Coyote Ugly

Cinephile deep dive

The take

David McNally directs. Amir Mokri behind the camera. Trevor Horn scores. William Goldenberg cuts. Profitable at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

• 126 years old — old enough to be someone's favourite childhood film.
• 2Directed by David McNally, shot by Amir Mokri. Note their partnership — DPs and directors often return to each other across a career.
• 3Original score by Trevor Horn. Worth a dedicated listen after — most great films lose half their impact without the score.
• 4Editor William Goldenberg shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
• 5Piper Perabo and Maria Bello and Bridget Moynahan carry the top of the cast.
• 6Marketing tagline: "Tonight, they're calling the shots.".
• 7IMDB entry: tt0200550 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography

Amir Mokri

Original score

Trevor Horn

Editing

William Goldenberg

Production design

Jon Hutman

Costume design

Marlene Stewart

Makeup / hair

Darla Albright

Stunt coordinator

Danny Aiello III

Runtime

100 min · 1h 40m

Aspect ratio (typical)

1.37:1 (Academy)

Status

Released

Budget

$45,000,000

Box office

$113,900,000

Return

253% of budget

Original language

EN

Certification (US)

PG-13

IMDB

Coyote Ugly (2000) ↗

Rotten Tomatoes

23% 🥫 Rotten

Metacritic

27/100

IMDB rating

5.8/10 · 125,922 votes

MPAA

PG-13

Also by

David McNally

• 
  Kangaroo Jack

  2003 · ★ 5.3

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper Wallpaper

Trailers & featurettes

Watch the pieces

• 

  ▶
  Coyote Ugly trailer

  Trailer

Community reviews

What people are saying

• Filipe Manuel Neto2023-11-08
  ★ 3/10

  An excuse to make a film full of women swaying seductively without a hint of softcore. What can we say about a romantic film, with light touches of comedy, that spends most of its time showing us very attractive women in tight, short clothes, and bouncing around sensually in an atmosphere of mockery and debauchery worthy of a university graduation party? A lot of things. What leaves us no doubt? It is a film made with an openly and openly heterosexual audience in mind. Released in 2000, I don't know if the film would be possible today without being immediately accused of sexism and giving a stereotypical and sexualized image of women. Let's start by talking about the good things. One of them, perhaps the best, is the extraordinary soundtrack, which compiles excellent songs into one of the best non-original soundtracks of the decade: “The Right Kind of Wrong” and “Can't Fight the Moonlight” are so good that the entire we know them. The music is so important here that, in a sense, it is more of a music video than a film: the protagonist is an aspiring songwriter who tries to make it in the music market without much success, but who discovers that she sings well and becomes one of the main attractions. of a nightclub. The scenarios are convincing enough for us to believe them, especially if it is known that there really is a bar of this type in New York (in fact, it seems that others in the same franchise have already opened). Even so, there is so much exaggeration at parties that it is, in my eyes, difficult to believe in a certified and legal commercial space. Minimally decent editing, but sometimes lax, and cinematography that relies too heavily on red tones complete, on a less positive note, the more technical aspects of this film. In addition to the good songs, we have the beauty of the cast, with young and slender actresses, who make up for their inexperience with fantastic bodies and good dancing skills: Piper Perabo, Maria Bello, Tyra Banks, Izabella Miko, Bridget Moynahan and Adam Garcia. It's a shame that physical beauty doesn't translate into talent: as the cast wasn't chosen based on the actors' abilities, none of them offer an inspired performance. They are a bunch of complete scoundrels and the film, at this point, is very weak. In the interest of justice, it is imperative to save the renowned John Goodman, the only good actor here, who shows us what it is like to act in a character full of grace and quite comical. All of these, however, are mere stumbling blocks on the long road of a production that could, even so, be frankly good if it told us a good story. It is in the script and the story told that the film falls to the ground like an aspiring model who breaks both heels while parading. When watching the film, I asked myself over and over again where the hell the script was, because all that, that whole trip to the city, to a future in show business, is so absolutely cliché and has already been repeated so much that it is unacceptable. There is no substance. Then, all that sugary romance, without any chemistry, without any logic... it's too stupid, with stupid and unacceptably poorly written dialogues.

  Read full review ↓
• ZOZEO2025-01-01

  COYOTE UGLY IS AWESOME

  Read full review ↓
• r96sk2025-01-16
  ★ 8/10

  <em>'Coyote Ugly'</em> is solid cheese and I'm here for it. There's nothing all that noteworthy to say about this, you'll either enjoy it or you won't; I doubt there's much middle ground. For me, it works. It's well paced and well acted, the music is well chosen too - s/o LeAnn Rimes. I'm pretty sure I've seen this before when I was younger, so long ago that I hadn't had it logged on here. I can't say I totally remembered it whilst watching, though many of the scenes did feel familiar and I recalled the main cast. Speaking of which, Piper Perabo is good as lead. Maria Bello, John Goodman and Adam Garcia are also solid. Just discovered that this has the same director as Kangaroo Jack. David McNally really made these two classics and ducked out of the industry, what a rockstar.

  Read full review ↓

Production companies

Who made it

• 

  Touchstone Pictures

  US

• 

  Jerry Bruckheimer Films

  US

Key crew

• Art DirectionGae S. Buckley
• EditorWilliam Goldenberg
• ProducerJerry Bruckheimer
• CastingBonnie Timmermann
• Set DecorationRosemary Brandenburg
• ProducerChad Oman
• Costume DesignMarlene Stewart
• StuntsDanny Epper
• StuntsErik Rondell
• StuntsJoe Bucaro III
• Music SupervisorMonica Zierhut
• Music SupervisorKathy Nelson
• Music SupervisorBob Badami
• Script SupervisorMikayla Abromowitz
• Special Effects CoordinatorJoe D. Ramsey
• Construction CoordinatorDavid Elliott
• Art Department CoordinatorAshley Burnham
• Visual Effects ProducerDonna Langston
• Casting AssociateAlison E. McBryde
• Production DesignJon Hutman
• Construction CoordinatorKen Nelson
• Special Effects SupervisorSteve Kirshoff
• Makeup ArtistDarla Albright
• Assistant Costume DesignerJuliet Ouyoung

Themes & keywords

What it's about, really

• beautiful woman

Release history · US

When it landed

• Theatrical2000-07-30PG-13

Also known as

International titles

• Coyote GirlsFR
• El Bar CoyoteES
• Wygrane marzeniaPL
• 女狼俱樂部TW
• Show BarBR
• El Bar CoyoteSV
• Çıtır KızlarTR