Sabata

"The man with gunsight eyes comes to kill!"

1969 1h 46m IT

😐

6.3

MID

⭐

6.7

IMDB

★6.3TMDB · 127★6.7IMDB · 5,821

Western

Synopsis

Spoiler shield

Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of the master gunslinger, Sabata.

“The man with gunsight eyes comes to kill!”

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Cast

Lee Van Cleef
Sabata
William Berger
Banjo
Ignazio Spalla
Carrincha
Aldo Canti
Indio
Franco Ressel
Stengel
Antonio Gradoli
Ferguson
Linda Veras
Jane
Claudio Undari
Oswald

Credits

Behind the camera

Director: Gianfranco Parolini
Writers: Gianfranco Parolini, Renato Izzo, Renato Izzo
Languages: Italian
Countries: Italy

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

ERA

Did you know

57 years old — a genuine piece of film history.

MoodPlayr · trivia#01

2 / 8

CINEMA

Did you know

Part of the "The Sabata Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#02

3 / 8

DIRECTOR

Did you know

Directed by Gianfranco Parolini, shot by Sandro Mancori. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03

4 / 8

DIRECTOR

Did you know

Original score by Marcello Giombini. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Editor Edmondo Lozzi shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05

6 / 8

CAST

Did you know

Lee Van Cleef and William Berger and Ignazio Spalla carry the top of the cast.

MoodPlayr · trivia#06

7 / 8

FACT

Did you know

Marketing tagline: "The man with gunsight eyes comes to kill!".

MoodPlayr · trivia#07

8 / 8

WILD

Did you know

IMDB entry: tt0064916 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Gianfranco Parolini directs. Sandro Mancori behind the camera. Marcello Giombini scores. Edmondo Lozzi cuts. Produced in Italy. Dialogue in Italian.

Trivia

Things worth knowing

157 years old — a genuine piece of film history.
2Part of the "The Sabata Collection" — so the characters or world continue elsewhere.
3Directed by Gianfranco Parolini, shot by Sandro Mancori. Note their partnership — DPs and directors often return to each other across a career.
4Original score by Marcello Giombini. Worth a dedicated listen after — most great films lose half their impact without the score.
5Editor Edmondo Lozzi shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
6Lee Van Cleef and William Berger and Ignazio Spalla carry the top of the cast.
7Marketing tagline: "The man with gunsight eyes comes to kill!".
8IMDB entry: tt0064916 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography: Sandro Mancori
Original score: Marcello Giombini
Editing: Edmondo Lozzi
Production design: Carlo Simi
Costume design: Carlo Simi
Makeup / hair: Vittorio Biseo
Runtime: 106 min · 1h 46m
Status: Released
Original language: IT
Certification (US): PG-13
IMDB: Sabata (1969)
IMDB rating: 6.7/10 · 5,821 votes
MPAA: PG
US box office: $232,000

Part of

The Sabata Collection

The Sabata Trilogy is a series of Spaghetti Western films released between 1969 and 1971, directed by Gianfranco Parolini, and starring Lee Van Cleef in the first, Sabata, Yul Brynner in the second, Adiós, Sabata, and Van Cleef returning for the third, Return of Sabata.

Also by

Gianfranco Parolini

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

Wuchak2018-03-22
★ 5/10
Spaghetti Western with Lee Van Cleef in the mold of Sergio Leone’s Man with No Name trilogy. RELEASED IN 1969 and directed by Gianfranco Parolini, “Sabata” chronicles events in a west Texas town when a black-clad gunfighter named Sabata (Lee Van Cleef) teams-up with an alcoholic ex-soldier named Carrincha (Ignazio Spalla) and an acrobatic Indian (Bruno Ukmar) to thwart the town leaders (Antonio Gradoli & Gianni Rizzo) who want to steal $100,000 from their own bank to purchase land that the encroaching railroad will cross. William Berger plays a minstrel of dubious loyalties while Franco Ressel is on hand as the effeminate heavy. Linda Veras appears as the stock saloon babe. This was the first of the official Sabata trilogy released in 1969-1971. There were four other Sabata films released in 1970-1972, but they were considered unofficial imitations. The only other Sabata flick I’ve seen is the third imitation one, "Dig Your Grave, Friend... Sabata's Coming,” with Raf Baldassarre in the eponymous role. While that one lacked Van Cleef, the story is more compelling than this debut. “Sabata” starts promisingly enough with a colorful cast of characters and an innovative bank robbery, but the story bogs down in the second act and tries to make up for it with an action-packed climax and typical Italo Western epilogue (think “The Good, the Bad and the Ugly”). Speaking of which, “Sabata” is reminiscent of Sergio Leone’s Dollars trilogy. Van Cleef simply takes over the Eastwood role while Spalla is basically a re-dressed Tuco. Thankfully, there are original elements, like the acrobatic Native and the effeminate kingpin. Still, as with most Spaghetti Westerns, the characters are cardboard-thin caricatures rather than three-dimensional people, which limits their appeal and prevents the story from having much suspense. The usual goofy absurdities don’t help. THE MOVIE RUNS 1 hour 51 minutes and was shot in Almería, Spain and (studio) Rome. WRITERS: Parolini and Renato Izzo. GRADE: C
John Chard2019-06-25
★ 7/10
He's the man with the gunsight eyes! Sabata is directed by Gianfranco Parolini (AKA: Frank Kramer) and Parolini co-writes the screenplay with Renato Izzo. It stars Lee Van Cleef, William Berger, Ignazio Spalla, Aldo Canti, Franco Ressel and Antonio Gradoli. Music is by Marcello Giombini and the Technicope/technicolor cinematography is by Sadro Mancori. Ace marksman Sabata (Cleef) teams up with a banjo-playing drifter and a Mexican tramp to foil the town leaders of Daugherty, Texas, who want to steal $100,000 from their own bank to buy land that the approaching railroad will cross. The first of what would become a trilogy of films featuring the character of Sabata, picture is a whole bunch of high energy action and cool fun. First off the character himself is easy to warm to, where in Cleef's genre perfect hands Sabata is the guy you want on your side. Smartly attired in black suit and hattage, he can shoot the leg of the chair from underneath you, blast your dice off of the craps table, hell he can even toss a silver dollar through the air to feed the jukebox. He's supremely confidant and can even be seen to leaping off of buildings and landing perfectly on his feet ready to take aim on some bad guy. Naturally here in Spaghetti world there's serious money issues bubbling away, where pretty much everyone in the plot is occupied by thoughts of it - or have dalliances with it. The lead villain is wonderfully effeminate, but dangerous and sharply confident himself, whilst Banjo the character (his instrument of course doubles as a weapon) has some complexity about him to make him constantly interesting. Other side-kicks join in the fun and bravado, so although there's no great depth on show the characters - including wonderful acrobats as well - are ever enjoyable. Perhaps unsurprisingly the sound mix is poor and pic veers very close to caricature, but it does stay on the safe side of things to not make this one big joke Spaghetti Western. The musical score is a jaunty cocktail befitting the carnival atmosphere, where even the Xylophone (or could be a glockenspiel) gets a good airing, and the Technicolor photography is rich and most pleasing on the eyes. Finally we find Parolini dabbling in off kilter camera angles to further enhance the town's schizophrenic heartbeats. 7/10
CinemaSerf2026-02-15
★ 7/10
This isn’t so much a spaghetti western as a ravioli one. It’s full of lots of individually wrapped escapades that allow Lee Van Cleef to don his black suit and play a lovely game of cat and mouse with some quite shrewd townsfolk. It all starts when the army deposit $100,000 in the town’s bank. Barely half an hour after it is locked up for the night, the safe is on the back of a wagon heading out into the desert. Unluckily for the thieves, “Sabata” (LVC) stops them in their tracks and rather curiously repatriates the cash with it’s owners. Why? Well he concludes that there is a much more fun way to make his money as he decides to complement his army reward with a bit of good old-fashioned extortion. You see, he knows that it was some of the place’s grandees behind the crime, and that they were hoping to use the cash to buy land that they knew would be needed for the approaching railroad. Led by the wily “Stengel” (Spartaco Conversi) they naturally don’t want to pay, so they hire the enigmatic “Banjo” (William Berger) to even the odds. Thing is, is he good enough and just as importantly, whose side is he really on? Though the overarching plot here is all fairly familiar, and predictable, the variety of set-piece stories allows Van Cleef to do what he did best - nonchalantly smoke his cigarettes and hitting where he aims, whilst the eclectic mix of unsavoury characters around him battle it out for awards as the most venal and least trustworthy. The Giombini score jovially helps it along and it provides us with quite an enjoyably seedy look at life in town riddled with greed, treachery and just a little humour too.