia#06

7 / 7

WILD

Did you know

IMDB entry: tt13964390 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Xavier Gens directs. Nicolas Massart behind the camera. Alex Cortés scores. Riwanon Le Beller cuts. Produced in France. Dialogue in French.

Trivia

Things worth knowing

1Released 2 years ago.
2Part of the "Under Paris Collection" — so the characters or world continue elsewhere.
3Directed by Xavier Gens, shot by Nicolas Massart. Note their partnership — DPs and directors often return to each other across a career.
4Original score by Alex Cortés. Worth a dedicated listen after — most great films lose half their impact without the score.
5Editor Riwanon Le Beller shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
6Bérénice Bejo and Nassim Lyes and Léa Léviant carry the top of the cast.
7IMDB entry: tt13964390 — still the authoritative cross-reference for credits and trivia.
8Classified under 8 themes, including "paris, france", "catacombs", "animal attack", "triathlon".

The technical file

Cinematography: Nicolas Massart
Original score: Alex Cortés
Editing: Riwanon Le Beller
Makeup / hair: Vesna Peborde
Runtime: 102 min · 1h 42m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Original language: FR
Certification (US): R
IMDB: Under Paris (2024)

Part of

Under Paris Collection

A series of action-horror films about sharks misbehaving in the Seine.

Also by

Xavier Gens

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Wallpaper

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

MovieGuys2024-06-06
★ 5/10
Under Paris is rather ridiculous French Jaws wannabe. Whilst this production is loaded down with the predictable woke tropes I've come to expect from Netflix productions, what really caught my attention was how idiotically implausible the story is. In the opening scene a group of male divers is tasked with investigating predation at a oceanic rubbish site, that's ensnared dolphins and other dead, sea life. Sharks soon turn up leading to the presence of a female shark, the scientific group have been monitoring.Inexplicably the shark has essentially doubled in size, leading their all knowing female boss to ask the divers to take "a sample" from the monster for study, rather than following the sane and reasonable path of fleeing in terror. Predictably, the shark doesn't take this treatment too well and eats the divers. At this point our intrepid female lead having just witnessed the horrific attacks on her research ships monitors, dives into the water, to confront the monster with a spear gun, that would hardly scare a large Tuna. Without spoiling things for those who want to watch this, it doesn't get any better from here on in. Really if you are going to make a film of this kind, is it truly that hard to make it, at least, a little believable? The acting is alright, as are the action sequences but the sense of "terror" found in Jaws is largely absent. The key ingredient that drives, what is essentially a monster movie, forward. In summary, sinks beneath its own unbelievable story and bland exposition. If you really want a oceanic monster film, try Jaws instead.
Louisa Moore - Screen Zealots2024-07-17
★ 5/10
Diving headfirst into the genre with all the enthusiasm fans could hope for, the horror / disaster film “Under Paris” is sometimes campy and often ridiculous, but also stands out as a solid entry in the niche of killer shark flicks. It may not be a great film by conventional standards, but this one is not going to disappoint with its willingness to take the premise everywhere fans of creature feature cinema will want it to go. Set in current day, the city of Paris is getting ready to host the World Triathlon Championships on the Seine. They’re expecting a large number of athletes to compete by swimming in the famous river, but there’s a big, big problem. Sophia (Bérénice Bejo), a brilliant marine scientist with a tragic past, learns from environmental activist Mika (Léa Léviant) that there is a large shark living deep in the river. In order to avoid a literal bloodbath, they join forces with the Seine river police commander Adil (Nassim Lyes) to stop the potential carnage. It’s actually a pretty great premise, even if the science behind the narrative is (mostly) laughably implausible. While entertaining, the story gets bogged down under its over-the-top ecological messaging. The film is preachy about global warming and how humans are the real enemy, so much so that it can sometimes feel like it’s a project sponsored by Greenpeace. But there’s something admirable about director Xavier Gens‘ commitment to his message, and it adds a layer of sincerity to what is a creatively dumb premise. The movie strikes a nice balance between classic horror and a disaster story, bridging the two in a satisfying way. It has its dumb B-movie moments (including corny, stating-the-obvious dialogue like “There are sharks in Paris!“), but Gens avoids the outright stupidity of franchises like “Sharknado.” It’s absurd, but also delivers plenty of suspense and thrills. The action scenes are a mixed bag, with effects that feel very low budget. There’s a goofy shark fin that sticks out of and races through the river, and murky underwater shots dilute much of the action. But there are also bloody, gruesome shark attacks that seem very realistic, and the makeup department has created horrific images straight out of a nightmare. If you can stick with the slower parts of “Under Paris,” you’re going to be rewarded with a surprisingly great ending. Dumb yet creative, preachy yet thrilling, the movie takes its outlandish premise to all the places that fans of the genre will appreciate. By: Louisa Moore / SCREEN ZEALOTS
RalphRahal2025-01-08
★ 2/10
Under Paris is one of those movies that tries to be profound but ends up feeling hollow. The story is weak, offering little to no meaningful takeaway, and the characters don’t evolve in any way that makes you care about them. It feels like the filmmakers had a vague idea of what they wanted to achieve, but the execution completely missed the mark. The pacing is uneven, with scenes dragging on unnecessarily, and the overall narrative lacks cohesion. Visually, the movie has its moments. The cinematography captures some striking shots, and there’s an attempt to create tension through dramatic imagery. However, even these moments feel empty without a solid story or relatable characters to back them up. It’s a case of style over substance, where flashy visuals try to mask the lack of depth, but they don't succeed. In the end, Under Paris doesn’t leave you with much. It’s not entertaining enough to be memorable or thought-provoking enough to spark conversation. If you’re looking for a movie with compelling storytelling or emotional weight, this isn’t it. It’s a one-and-done kind of watch that leaves you wondering what the filmmakers were even trying to say.