
Did you know
Shot for just $2.1M — micro-budget by Hollywood standards.

"Whatever it is that French women have ... Madame Bovary had more of it!"
In 19th-century France, doctor's wife Emma Bovary seeks to escape her dull provincial life through various extramarital affairs and extravagant spending, leading to tragic consequences.
“Whatever it is that French women have ... Madame Bovary had more of it!”

Jennifer Jones
Emma Bovary

James Mason
Gustave Flaubert

Van Heflin
Charles Bovary

Louis Jourdan
Rodolphe Boulanger

Alf Kjellin
Leon Dupuis

Gene Lockhart
J. Homais

Frank Allenby
Lheureux

Gladys Cooper
Madame Dupuis
Credits
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Cinephile deep dive
Vincente Minnelli directs. Robert H. Planck behind the camera. Miklós Rózsa scores. Ferris Webster cuts. A commercial under-performer on release. Produced in United States of America. Dialogue in English.
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Do you know, Charles, why that clock strikes? To announce the death of another hour. Madame Bovary is directed by Vincente Minnelli and adapted to screenplay by Robert Ardrey from the Gustave Flaubert novel. It stars Jennifer Jones, Van Heflin, Louis Jourdan, Alf Kjellin, Gene Lockhart and James Mason. Music is by Miklós Rózsa and cinematography by Robert H. Planck. It's most interesting now watching Minnelli's picture and being able to place it in the time it was made. Also of major interest is reading up on what the critics of the time had to say about it. This version is an undoubted lesson in the technical crafts of film making, the visuals, the sound, art design, costuming and a literary pumped screenplay that allows the cast to play it classical. It's also black hearted, perfectly in keeping with the gathering storm of the era that was film noir. Here is the monster. Some of the complaints about the film, to me anyway, just don't add up. Why do we need to care about anyone in this story? It's a dark tale of illicit passions, greed, betrayals, bad parenting and etc. Is this frowned upon in some circles because of love for the classic novel? Or because there's some esteem held for other versions? The criticism of Jones is also very suspect given it's a classic femme fatale performance, Emma is cold and driven and shallow to others feelings, Jones works it perfectly. As Rózsa's beautiful lush and poignant musical arrangements drift and hover over the various story instalments, Minnelli brings the film making guile. His camera work is sublime, like a ghost moving about the characters for the more vibrant scenes, tracking and roving, dizzyingly beautiful. At others it's close and personal, imbuing Emma's claustrophobia, with the black and white contrasts superbly photographed by Planck. So it doesn't capture the essence of Flaubert's intent, then? Emma Bovary a figure of hate instead of sympathy, the lack of a caustic aside on a society of double standards? So what! Outstanding film making is just that, especially when it can tune into a style of film making prevalent at its birth. Madame Bovary - maybe the most film noir movie not actually considered a film noir. Brilliant. 9/10
Production companies

Metro-Goldwyn-Mayer
US
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Release history · US