
Did you know
Made its money back 3.1× over at the box office.

"Paul Sheldon used to write for a living. Now, he’s writing to stay alive."
After an accident, acclaimed novelist Paul Sheldon is rescued by a nurse who claims to be his biggest fan. Her obsession takes a dark turn when she holds him captive in her remote Colorado home and forces him to write back to life the popular literary character he killed off.
“Paul Sheldon used to write for a living. Now, he’s writing to stay alive.”

Kathy Bates
Annie Wilkes

James Caan
Paul Sheldon

Richard Farnsworth
Buster

Lauren Bacall
Marcia Sindell

Frances Sternhagen
Virginia

Graham Jarvis
Libby

Jerry Potter
Pete

Thomas Brunelle
Anchorman
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Rob Reiner directs. Barry Sonnenfeld behind the camera. Marc Shaiman scores. Robert Leighton cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.
Trivia
Awards
Won 1 Oscar. 7 wins & 10 nominations total
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
In a wintery Colorado, acclaimed author “Sheldon” (James Caan) comes off the road only to be luckily (we think!) saved by the timely intervention of “Annie” (Kathy Bates) who just happens to be a nurse. More than that, she’s a superfan of his work and so makes it clear that his care is a labour of love she is well prepared to carry out. Gradually, though, he begins to realise that she isn’t quite the woman she’s claiming to be. He is locked in and isolated, and when she begins to suggest that he reactivate one of the lapsed characters from his novels - well let’s just say she has some fairly unique methods of persuasion at her disposal. With him her “guest”, his publisher “Marcia” (Lauren Bacall) is starting to worry and so a quick call to the local sheriff sees “Buster” (Richard Farnsworth) become the bear in the air as he tries to track him down. With “Sheldon” trapped and fed a diet of sedatives and torment, it’s becoming quite a race to see if anyone can ever find him, let alone rescue him from his increasingly obsessive host. Some of Caan’s facial expressions are super here, especially towards the end - but it’s the menacingly angelic effort from Bates that steals the show here and makes this quite possibly my favourite adaptation of a Stephen King novel. Those, I usually found, were rarely the most substantial of stories, but here he has provided some personas for both to sink their teeth into, and it also delivers one of those scenes that will live in cinema history for ever. The bleakness of their surroundings adds an extra degree of chill and Rob Reiner manages to build then sustain quite a degree of peril from pretty early on in the proceedings. It’s really not for the squeamish, nor probably for anyone who has ever written-out a popular literal character, either!
Production companies

Castle Rock Entertainment
US

Nelson Entertainment
US
Themes & keywords
Release history · US
Also known as
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