
Did you know
Clocks in at 150 minutes — on the longer side of feature-length cinema.

Eccentric British painter J.M.W. Turner lives his last 25 years with gusto and secretly becomes involved with a seaside landlady, while his faithful housekeeper bears an unrequited love for him.
“Some stories are better left unspoiled.”

Timothy Spall
JMW Turner

Dorothy Atkinson
Hannah Danby

Marion Bailey
Sophia Booth

Paul Jesson
William Turner Snr

Lesley Manville
Mary Somerville

Martin Savage
Benjamin Robert Haydon

Ruth Sheen
Sarah Danby

David Horovitch
Dr Price
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Mike Leigh directs. Dick Pope behind the camera. Gary Yershon scores. Jon Gregory cuts. Produced in France, Germany, United Kingdom, United States of America. Dialogue in English.
Trivia
Awards
Nominated for 4 Oscars. 20 wins & 72 nominations total
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
The story of this artist reminds me of a book I read many years ago, which described the lives of classical composers such as Mozart. It seems they were often like rock or film stars of more modern times. They lived life large and invited scandal. Mr. Turner describes a similar character. He lives how he wants and except for awkward moments with ex-lovers and his trail of children left behind, her gets away with it. As one interviewer noted, Timothy Spall grunts his way through this film, though as usual, his performance is much more layered than that throwaway phrase describes. Lesley Manville is excellent, as always and Dorothy Atkinson is stunning in her complex yet minimalistic portayal. As with more Mike Leigh films, it features a wonderful ensemble cast. I think the finest British actors line up to play in his films the way it often happens when directors are on a role, such as Woody Allen in his prime years in this country. The plot has depth, though some of the commentary about the artists of the time feels rather obscure to me now. I knew when I first watched it that I would need to see it again, and I am glad I did as it added to my comprehension and appreciation. However, unlike several of Mike Leigh’s masterpieces, I will not want to watch it again beyond that required second viewing. The artistry is there, but the drama and tension of my favorite Leigh films is more lacking. Still a worthy addition to his collection, though.
Production companies

Film4 Productions
GB

Focus Features
US

BFI
GB

Diaphana Films
FR

Amusement Park Films
DE
Xofa Productions
GB

France 3 Cinéma
FR

Lipsync Productions
GB

Thin Man Films
GB
Themes & keywords
Release history · US
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