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Leave the World Behind poster

Leave the World Behind

"There's no going back to normal."

2023 2h 20m EN
😐
6.4
MID
★6.4TMDB · 3,456
DramaMysteryThriller
Synopsis
Spoiler shield

A family's getaway to a luxurious rental home takes an ominous turn when a cyberattack knocks out their devices—and two strangers appear at their door.

“There's no going back to normal.”

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Cast

Credits

Behind the camera

Director
Sam Esmail
Writers
Sam Esmail
Languages
English, Spanish
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
ERA

Did you know

Released 3 years ago.

MoodPlayr · trivia#01
2 / 8
WORLD

Did you know

Dialogue crosses 2 languages: English, Spanish.

MoodPlayr · trivia#02
3 / 8
DIRECTOR

Did you know

Directed by Sam Esmail, shot by Tod Campbell. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Original score by Mac Quayle. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Editor Lisa Lassek shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05
6 / 8
CAST

Did you know

Julia Roberts and Ethan Hawke and Mahershala Ali carry the top of the cast.

MoodPlayr · trivia#06
7 / 8
FACT

Did you know

Marketing tagline: "There's no going back to normal.".

MoodPlayr · trivia#07
8 / 8
WILD

Did you know

IMDB entry: tt12747748 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Sam Esmail directs. Tod Campbell behind the camera. Mac Quayle scores. Lisa Lassek cuts. Produced in United States of America. Dialogue in English, Spanish.

Trivia

Things worth knowing

  • 1Released 3 years ago.
  • 2Dialogue crosses 2 languages: English, Spanish.
  • 3Directed by Sam Esmail, shot by Tod Campbell. Note their partnership — DPs and directors often return to each other across a career.
  • 4Original score by Mac Quayle. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 5Editor Lisa Lassek shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 6Julia Roberts and Ethan Hawke and Mahershala Ali carry the top of the cast.
  • 7Marketing tagline: "There's no going back to normal.".
  • 8IMDB entry: tt12747748 — still the authoritative cross-reference for credits and trivia.
  • 9Classified under 16 themes, including "based on novel or book", "blackout", "crisis", "vacation".

The technical file

Cinematography
Tod Campbell
Original score
Mac Quayle
Editing
Lisa Lassek
Production design
Anastasia White
Costume design
Catherine Marie Thomas
Makeup / hair
Jai Williams
VFX supervisor
Chris Harvey
Sound
Beau Borders
Stunt coordinator
Doug Coleman
Runtime
140 min · 2h 20m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
EN
Certification (US)
R

Also by

Sam Esmail

Stills · wallpapers

Selected frames

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Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Manuel São Bento
    ★ 7/10

    FULL SPOILER-FREE REVIEW @ https://fandomwire.com/leave-the-world-behind-review-a-thought-provoking-psychological-study-on-humanity/ "Leave the World Behind intricately intertwines Sam Esmail's directorial finesse with Rumaan Alam's thought-provoking source material, delivering a compelling exploration of familial dynamics, societal issues, and the impact of fear and uncertainty on human behavior. While Esmail's adaptation steers towards a more straightforward apocalyptic thriller, it retains thematic depth, as the layered characters, portrayed by a stellar ensemble cast with Julia Roberts and Mahershala Ali as brilliant standouts, serve as compelling conduits for these themes, offering nuanced reflections on contemporary society. Exquisite cinematography and a pulsating score contribute to a tense, immersive experience, despite occasionally distracting camera work, minor pacing issues, and repetitive narrative elements. In the end, it's a profoundly interesting cautionary tale that everyone should see before the year's end." Rating: B

  • Brent Marchant
    ★ 7/10

    What would you do if you suddenly began experiencing a series of anomalous, apocalyptic-style events? With communications crippled and transportation severely hampered, it’s impossible to figure out what’s happening or how to formulate a feasible exit strategy. Yet, as all this is unfolding, the troubling and unexplained events continue unabated. Now what? Such is the chilling experience of an upscale New York City couple and their two children who unwittingly wind up sharing a luxurious Long Island vacation home with the wealthy property owner and his adult daughter in the midst of all this chaos. As they struggle to determine what’s transpiring, they come upon revelations about themselves, one another and the world at large, which clearly is not everything it appears or has been made out to be. The result is a creepy but astute cautionary tale, one we’d be wise to heed given current sociopolitical trends and prevailing conditions. While director Sam Esmail's second feature outing generally manages to maintain a certain edge-of-the-seat quality, it could nevertheless stand to use some trimming to pick up the pace in spots, especially in several instances where the dialogue becomes strained and in others where the narrative veers into needlessly and cryptically stringing viewers along from one enigmatic event to another. In addition, while I am certainly no prude when it comes to off-color language, the screenplay contains a surprisingly inordinate number of f-bombs, a script device that seems decidedly inappropriate, often out of place and vastly overused. The picture makes up for this with a fine ensemble cast, particularly in the performances of Julia Roberts, Mahershala Ali, Ethan Hawke and Kevin Bacon, as well as some intriguing cinematography, though the film’s inconsistent soundtrack/score doesn’t always work as well as it could have. “Leave the World Behind” truly comes across as a sincere effort at telling a compelling, suspenseful and enlightening tale, but it doesn’t always get all of the components right. That doesn’t mean it’s not worth watching, but the term “cautionary tale” is certainly apropos in describing more than just its insightful content.

  • BornKnight
    ★ 7/10

    Psychological thriller film written, directed and produced by Sam Esmail (Mr. Robot Series), based on the 2020 novel of the same name by Rumaan Alam, with some alterations in the screenplay. First of all what called my attention was the Obama's interest in the movie that is explained by a-) He is a huge fan of the book; a-) Obviously as an ex-president he had insight into the military parts; To those who don't know what to expect about the movie I can call it a mix of M. Night Shyamalan and Jordan Pelee with the obvious personal touch of the director based by the social-technologic chaos that we seen in Mr. Robot. Btw this was the fact that gave in most of the story to me well in the start of the movie events. The movie basically tells what happens when a up-mid class white family goes into vacations into a Airbnb upstate NY high-class house for vacations and strange events like an oil tanker losing control and crashing into beach (hmmmm let me guess... no GPS?) and internet stops unexpectedly (hmmm let me guess cyberattacks? coup d'etat by unknow enemies????) and wild life starts to act strangely, like deer and birds (this is the MNS part, probably because of some sort of disruptive effect that I suspect in the start to be a solar flare until it mentioned only in US when I kill'd the movie plot). The comes the J. Pelee part when a black father and daughter shows up in the house after the strange effects telling they are the ones that own the house and came back for retreat of the chaos. Yeah racial tension on. Individually all characters have their little details of psychology and backstory which is a nice touch and well done part of the movie. And so are the acting. I guess that my main problem is watching too much stuff - there is a point that to get a movie that introduce something unique to you, specially knowing the background of the directors and writers is something difficult to impress yourself. Out of these plot parts the movie have some cool paranoid ideas (that actually aren't so paranoid because they would work as in the movie like Obama were advised) and a very nice soundtrack by Mac Quayle (Mr Robot, American Horror Story) and cinematography with some cool and interesting cameras shots by Tod Campbell (Stranger Things, Mr Robot, Boyhood). Overall it isn't a bad movie - on contraire it is interesting if you don't know what to expect. Not bad, but the racial part was unnecessary imo. Even so, for me it is one of the good movies of 2023 so it win a heart too. My score: 7.5 out of 10 / B+.

Production companies

Who made it

  • Esmail Corp

    Esmail Corp

    US

  • RE

    Red Om Films

    US

  • Higher Ground

    Higher Ground

    US

Key crew

  • ProstheticsGary Archer
  • Production DesignAnastasia White
  • Assistant Director TraineeBessie Nellis
  • Set DecorationDavid Schlesinger
  • Key Makeup ArtistJai Williams
  • Makeup ArtistJennifer Tiffany Green
  • CastingBeth Bowling
  • Costume DesignCatherine Marie Thomas
  • Art DirectionChristine Foley
  • EditorLisa Lassek
  • Unit Production ManagerAdam Brightman
  • Assistant Art DirectorEric Bryant
  • Additional Second Assistant DirectorDavis Woodall
  • HairstylistToni Roman-Grimm
  • Second Second Assistant DirectorCameron Lawther
  • Graphic DesignerKelsey Hamill
  • CastingSusie Farris
  • Second Assistant DirectorHeather Anderson
  • First Assistant DirectorPeter Kohn
  • Set DresserAutumn Fiore
  • Scenic ArtistMicheal Franzese
  • First Assistant DirectorTravis Rehwaldt
  • Assistant Set DecorationShane Kertanis
  • Construction GripChris Schait

Themes & keywords

What it's about, really

  • based on novel or book
  • blackout
  • crisis
  • vacation
  • deer
  • apocalypse
  • armageddon
  • family
  • social issues
  • desperate
  • psychological
  • slow burn
  • house rental
  • disheartening
  • frightened
  • chilling

Release history · US

When it landed

  • Premiere2023-10-25· AFI Fest
  • Theatrical (limited)2023-11-22R
  • Digital2023-12-08R· Netflix

Also known as

International titles

  • Dünyanı Geridə BuraxAZ
  • دنیا را پشت سر بگذارIR
  • Ілюзія безпекиUA
  • 終わらない週末JP
  • Оставь мир позадиRU

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