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The Social Dilemma

"The technology that connects us also controls us."

2020 1h 34m EN
πŸ™Œ
7.5
BANGER
β˜…7.5TMDB Β· 1,863
DocumentaryDrama
Synopsis
Spoiler shield

This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.

β€œThe technology that connects us also controls us.”

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Cast

Credits

Behind the camera

Director
Jeff Orlowski
Writers
Davis Coombe, Vickie Curtis, Jeff Orlowski
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
ERA

Did you know

Released 6 years ago.

MoodPlayr Β· trivia#01
2 / 7
DIRECTOR

Did you know

Directed by Jeff Orlowski, shot by John Behrens. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#02
3 / 7
DIRECTOR

Did you know

Original score by Mark A. Crawford. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#03
4 / 7
DIRECTOR

Did you know

Editor Davis Coombe shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#04
5 / 7
CAST

Did you know

Tristan Harris and Jeff Seibert and Bailey Richardson carry the top of the cast.

MoodPlayr Β· trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "The technology that connects us also controls us.".

MoodPlayr Β· trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt11464826 β€” still the authoritative cross-reference for credits and trivia.

MoodPlayr Β· trivia#07

Cinephile deep dive

The take

Jeff Orlowski directs. John Behrens behind the camera. Mark A. Crawford scores. Davis Coombe cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Released 6 years ago.
  • 2Directed by Jeff Orlowski, shot by John Behrens. Note their partnership β€” DPs and directors often return to each other across a career.
  • 3Original score by Mark A. Crawford. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 4Editor Davis Coombe shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Tristan Harris and Jeff Seibert and Bailey Richardson carry the top of the cast.
  • 6Marketing tagline: "The technology that connects us also controls us.".
  • 7IMDB entry: tt11464826 β€” still the authoritative cross-reference for credits and trivia.
  • 8Classified under 25 themes, including "artificial intelligence (a.i.)", "technology", "silicon valley", "high tech surveillance".

The technical file

Cinematography
John Behrens
Original score
Mark A. Crawford
Editing
Davis Coombe
Production design
Adam Wheatley
Stunt coordinator
Chase Penny
Runtime
94 min Β· 1h 34m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
EN
Certification (US)
PG-13

Also by

Jeff Orlowski

Stills Β· wallpapers

Selected frames

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Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • corrcorr
    β˜… 5/10

    This documentary thinks it's real cute. You may learn a thing or two, but a lot of the time it feels manipulative and self-righteous. I wish that, instead of portraying the mechanisms of ad-targeting as some kind of sci-fi super villain, they would have shown what truly goes on in the offices of google, facebook, and the like. The evils of manipulating human attention do not need to be sensationalized to look like something out of Tron or Blade Runner. Why not film the actual computer screens that are spitting back data about users of these platforms? Perhaps internet giants would not let cameras behind the scenes. Anyhow, this film has a noble goal but comes across as more dime-a-dozen infotainment that Netflix has pumped out many times before. Maybe if it did not treat its viewers as though they were brain dead I would have enjoyed it more. Show it to your tik tok friends who could lose a staring contest with a squirrel, as that is likely who this documentary is targeted for.

  • Alunauwie
    β˜… 10/10

    The Social Dilemma is a powerful documentary that explores how social media algorithms subtly manipulate user behavior, creating addiction and influencing mental health. Through expert interviews, dramatized simulations, and engaging visuals, it reveals the ethical dilemmas behind profit-driven platforms that often overlook their societal impact. With a balanced and accessible approach, the film encourages viewers to critically reassess their digital habits and understand the hidden forces shaping their online experiences. Read the full review here: (Indonesian version : alunauwie.com)

  • CinemaSerf
    β˜… 7/10

    Every now and again I have arguments with my friends about my total lack of engagement with social media. I've never had any of them, and have cookies set to off on just about everything - I even trawl through the hundreds of vendors on Letterboxd and tell them what to do with their "legitimate interest", but after watching this I am begining to wonder if there is, indeed, any safe and comprehensive way to remain outside the ambit of Yankee tech and it's ever-present advertising and AI training models. What this attempts to showcase, albeit entirely one-sidedly, is just how these corporations have gone from being passive providers of services that augment life to giant ones complicit in formulating the actual direction of our lives. The suggestions from some plausible former industry figures like Tristram Harris are that we are increasingly the subject of wholesale manipulation and that for the most part are completely unaware. Using a bit of hit-or-miss slightly polarised family drama, it proposes that we are being electronically prodded and poked into behavioural patterns that are not only addictive but that are also seeing greater impact on the mental health of those spending five or six hours a day down their rabbit holes. Suicide rates are rising amongst age ranges that shouldn't even be able to spell the word, and the only scrutiny is coming from politicians who - as one Republican senator readily ackowledges - haven't much of a clue what they are supposed to be investigating. All against a backdrop of trillions of dollars but a dwindling number of actual jobs for the people whom this film claims are becoming less relevent to this entire creative process. What's also curious here is that so many of these developers are white, T-shirt and jeans wearing, perfectly manscaped men who in themsleves are just as symbolic as the pre-defined all-American product that their systems - admittedly now some years down the line - are churning out. There is little space for individuality anywhere here - unless we turn the tide. These folks saw a cause for optimism. Perhaps that's because they have little more clue than the politicians who could force a change, but so long as we are all opted in until we bother to opt out, then this ultimate conspiracy theory has an uncomfortable ring of inevitable truth to it. If computers are the equivalent of cycles for the brain, then I suppose AI must be their autopilot. What need for us, then?

Production companies

Who made it

  • EX

    Exposure Labs

    US

  • Argent Pictures

    Argent Pictures

    US

  • The Space Program

    The Space Program

    US

Key crew

  • First Assistant CameraMegaera Stephens
  • ProducerLarissa Rhodes
  • EditorDavis Coombe
  • Co-Executive ProducerShannon O'Leary Joy
  • Co-Executive ProducerKen Grossinger
  • Co-Executive ProducerMicheline Klagsbrun
  • Executive ProducerBruce Heavin
  • Executive ProducerLynda Weinman
  • Executive ProducerBen Renzo
  • Executive ProducerJill Ahrens
  • Executive ProducerRyan Ahrens
  • Executive ProducerLinda A. Cornfield
  • Executive ProducerDavid J. Cornfield
  • Executive ProducerLaurie Lennard
  • Executive ProducerHeather Reisman
  • Executive ProducerHallee Adelman
  • Executive ProducerIvy Herman
  • Co-Executive ProducerNatalie Orfalea
  • Co-Executive ProducerLou Buglioli
  • Co-Executive ProducerDavid Boies III
  • Co-Executive ProducerDavid Stone
  • Production DesignAdam Wheatley
  • CastingJenny Jue
  • Co-ProducerStacey Piculell

Themes & keywords

What it's about, really

  • artificial intelligence (a.i.)
  • technology
  • silicon valley
  • high tech surveillance
  • internet
  • surveillance
  • big corporation
  • media manipulation
  • social network
  • teen suicide
  • low self esteem
  • social media
  • internet culture
  • commercialism
  • internet addiction
  • social isolation
  • self-harm
  • advertising campaign
  • advertising model
  • late stage capitalism
  • machine learning
  • media addiction
  • algorithm
  • societal collapse
  • smartphone

Release history Β· US

When it landed

  • Premiere2020-01-26Β· Sundance Film Festival
  • Digital2020-09-09PG-13Β· Netflix

Also known as

International titles

  • O Dilema das RedesBR
  • El dilema de las redes socialesAR
  • DerriΓ¨re nos Γ©crans de fumΓ©eFR

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