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Released 15 years ago.

"Behind every great painting lies an even greater story"
What would it be like to step inside a great work of art, have it come alive around you, and even observe the artist as he sketches the very reality you are experiencing? From Lech Majewski, one of Poland's most acclaimed filmmakers, The Mill and the Cross is a cinematic re-staging of Pieter Bruegel's masterpiece "Procession to Calvary," presented alongside the story of its creation.
“Behind every great painting lies an even greater story”

Rutger Hauer
Peter Bruegel

Charlotte Rampling
Mary

Michael York
Nicolaes Jonghelinck
Joanna Litwin
Marijken Bruegel
Dorota Lis
Saskia Jonghelinck
Bartosz Capowicz
Crucified
Mateusz Machnik
Wheelfied

Marian Makula
Miller
Credits
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Cinephile deep dive
Lech Majewski directs. Lech Majewski behind the camera. Lech Majewski scores. Lech Majewski cuts. Runs lean at under 100 minutes. Produced in Poland, Sweden, Germany. Dialogue in English, Dutch, Spanish.
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The Mill and the Cross is one of the best biopics about a painter — or, for that matter, any artist — because it concerns itself less with the painter and more with his work; that is, it knows that the 'what' and 'how' matter more than the 'who.' That’s not to say that the creator doesn’t count for anything; what I mean is that the every artist’s autobiography is recorded in their work (and that’s is why, as I always say, we can learn more about Elton John or Freddie Mercury by listening to Rocketman and Bohemian Rhapsody than by watching Rocketman and Bohemian Rhapsody). This film co-written and directed by Lech Majewski is admirably faithful to the aesthetics of Pieter Brueghel the Elder, but it does not co-opt the artist's vision to put forth a crackpot, 'secret history' plot that has more to do with the filmmaker’s fevered imagination than with any real, historical fact; for example Nightwatching, Loving Vincent, or At Eternity's Gate, which all look great and contain great performances, but end up as nothing more than vehicles for their respective filmmakers' outlandish conspiracy theories — they talk a lot but say little or nothing. In contrast, The Mill and the Cross talks little but speaks volumes. Of the dozens of characters, only three have significant dialogue, especially Brueghel (Ruther Hauer) himself; his monologues provide a convincing, reasonable, and direct explanation of the structure and symbolism of The Procession to Calvary. Meanwhile, Michael York's rich baritone provides the political and social context for the painting.
Production companies
Odeon Film
DE
Bokomotiv Freddy Olsson Filmproduktion

Telewizja Polska
PL
Silesia Film
PL
Arkana Studio
PL
Piramida Film
PL

24MEDIA
PL
Themes & keywords
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