
Did you know
Shot for just $4.8M — micro-budget by Hollywood standards.

"Get up. Live your day. Get killed. Again."
Caught in a bizarre and terrifying time warp, college student Tree finds herself repeatedly reliving the day of her murder, ultimately realizing that she must identify the killer and the reason for her death before her chances of survival run out.
“Get up. Live your day. Get killed. Again.”
Where to watch · US

Jessica Rothe
Theresa 'Tree' Gelbman

Israel Broussard
Carter Davis

Charles Aitken
Gregory Butler

Ruby Modine
Lori Spengler

Blaine Kern III
Nick Sims

Rachel Matthews
Danielle Bouseman

Billy Slaughter
Dr. Winter

Caleb Spillyards
Tim Bauer
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Christopher Landon directs. Toby Oliver behind the camera. Bear McCreary scores. Gregory Plotkin cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.
Trivia
Part of
"Happy Death Day" is a 2017 American black comedy slasher film directed by Christopher Landon. The sequel, titled "Happy Death Day 2U," was released in 2019. A third entry in the series, with the working title "Happy Death Day to Us," is in development.
Also by
Stills · wallpapers
Full-resolution frames — open one to save it as a wallpaper.
Trailers & featurettes
Community reviews
If Mean Girls and Groundhog Day had a baby... and then that baby stabbed you... H_appy Death Day_ is an imperfect movie that I had such a good time with. I was on board ever since I first saw the trailer, and though it won't be making my top 5 or anything, I definitely was not disappointed. Final rating:★★★ - I liked it. Would personally recommend you give it a go.
Happy Death Day is surprisingly great fun. It doesn't have a reason to exist other than to tell a slasher film in the Groundhog Day formula, but it's funny when it wants to be, creepy when it wants to be, and Jessica Rothe has got great screen presence. The film could have benefitted from more creative kills (and an R rating), but for a one or two time watch, Happy Death Day is sure to entertain.
Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/kill-me-baby-one-morenbsptime-happy-death-day-review<a> Happy Death Day works because Rothe is a charismatic lead, invoking the scream queen performances of yesteryear. Most of the other characters are far more secondary, so the burden falls on Rothe to bring life to a grounding role. As the lead, Tree needs to be intriguing enough for the audience to put up with the repetitive nature of the genre, but also pliable enough to allow her character to grow. Her relationship with Carter is particularly interesting because it has to both progress over the course of one day for Carter (who forgets everything as the day resets) and vary for Tree over the many different versions of the one day she lives through. Their relationship must be both a blank slate and feel as though the needle has moved forward at the end of each repeated day. Broussard and Rothe are able to sell it completely from the first time Tree wakes up confused in Carter’s bed.
Production companies
Vesuvius Productions
US

Blumhouse Productions
US

Digital Riot Media
US

Universal Pictures
US
Themes & keywords
Release history · US
Also known as