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Fallen poster

Fallen

"Detective John Hobbes is searching for a criminal he's already met... already caught... and already killed."

1998 2h 4m EN
πŸ‘
6.8
SOLID
β˜…6.8TMDB Β· 1,701
CrimeDramaThrillerFantasy
Synopsis
Spoiler shield

Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.

β€œDetective John Hobbes is searching for a criminal he's already met... already caught... and already killed.”

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Cast

Credits

Behind the camera

Director
Gregory Hoblit
Writers
Nicholas Kazan
Languages
English, Dutch
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Earned back only 55% of its budget on initial theatrical β€” a commercial disappointment on release.

MoodPlayr Β· trivia#01
2 / 8
ERA

Did you know

28 years old β€” old enough to be someone's favourite childhood film.

MoodPlayr Β· trivia#02
3 / 8
WORLD

Did you know

Dialogue crosses 2 languages: English, Dutch.

MoodPlayr Β· trivia#03
4 / 8
DIRECTOR

Did you know

Directed by Gregory Hoblit, shot by Newton Thomas Sigel. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#04
5 / 8
DIRECTOR

Did you know

Original score by Tan Dun. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#05
6 / 8
DIRECTOR

Did you know

Editor Lawrence Jordan shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#06
7 / 8
CAST

Did you know

Denzel Washington and John Goodman and Donald Sutherland carry the top of the cast.

MoodPlayr Β· trivia#07
8 / 8
FACT

Did you know

Marketing tagline: "Detective John Hobbes is searching for a criminal he's already met... already caught... and already killed.".

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

Gregory Hoblit directs. Newton Thomas Sigel behind the camera. Tan Dun scores. Lawrence Jordan cuts. A commercial under-performer on release. Produced in United States of America. Dialogue in English, Dutch.

Trivia

Things worth knowing

  • 1Earned back only 55% of its budget on initial theatrical β€” a commercial disappointment on release.
  • 228 years old β€” old enough to be someone's favourite childhood film.
  • 3Dialogue crosses 2 languages: English, Dutch.
  • 4Directed by Gregory Hoblit, shot by Newton Thomas Sigel. Note their partnership β€” DPs and directors often return to each other across a career.
  • 5Original score by Tan Dun. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 6Editor Lawrence Jordan shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 7Denzel Washington and John Goodman and Donald Sutherland carry the top of the cast.
  • 8Marketing tagline: "Detective John Hobbes is searching for a criminal he's already met... already caught... and already killed.".
  • 9IMDB entry: tt0119099 β€” still the authoritative cross-reference for credits and trivia.
  • 10Classified under 17 themes, including "police", "angel", "psychopath", "riddle".

The technical file

Cinematography
Newton Thomas Sigel
Original score
Tan Dun
Editing
Lawrence Jordan
Production design
Terence Marsh
Costume design
Colleen Atwood
Makeup / hair
Kenneth Walker
VFX supervisor
Kent Houston
Sound
Lance Brown
Stunt coordinator
Phil Neilson
Runtime
124 min Β· 2h 4m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$46,000,000
Box office
$25,232,289
Return
55% of budget
Original language
EN
Certification (US)
R

Also by

Gregory Hoblit

Stills Β· wallpapers

Selected frames

Full-resolution frames β€” open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • CinemaSerf
    β˜… 7/10

    I must have watched this film three or four times now, and each time it takes me the first half hour to recall. It's an intriguing story rooted in Aramaic mythology but applied to 20th century Philadelphia. "Hobbes" (Denzel Washington) is a detective who worked on the case of serial killer "Edgar Reese" that saw him captured and executed. Not long after this supposed closure, however, other - very similar - crimes start to occur and he and his partner "Jonesy" (John Goodman) are perplexed. He keeps hearing a song - the same song the deceased sang as he died, but the people singing it are different. There is something mysterious afoot that can inhabit a body, move effortlessly and invisibly from one to another - and it seems to have "Hobbes" in it's sights. Desperate to shield his family from this evil, he must try to find a way to destroy it before it destroys him. It all takes too long to get going, and Goodman is not particularly well cast, but once we have the gist of the plot then Washington and director Gregory Hoblit turn in quite a well put together story, using the photography well to give us a perspective from our menace whilst effectively conveying the sense of nimble mobility this creature possesses as the resourceful "Hobbes" tries to combat it. Donald Sutherland pops up now and again, to no real purpose, indeed much of the supporting cast sort of blend into the wallpaper of this exercise that really plays to the strengths of an on-form Washington delivering a solid and interesting theme. It's too long, but still worth watching.

  • GenerationofSwine
    β˜… 10/10

    I generally have a distaste for movies where Denzel plays the smart cop/government agent/detective because he does it far too often, he seems to be typecast, and it's a waste of pro talent. He's above playing the same sort of role over and over again. But this is one of the exceptions. He does an excellent job, but despite this, it's not Washington you remember. You remember Elias Koteas and he's only in the film for a few short minutes. It's remarkable that in a Denzel Washington movie, someone else steals the most memorable role, and it's even more rare that the role you remember has nearly the least amount of screen time. So... it's already off to a good start, or at least a memorable one. Those are two things that tend not to happen. But then you have a William Holden noir style character monologue that is actually done right and adds more to the story's atmosphere than it really should. You have a spooky plot, and on top of that you have some extremely well done and downright spooky scenes. From start to finish it's just a well executed movie, a well acted movie, and one that deserves to be remembered a bit more than it is. It's one of the movies that I always recommend to people.

Production companies

Who made it

  • Turner Pictures

    Turner Pictures

    US

  • Atlas Entertainment

    Atlas Entertainment

    US

Key crew

  • ProducerCharles Roven
  • ProducerDawn Steel
  • Costume DesignColleen Atwood
  • EditorLawrence Jordan
  • CastingDavid Rubin
  • Production DesignTerence Marsh
  • Art DirectionWilliam Cruse
  • Set DecorationMichael Seirton
  • HairstylistKenneth Walker
  • HairstylistPeggy Schierholz
  • HairstylistLarry M. Cherry
  • Makeup ArtistEdna Sheen
  • Makeup ArtistRenΓ© Dashiell Kerby
  • Makeup ArtistRebecca Alling
  • Makeup EffectsRebecca DeHerrera
  • Construction CoordinatorSebastian Milito
  • GreensmanTim Weston
  • LeadmanChristopher Neely
  • Set DesignerRon Yates
  • Sound DesignerLance Brown
  • Sound Re-Recording MixerMichael Herbick
  • Sound Re-Recording MixerRobert J. Litt
  • Sound Re-Recording MixerElliot Tyson
  • Supervising Sound EditorBruce Fortune

Themes & keywords

What it's about, really

  • police
  • angel
  • psychopath
  • riddle
  • detective
  • supernatural
  • bible
  • murder
  • curse
  • serial killer
  • religion
  • execution
  • series of murders
  • devil
  • family
  • evil
  • neo-noir

Release history Β· US

When it landed

  • Theatrical1998-01-16R

Also known as

International titles

  • DΓ€monAT
  • DΓ€monDE
  • To aggigma tou kakouGR
  • PosrnuliRS
  • ζš‚ζ—Άεœζ­’ζŽ₯触CN
  • ζ‚ͺι­”γ‚’ζ†γ‚Œγ‚€ζ­ŒJP

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