Blue Jean

2023 1h 37m EN

👍

6.8

SOLID

★6.8TMDB · 133

Drama

Synopsis

Spoiler shield

Jean, a PE teacher, is forced to live a double life. When a new student arrives and threatens to expose her sexuality, Jean is pushed to extreme lengths to keep her job and her integrity.

“Some stories are better left unspoiled.”

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Cast

Rosy McEwen
Jean Newman
Kerrie Hayes
Vivian Highton
Lucy Halliday
Lois Jackson
Lydia Page
Siobhan Murphy
Becky Lindsay
Jill
Maya Torres
Mindy Singh
Ellen Gowland
Carol Ridley
Amy Booth-Steel
Debbie

Credits

Behind the camera

Director: Georgia Oakley
Writers: Georgia Oakley
Languages: English
Countries: United Kingdom

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 6

ERA

Did you know

Released 3 years ago.

MoodPlayr · trivia#01

2 / 6

DIRECTOR

Did you know

Directed by Georgia Oakley, shot by Victor Seguin. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02

3 / 6

DIRECTOR

Did you know

Original score by Chris Roe. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#03

4 / 6

DIRECTOR

Did you know

Editor Izabella Curry shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04

5 / 6

CAST

Did you know

Rosy McEwen and Kerrie Hayes and Lucy Halliday carry the top of the cast.

MoodPlayr · trivia#05

6 / 6

WILD

Did you know

IMDB entry: tt8649344 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#06

Cinephile deep dive

The take

Georgia Oakley directs. Victor Seguin behind the camera. Chris Roe scores. Izabella Curry cuts. Runs lean at under 100 minutes. Produced in United Kingdom. Dialogue in English.

Trivia

Things worth knowing

1Released 3 years ago.
2Directed by Georgia Oakley, shot by Victor Seguin. Note their partnership — DPs and directors often return to each other across a career.
3Original score by Chris Roe. Worth a dedicated listen after — most great films lose half their impact without the score.
4Editor Izabella Curry shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
5Rosy McEwen and Kerrie Hayes and Lucy Halliday carry the top of the cast.
6IMDB entry: tt8649344 — still the authoritative cross-reference for credits and trivia.
7Classified under 22 themes, including "high school", "double life", "homophobia", "assault".

The technical file

Cinematography: Victor Seguin
Original score: Chris Roe
Editing: Izabella Curry
Production design: Soraya Gilanni Viljoen
Makeup / hair: Kat Morgan
VFX supervisor: Jonathan Alenskas
Sound: James Mather
Stunt coordinator: Paul Howell
Runtime: 97 min · 1h 37m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Box office: $110,722
Original language: EN
Certification (US): NR
IMDB: Blue Jean (2023)

Also by

Georgia Oakley

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Trailers & featurettes

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Community reviews

What people are saying

CinemaSerf2023-02-24
★ 6/10
"Jean" (Rosy McEwan) is a physical education teacher at a school in Northern Engand. Privately, she is having a relationship with the out and proud "Viv" (Kerrie Hayes) but the emphasis here is very much on the "privately" - something that her confident girlfriend struggles to comprehend. When "Lois" (Lucy Halliday) joins her netball class, then runs into her in a bar later, things become complicated for "Jean" and the remainder of the film illustrates just a short segment of her troubled life as her pupils start to put two and two together and mischief and malevolence rears their very ugly heads. As a gay lad who lived at the time I am actually a little tired of films that make out that "Thatcher" was some alien space invader sent by God to cleanse society. The views of her government represented massive numbers of people in Britain - across the political spectrum - who were terrified about the perceived adverse influences on children of what they saw as "permissive" practices. Rather than acknowledge these concerns as legitimate (at the time) and put some national context into this story, this film really only takes a couple of people whose relationship never comes across as especially strong anyway, and try to make a greater political point. To have been successful there, balance is essential. The underlying plot issues are potent, but they are not developed anywhere near enough to create substantial characters and instead offer us a rather undercooked swipe at a system that was as broadly representative then as it is not (thankfully) now. The production is all a bit basic and though McEwan offers us a considered performance and the film is certainly worth watching, I had really hoped for something just a bit deeper and stronger.
Brent Marchant2023-08-04
★ 7/10
It wasn’t all that long ago when the LGBTQ+ community not only didn’t have legal protections for its rights, but also faced blatant discrimination against its constituents, prejudiced initiatives aimed at denying them equal treatment under the law and even subjecting them to lawfully sanctioned ostracism. This was true even in “civilized” and “progressive” societies like those found in North America and Europe. And it prompted individuals to live in fear of losing their jobs and leaving them open to ridicule without ramifications, not to mention disrespect and mistrust from their own families. Those chilling conditions are ominously brought to light in this period piece drama set in the UK in the late 1980s, when Prime Minister Margaret Thatcher’s Conservative government sought the passage of Section 28, legislation aimed at prohibiting activities openly promoting homosexuality, a bill carrying wide-sweeping implications for the LGBTQ+ community. Many of its constituents, like a young lesbian physical education teacher (Rosy McEwen), retreated into the closet to keep out of sight. But those efforts derailed whatever social progress had been made, damaging those individuals’ self-esteem and creating a divisive schism between those who vociferously demanded justice and those who chose to keep a low profile to protect themselves, as evidenced by the experiences of the teacher and her out and proud girlfriend (Kerrie Hayes). Writer-director Georgia Oakley’s debut feature does a fine (if somewhat predictable) job of illustrating this rift and the effects it had on both the public and personal lives of these people, an effort that earned the film a 2022 BAFTA Award nomination for Best Debut by a British Writer, Director or Producer. Admittedly, the picture’s opening act meanders a bit, but, once it gets on track, when the emergence of various damning revelations threatens to blow things wide open, it steadily grows more powerful and heartfelt, qualities supported by the fine performances of the cast, solid writing, and its skillfully crafted atmospheric cinematography and production design. It also provides viewers with a potent cautionary tale about the effects of initiatives like Section 28 (which was in force from 1988 to 2003) and the parallels to this legislation that are currently under consideration in various US jurisdictions. It effectively shows us how Jean became so blue – and how we should seek to prevent the same from happening to the rest of us.