
Did you know
Shot for just $3.2M — micro-budget by Hollywood standards.

"Pray for Rosemary's Baby."
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
“Pray for Rosemary's Baby.”
Where to watch · US

Mia Farrow
Rosemary Woodhouse

John Cassavetes
Guy Woodhouse

Ruth Gordon
Minnie Castevet

Sidney Blackmer
Roman Castevet

Maurice Evans
Hutch

Ralph Bellamy
Dr. Sapirstein

Victoria Vetri
Terry

Patsy Kelly
Laura-Louise
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Roman Polanski directs. William A. Fraker behind the camera. Krzysztof Komeda scores. Sam O'Steen cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.
Trivia
Awards
Won 1 Oscar. 13 wins & 13 nominations total
Individual records documented via Wikidata; the summary above may count more.
Part of
Rosemary's Baby Collection
Also by
Stills · wallpapers
Full-resolution frames — open one to save it as a wallpaper.
Trailers & featurettes
Community reviews
I've never found Mia Farrow to be a very versatile actor, but she certainly delivers the best performance of her career in this gripping story of Satanic manipulation. "Rosemary" is married to "Guy" (John Cassavetes) and they live in one of those lovely great buildings that overlook New York's Central Park. Their neighbours are a bit eccentric, to day the least, with "Minnie" (the almost perfect Ruth Gordon) and "Roman" (Sidney Blackmer) chief amongst those who take an increasing interest in this couple when it appears that a baby is on the way. Gradually, she begins to suspect that something is amiss with not just her pregnancy, but with her marital relationship as she seems to see less and less of those previously close to her and becomes little better than a prisoner in her own apartment. She is becoming increasingly paranoid, confused and resentful of a seemingly indofferent husband who seems content to let just about everyone interfere as the due date approaches. This is also Roman Polanski at his best as he manages to amalgamate the sinister and the coercive with the religiosity of a story that exudes menace and panic whilst also calling into question established societal values around faith and trust. It's almost claustrophobic by design, and their small apartment soon takes on the mantle of a cell occupied by a woman who is very much not in control of her own destiny - whichever way she tries to turn, and with the careful use of a score from Christopher Komeda that could rival Bernard Herrmann then we have a story of visceral fear that looks great on a big screen. Gripping and genuinely quite terrifying at times, it's amongst the best of this genre.
Production companies
William Castle Productions
US

Paramount Pictures
US
Themes & keywords
Release history · US
Also known as