
Did you know
Released 3 years ago.

"One for all and all for France!"
D'Artagnan, a spirited young Gascon, is left for dead after trying to save a noblewoman from being kidnapped. Once in Paris, he tries by all means to find his attackers, unaware that his quest will lead him to the very heart of a war where the future of France is at stake. Aided by King's Musketeers Athos, Porthos and Aramis, he faces the machinations of villainous Cardinal Richelieu and Milady de Winter, while falling in love with Constance, the Queen's confidante.
“One for all and all for France!”

François Civil
D'Artagnan

Vincent Cassel
Athos

Romain Duris
Aramis

Pio Marmaï
Porthos

Eva Green
Milady

Louis Garrel
Louis XIII

Vicky Krieps
Anne d'Autriche

Lyna Khoudri
Constance Bonacieux
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Martin Bourboulon directs. Nicolas Bolduc behind the camera. Guillaume Roussel scores. Célia Lafitedupont cuts. Profitable at the box office. Produced in Belgium, France, Germany, Spain. Dialogue in German, Spanish, French, English, Italian, Latin.
Trivia
Awards
Individual records documented via Wikidata; the summary above may count more.
Part of
A two-part film series directed by Martin Bourboulon based on Alexandre Dumas's novel The Three Musketeers.
Also by
Stills · wallpapers
Full-resolution frames — open one to save it as a wallpaper.
Trailers & featurettes
Community reviews
The best way I can describe this effort is a contemporised, misinterpretation, of Dumas novel. If, like me, you have read The Three Musketeers novel, more than once, you'll find this film largely divorced, from that work. The inconsistencies are glaring. The most obvious is steering this tale away from its focus on the male leads, in favour of not necessarily peripheral but definitely secondary or tertiary, female characters. Yes, in my opinion, its yet another clumsy chance to hoist the flag of feminism. Making female characters relevant to the story, in the modern woke context. Of course, this predictably, unbalances the story. The musketeers, are, nudged into the background, in the own tale. The second point of failure is the age of D'Artagnan, who in past films is typically played by a young male actor because this tale, in a sense, is a coming of age story. That's all swept aside too, quite possibly in service to the feminisation of the story.Instead, he's portrayed by a 33 year old man, incongruously called, "a boy". Suffice to say, it all feels rather awkward. Are there any redeeming elements to the production? Obviously, the acting is sound, its a strong cast. Money has been spent on sets, settings, fight choreography and more, to try to bring this period in French history, to life. Regrettably, so much else is wrong that this film simply feels "openly fake", to this reviewer. I do not see it as a loyal expression, of Dumas sterling work. Nor the period, in which it is set. In summary,feminises an essentially masculine tale. Don't believe me, just look at the poster, not to mention the film itself. In my view there are numerous superior and more accurate, cinematic expressions of Dumas work, on offer.
Production companies

Pathé
FR

Chapter 2
FR

M6 Films
FR

Constantin Film
DE

ZDF
DE

uMedia
BE

DeAPlaneta
ES
Themes & keywords
Release history · US
Also known as
Movie2023
Movie1998
Movie2010
Movie2004
Movie2002
Movie1977
Movie2009
Movie2016
Movie2008
Movie1961