
Did you know
Earned back only 58% of its budget on initial theatrical — a commercial disappointment on release.

The life of Jeanne Bécu, who was born as the illegitimate daughter of an impoverished seamstress in 1743 and went on to rise through the Court of Louis XV to become his last official mistress.
“Some stories are better left unspoiled.”

Maïwenn
Jeanne Du Barry

Johnny Depp
Louis XV

Benjamin Lavernhe
La Borde

Melvil Poupaud
Le Comte Du Barry

Robin Renucci
Monsieur Dumousseaux

Pierre Richard
Le Duc de Richelieu

Marianne Basler
Anne, la mère de Jeanne adolescente

Caroline Chaniolleau
Madame de la Garde
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Maïwenn directs. Laurent Dailland behind the camera. Stephen Warbeck scores. A commercial under-performer on release. Produced in France, Belgium, Saudi Arabia, United Kingdom, United States of America, Russia. Dialogue in French, German.
Trivia
Also by
Stills · wallpapers
Full-resolution frames — open one to save it as a wallpaper.
Trailers & featurettes
Community reviews
EXT. FRENCH JACK SPARROW – DAY That’s all I have to say FADE OUT.
Very much in the vein of the recent "Versailles" and "Marie Antoinette" serialisations, this rather opulent drama shows us a little of the excesses and ridiculousness of court life in 18th century France. This time, it's Jeanne Bécu (Maïwenn) who is the shrewd young woman who quickly learns how to use her "charms" to get on in life. Eventually, she is noticed by the ambitious Count du Barry (Melvil Poupaud) who is friends with the Duc de Richelieu (Pierre Richard) who happens to be a procurer of fun for King Louis XV (Johnny Depp). Nervously introduced, she pours a little scorn on the silliness of court protocol and provides him with quite a refreshingly honest companion. Of course, his daughters immediately take offence and the arrival of Marie Antoinette (Pauline Pullman) to marry the Dauphin (Diego Le Fur) ensures battle lines are quickly drawn. The now married Countess du Barry cannot remain at court if she is constantly shunned by the Dauphine, so a bit of well costumed political intrigue ensues as the King and his mistress struggle to find a little recognition for her and happiness for them both. I found there to be quite an effective chemistry between Depp and Maïwenn, especially during the protracted malarkey that was his morning levée, and I loved the absurd wigs on his disproving daughter Princess Adélaïde (India Hair), who led a troupe of her entitled and unpleasant sisters like ducklings along behind her. It's a gorgeous film to watch, the beauty and grandeur of his palatial home and the whole aesthetic really works well at delivering a grand environment for the plotter and the sycophant. Depp doesn't really have too much to do here and the writing isn't the best though. At times it renders it little better than a very well produced, expensive, pantomime and I could have done with just a little more character development of both the principals here. That said, it's a classy and stylish piece of cinema that looks very impressive on big screen.
Production companies

Why Not Productions
FR

La Petite Reine
FR
Impala Productions
FR
Les Films de Batna
FR

IN.2 FILM
US

Les Films du Fleuve
BE

France 2 Cinéma
FR

France 3 Cinéma
FR

Red Sea Fund
SA
World Vision Films
US

Okko
RU
Themes & keywords
Release history · US
Also known as