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Phantasm

"If this one doesn't scare you...you're already dead!"

1979 1h 29m EN
πŸ‘
6.5
SOLID
β˜…6.5TMDB Β· 817
HorrorScience Fiction
Synopsis
Spoiler shield

A teenage boy and his friends face off against a mysterious grave robber, known only as the Tall Man, who employs a lethal arsenal of unearthly weapons.

β€œIf this one doesn't scare you...you're already dead!”

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Cast

Credits

Behind the camera

Director
Don Coscarelli
Writers
Don Coscarelli
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
RUNTIME

Did you know

89 minutes exactly β€” the "classic feature" runtime most directors aim for.

MoodPlayr Β· trivia#01
2 / 8
MONEY

Did you know

Shot for just $0.3M β€” micro-budget by Hollywood standards.

MoodPlayr Β· trivia#02
3 / 8
MONEY

Did you know

Grossed $12M β€” a 40.0Γ— return. The kind of profit studios chase for a decade.

MoodPlayr Β· trivia#03
4 / 8
ERA

Did you know

47 years old β€” old enough to be someone's favourite childhood film.

MoodPlayr Β· trivia#04
5 / 8
CINEMA

Did you know

Part of the "Phantasm Collection" β€” so the characters or world continue elsewhere.

MoodPlayr Β· trivia#05
6 / 8
AWARDS

Did you know

Directed by Don Coscarelli, shot by Don Coscarelli. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#06
7 / 8
DIRECTOR

Did you know

Original score by Fred Myrow. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#07
8 / 8
AWARDS

Did you know

Editor Don Coscarelli shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

Don Coscarelli directs. Don Coscarelli behind the camera. Fred Myrow scores. Don Coscarelli cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 189 minutes exactly β€” the "classic feature" runtime most directors aim for.
  • 2Shot for just $0.3M β€” micro-budget by Hollywood standards.
  • 3Grossed $12M β€” a 40.0Γ— return. The kind of profit studios chase for a decade.
  • 447 years old β€” old enough to be someone's favourite childhood film.
  • 5Part of the "Phantasm Collection" β€” so the characters or world continue elsewhere.
  • 6Directed by Don Coscarelli, shot by Don Coscarelli. Note their partnership β€” DPs and directors often return to each other across a career.
  • 7Original score by Fred Myrow. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 8Editor Don Coscarelli shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 9A. Michael Baldwin and Bill Thornbury and Reggie Bannister carry the top of the cast.
  • 10Marketing tagline: "If this one doesn't scare you...you're already dead!".
  • 11IMDB entry: tt0079714 β€” still the authoritative cross-reference for credits and trivia.
  • 12Classified under 12 themes, including "funeral", "cemetery", "coffin", "portal".
  • 13Released under 10 different titles around the world.

The technical file

Cinematography
Don Coscarelli
Original score
Fred Myrow
Editing
Don Coscarelli
Production design
Kate Coscarelli
Makeup / hair
Kate Coscarelli
Sound
Robert J. Litt
Runtime
89 min Β· 1h 29m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$300,000
Box office
$11,988,469
Return
3996% of budget
Original language
EN
Certification (US)
R

Part of

Phantasm Collection

An American horror film series featuring the Tall Man, a supernatural and malevolent undertaker who turns the dead into dwarf zombies to do his bidding and take over the world.

Also by

Don Coscarelli

Stills Β· wallpapers

Selected frames

Full-resolution frames β€” open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Cat Ellington

    There are tall men, and then there's the "Tall Man". I actually saw the trailer, or preview, if you like, for Phantasm while awaiting the start of Invasion of the Body Snatchers in December of 1978. And I remember the trailer quite well, considering that the upcoming film looked scary as the word itself. The part in the trailer that really got to me was the scene in which the main antagonist, the Tall Man, played by Angus Scrimm, is standing outside of some kid's bedroom window (at night) looking in over the kid's head. It freaked me out ... Completely out. And being a horror film buff - even then at such a young age - I'd immediately said to my mother who had been sitting next to me: 'Ooh, ma, I wanna see that movie!' Phantasm looked horrifying ... And I loved horrifying movies. My mother said 'Yes'. It would be the next year, in April of 1979, that we (only my mother and me that time) would finally see Phantasm. And it's scary as hell, I tell ya. Scary as hell. Oh, and as I'd also learned, the kid, whose window it was that the Tall Man stood outside of in the trailer, is named Mike. Scary as hell, I tell ya. Be prepared, if you'll be a first time watcher of this cult horror, to scream and jump and feel chills as you're absorbing it. It is just that creepy. And I do believe that Clive Barker (God love him) would later borrow more than a few of the elements from Phantasm for his own cult masterpiece, "Hellraiser". I reckon that I'll always believe that to be the truth. Phantasm is sheer and ultimate terror. They just don't make 'em like this anymore. Watch this one with the lights on, folks.

  • simest

    PHANTASM is an uneven work, too fantastic to be genuinely scary but ferociously unique and fascinating on numerous levels. I think at the forefront there was a desire here to create a warped and entirely original Universe where nothing is as it seems and anything can - and probably will - happen. Logic is quickly cast aside and indeed has no place in the crooked landscape that PHANTASM paints. Into this bizarre, surreal.......even Dali-like twisted cosmos, are thrust a group of characters who - perhaps even by virtue of their acting inadequacies - seem somehow as much a part of the fabric of that Universe, even in their struggles to survive and make sense of it. For me, PHANTASM has a hypnotic effect for all those reasons. Flying sphere drills, a gender bending alien cemetery keeper, hooded shrunken corpses refined for slave labour in some parallel Universe, a severed finger that morphs into a grotesque (if admittedly comical) fly and countless other wild fantasies are all episodic nightmares that work their way into my head and stay there - however well or not they may be executed. They are indeed, the essence of all the darkest, unfathomable episodes that invade our deepest sleep. Also, the film's tendency to bounce us in and out of reality - if indeed there is a reality present at all - without warning, keeps us permanently on unstable ground. Dreams are very prominent and indeed prevalent in PHANTASM. So much so, that by the end there seems no dividing line between that which was real and which was not. In this sense, the film explored the territory that NIGHTMARE ON ELM STREET would later make it's own but somehow achieves a dream-like quality that even Craven's classic would not surpass. Only Dario Argento's similarly bizarre INFERNO comes to mind as a rival to PHANTASM for the closest we might get to a dream realised on film. PHANTASM is a unique, mind bending vision of quaint, small town America, infused with hellish fantasies of death, loss and isolation, unleashed from the subconscious mind - perhaps even in the end, from that of it's young, insecure and lonely adolescent protagonist. Poe said "Is all that we see or seem, but a dream within a dream?" PHANTASM presents a case. I urge those who are not impressed, to watch it again with these notions in mind.

Production companies

Who made it

  • NE

    New Breed Productions

  • AVCO Embassy Pictures

    AVCO Embassy Pictures

    US

Key crew

  • ProducerPaul Pepperman
  • EditorDon Coscarelli
  • GafferRoberto A. Quezada
  • Production DesignKate Coscarelli
  • ProducerDac Coscarelli
  • Sound RecordistMichael Gross
  • Key GripGeorge W. Singer Jr.
  • Production CoordinatorAdele Lustig
  • Art DirectionDavid Gavin Brown
  • Script SupervisorDena Roth
  • GripDaryn Okada
  • GripJohn Zumpano
  • First Assistant CameraMarc Schwartz
  • Script SupervisorWendy Kaplan
  • GripMori Biener
  • Makeup ArtistKate Coscarelli
  • Boom OperatorColin Spencer
  • Second Assistant CameraJacalyn Welan
  • Sound Re-Recording MixerRobert J. Litt
  • Special EffectsPaul Pepperman

Themes & keywords

What it's about, really

  • funeral
  • cemetery
  • coffin
  • portal
  • undertaker
  • grave robber
  • evil
  • hearse
  • ice cream man Β 
  • mausoleum
  • tall man
  • sphere

Release history Β· US

When it landed

  • Theatrical1979-03-28R
  • Theatrical2016-09-24RΒ· PHANTASM: REMASTERED
  • Physical2016-12-06

Also known as

International titles

  • The Never DeadAU
  • Phantasm - Das BΓΆseDE
  • Phantasm 01 PhantasmUS
  • Phantasm 1US
  • De Nacht van de Levende DodenNL
  • Phantasm: RemasteredNL
  • Das BΓΆse IDE
  • Noite MacabraBR
  • Don Coscarelli's Phantasm: RemasteredUS
  • AgyrΓ©mHU

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