Licence to Kill

"James Bond is out on his own and out for revenge."

1989 2h 13m EN

😐

6.4

MID

★6.4TMDB · 2,260

AdventureActionThriller

Synopsis

Spoiler shield

After capturing the notorious drug lord Franz Sanchez, Bond's close friend and former CIA agent Felix Leiter is left for dead and his wife is murdered. Bond goes rogue and seeks vengeance on those responsible, as he infiltrates Sanchez's organization from the inside.

“James Bond is out on his own and out for revenge.”

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Cast

Timothy Dalton
James Bond
Carey Lowell
Pam Bouvier
Robert Davi
Franz Sanchez
Talisa Soto
Lupe Lamora
Anthony Zerbe
Milton Krest
Frank McRae
Sharkey
Everett McGill
Killifer
Wayne Newton
Professor Joe Butcher

Credits

Behind the camera

Director: John Glen
Writers: Richard Maibaum, Michael G. Wilson
Languages: English, Spanish
Countries: Mexico, United Kingdom, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

Made its money back 4.9× over at the box office.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

37 years old — old enough to be someone's favourite childhood film.

MoodPlayr · trivia#02

3 / 8

WORLD

Did you know

Dialogue crosses 2 languages: English, Spanish.

MoodPlayr · trivia#03

4 / 8

WORLD

Did you know

International production across 3 countries: Mexico, United Kingdom, United States of America.

MoodPlayr · trivia#04

5 / 8

CINEMA

Did you know

Part of the "James Bond Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Directed by John Glen, shot by Alec Mills. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Original score by Michael Kamen. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#07

8 / 8

DIRECTOR

Did you know

Editor John Grover shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#08

Cinephile deep dive

The take

John Glen directs. Alec Mills behind the camera. Michael Kamen scores. John Grover cuts. Made its budget back several times over at the box office. Produced in Mexico, United Kingdom, United States of America. Dialogue in English, Spanish.

Trivia

Things worth knowing

1Made its money back 4.9× over at the box office.
237 years old — old enough to be someone's favourite childhood film.
3Dialogue crosses 2 languages: English, Spanish.
4International production across 3 countries: Mexico, United Kingdom, United States of America.
5Part of the "James Bond Collection" — so the characters or world continue elsewhere.
6Directed by John Glen, shot by Alec Mills. Note their partnership — DPs and directors often return to each other across a career.
7Original score by Michael Kamen. Worth a dedicated listen after — most great films lose half their impact without the score.
8Editor John Grover shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
9Timothy Dalton and Carey Lowell and Robert Davi carry the top of the cast.
10Marketing tagline: "James Bond is out on his own and out for revenge.".
11IMDB entry: tt0097742 — still the authoritative cross-reference for credits and trivia.
12Classified under 13 themes, including "florida", "corruption", "airplane", "liberation of prisoners".
13Released under 15 different titles around the world.

The technical file

Cinematography: Alec Mills
Original score: Michael Kamen
Editing: John Grover
Production design: Peter Lamont
Costume design: Jodie Lynn Tillen
Makeup / hair: George Frost
Stunt coordinator: Paul Weston
Runtime: 133 min · 2h 13m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $32,000,000
Box office: $156,167,015
Return: 488% of budget
Original language: EN
Certification (US): PG-13
IMDB: Licence to Kill (1989)

Part of

James Bond Collection

The James Bond Collection is a legendary spy film series based on Ian Fleming’s novels, following MI6 agent 007, James Bond, as he takes on global threats with style, gadgets, and charm. Produced by EON Productions, the franchise spans 25 official films (1962–2021) and has featured six actors, from Sean Connery to Daniel Craig. Known for its thrilling action, iconic villains, Bond girls, and unforgettable theme songs, the series remains a cornerstone of the spy genre. With espionage, luxury cars, and shaken-not-stirred martinis, Bond continues to captivate audiences worldwide.

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John Glen

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What people are saying

John Chard2019-07-07
★ 8/10
Effective immediately, your licence to kill is revoked, and I require you to hand over your weapon. Licence to Kill is directed by John Glen and written by Richard Maibaum and Michael G. Wilson. It's an original story that uses characters and instances created by Ian Fleming. It stars Timothy Dalton, Carey Lowell, Robert Davi, Talisa Soto, Anthony Zerbe, Desmond Llewelyn, David Hedison, Benicio Del Toro, Frank McRae, Everett McGill and Wayne Newton. Music is scored by Michael Kamen and cinematography by Alec Mills. Bond 16 and 007 goes rogue when drug baron Franz Sanchez leaves Felix Leiter mutilated and his wife dead. With licence revoked by MI6, Bond has to go it alone to enact revenge for the Leiters. The controversial Bond for many reasons, Licence to Kill even today has been known to induce fearsome arguments in Bond fan circles. Not since On Her Majesty's Secret Service has a Bond film so polarised opinions. In one corner are the folks who determine it's not a Bond movie, in the other is those who say it's a stripped to the bone human Bond. You either love it or you hate it it seems. True to say that it is more an action thriller than a outright Bond film, no humongous sets, no megalomaniac villain (Davi's drug baron a very realistic menace) and of course there is Bond being pursued by those that have courted him previously as their number one agent. Yet there's a whole raft of scenarios that could only exist in a Bond universe, there's gadgets, too, for those that enjoy that side of Bond. Where else would you see a tanker driving on its side? Or exploding toothpaste and alarm clock, camera's that turn into weapons and a broom that is actually a transmitter? Not Bondian enough? Really? Licence to Kill is a superior action thriller movie, the script is tight, the cast ace and the picture is crammed full of exceptional action set pieces. From the pre-credits sequence that sees Bond and Leiter enact a mid-air arrest, to the rather brilliant tanker carnage at the finale, the film rarely pauses for breath, and right there in the centre is a brilliant Dalton giving a rogue Bond plenty of layers. He's brainy and classy, fallible and driven, intense and tough, always sexy and always dangerous. Dalton's ability to convey raw emotion as each challenge comes his way is a real treat to watch. But most of all he is right there restoring Bond to being a serious action figure. What Bond fans didn't realise at the time was that it would be 17 years before Bond would be this raw again, then it would be heralded as a brave new start for Bond! Another of the film's strengths is bringing back Hedison as Leiter, last seen playing the role in Live and Let Die, Hedison has great chemistry with Dalton and it's a joy to see Leiter play an active part in the action on screen. However, the makers do make a misstep by having Leiter be all too jovial at the end of the film, weird since he is minus a limb and his wife was raped and murdered by Sanchez's henchmen. Another big plus is Lowell's Pam Bouvier, a tough and brave Bond girl, sexy as heck, her pilot skills come in handy and she's no mug when it comes to brawling. Lowell does fine work in the role and keeps it away from being a token interest cliché. Davi keeps Sanchez as believable, a very driven drug baron who is cultured and funny, but always pulsing a vicious streak, while McRae has presence, McGill neatly keeps the cards close to his chest, Del Toro a nice line in nastiness and Soto is pretty as a picture and plays Lupe Lamora with skilled vulnerability. And of course there's Llewelyn as Q, who here gets a right old meaty role as he goes out in the field to become Bond's only aid from MI6. Again, not Bondian enough? Licence to Kill saw the end of Dalton's tenure as Bond, legal issues between Danjaq and MGM/UA meant that no Bond movie would be made for another six years. By then Dalton had moved on to other work and was 51. It also marked the end of production duties for Cubby Broccoli, the final direction by John Glen (5 Bond films in total), Richard Maibaum's last script and the last performances by Robert Brown as M and Caroline Bliss as Moneypenney. One of the many misconceptions about the Dalton era is that Licence to Kill was a flop, it made $156 million worldwide, considerably down on The Living Daylights but more than A View to a Kill. A huge profit of over $100 million, this in spite of it being pitched against Batman and sequels to beloved American films by a studio head who had no idea how to market a film. The best actor to take on the role of Bond, Dalton's impact on the series cannot be overstated, he (rightly so) is very proud of his work in the two films and still talks very fondly of a role he respected beyond compare. 9/10
Wuchak2021-05-14
★ 6/10
A different kind of Bond Released in 1989, "Licence to Kill" always struck me as the most atypical Bond film. In this one James (Timothy Dalton) goes rogue after a good friend's bride is murdered and the friend is half-eaten by a shark. Stripped of his authority, Bond vengefully goes after the responsible drug lord, Sanchez (Robert Davi). The opening act drives home that "Licence to Kill" is a more serious and brutal Bond flick. Although there's still a lot of "yeah, right" moments, the comedic edge of past Bond films is all but gone. And the violence is so savage and merciless compared to past films that it almost comes off shocking. In addition, the spectacular globe-trotting locations are absent in favor of a more one-dimensional setting -- the Florida Keys and Mexico (where the film was shot). Although they do fine with these limited locales, the change is noticeable. The women are below par as well. Carey Lowell works best as the "Bond girl," but she pales in comparison to, say, Lois Chiles, Luciana Paluzzi and Claudine Auger. Talisa Soto is also on hand as Sanchez' girl and, briefly, Priscilla Barnes. The opening stunt sequence is alright, but it's unmemorable compared to past Bond films, like "The Living Daylights," "The Spy Who Loved Me" and "Moonraker." Furthermore, there's an under-developed subplot about a cult guru and the film seems overlong at 133 minutes. But the movie scores points with effective villains (it wouldn't be right to say "good villains", would it?), particularly Davi and a young Benicio Del Toro, both cruel and sadistic. FINAL SAY: The fun might be over, but at least they tried something different to stir things up. Unfortunately, it didn't quite work. "Licence to Kill" performed weakly at the box office and ranks with the lesser Bond flicks. Still, it's interesting as an atypical part of the series -- darker and grittier, albeit still comic booky. Plus Dalton is striking as the vengeful protagonist and, if you can hang around till the final act, it's totally kick-axx. GRADE: B-
CinemaSerf2022-05-29
★ 6/10
I was just not a fan of Timothy Dalton's "007" and so can't say I was looking forward with much enthusiasm to this. Sadly, it didn't surprise - it's a really far fetched, frankly rather unpleasant, outing for Ian Fleming's deadly agent that sees him on the trail of an evil drug lord who fed "Felix" (David Hedison) to a shark whilst doing away that man's new wife. What now ensues is just a series of unremarkable set-piece escapades that have precious little jeopardy to them. Anthony Zerbe just doesn't cut it as the supposedly menacing "Milton Krest" (surely a milk-shake?) nor does Robert Davi as baddie-in-chief "Sanchez". Not that it's unusual for a "Bond" film - but this one really does play a bit too much to stereotype without any of the fun; the tongue-in-cheekiness or any charisma at all from the star very much on the wain here. As adventure films go, it is entertaining enough - there are gadgets; but the banal dialogue grates after a while and this one somehow appears much less "British" than many of it's forebears - certainly it is grittier and more violent. Adequate, but I would not say anything for the far classier and engaging Connery or Moore to worry about.