
Did you know
Released 5 years ago.

Told entirely through social media and smartphone screens, this bold adaptation of Romeo and Juliet reinvents the world’s most enduring love story with style and lyricism, with black and brown youth at the heart of it all.
“Some stories are better left unspoiled.”

Camaron Engels
Romeo

Francesca Noel
Juliet

RJ Cyler
Benvolio

Siddiq Saunderson
Mercutio

Diego Tinoco
Tybalt

David Zayas
Fernando Capulet

Dakota Shapiro
Paris

Moe Irvin
Alcide Montague
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Carey Williams directs. Diego Madrigal behind the camera. Lam Nguyen cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.
Trivia
Also by
Stills · wallpapers
Full-resolution frames — open one to save it as a wallpaper.
Community reviews
The classic Romeo and Juliet tale is given a modern spin in “R#J,” an inventive but irritating film from director Carey Williams. The movie is too drawn-out (especially the painfully prolonged ending), and the gimmick of telling the story entirely through social media and smartphone screens doesn’t take long to become annoying. You know the plot of the world’s most famous love story, and the film faithfully follows the original work of literature. A war is brewing between the Montagues and the Capulets, and the younger residents of Verona are using their phones to document it all. This leads to a head-spinning series of Instagram posts, text messages that come fast and furious, FaceTime calls, chats, selfies, GIFs, and Spotify playlists that score the action. The characters speak in a manner that blends the formal with the casual, reciting their lines in iambic pentameter that is a mix of Shakespearean language and modern slang. Williams has assembled an original, thorough vision with a technological spin for his version of the story, and it’s fun to see the methods in which he updates this highly creative retelling. He finds super inventive ways to tie the story into a modern setting, but the flashes of brilliance are offset by plenty of moments of annoyance. This would have worked far better as a short film. The film is experimental in nature, and some of the ideas are extremely disturbing (like live streaming suicides on YouTube). It’s cringey in parts, but “R#J” is a cool multicultural update on Shakespeare’s original work, and I can appreciate what the filmmaker is trying to do here. By: Louisa Moore
Production companies
Interface Films

Bazelevs
US
Themes & keywords
Release history · US
Movie1968
Movie1996
Movie2013
Movie1949
Movie1947
Movie2014
Movie2017
Movie2022
Movie1961
Movie2023