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A Special Day poster

A Special Day

"A special film about two special people."

1977 1h 46m IT
🙌
8.1
BANGER
🔥
100%
CERTIFIED FRESH
⭐
8.1
IMDB
★8.1TMDB · 794🍅100%Rotten Tomatoes★8.1IMDB · 17,571
DramaRomance
Synopsis
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Two neighbours — a persecuted journalist and a resigned housewife — forge a strong bond on the day of Adolf Hitler's historic 1938 visit to Rome.

“A special film about two special people.”

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Cast

Credits

Behind the camera

Director
Ettore Scola
Writers
Ettore Scola, Maurizio Costanzo, Ruggero Maccari
Languages
Italian
Countries
Italy, Canada

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
ERA

Did you know

49 years old — old enough to be someone's favourite childhood film.

MoodPlayr · trivia#01
2 / 8
WORLD

Did you know

International production across 2 countries: Italy, Canada.

MoodPlayr · trivia#02
3 / 8
DIRECTOR

Did you know

Directed by Ettore Scola, shot by Pasqualino De Santis. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Original score by Armando Trovajoli. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Editor Raimondo Crociani shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05
6 / 8
CAST

Did you know

Sophia Loren and Marcello Mastroianni and John Vernon carry the top of the cast.

MoodPlayr · trivia#06
7 / 8
FACT

Did you know

Marketing tagline: "A special film about two special people.".

MoodPlayr · trivia#07
8 / 8
WILD

Did you know

IMDB entry: tt0076085 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Ettore Scola directs. Pasqualino De Santis behind the camera. Armando Trovajoli scores. Raimondo Crociani cuts. Produced in Italy, Canada. Dialogue in Italian.

Trivia

Things worth knowing

  • 149 years old — old enough to be someone's favourite childhood film.
  • 2International production across 2 countries: Italy, Canada.
  • 3Directed by Ettore Scola, shot by Pasqualino De Santis. Note their partnership — DPs and directors often return to each other across a career.
  • 4Original score by Armando Trovajoli. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 5Editor Raimondo Crociani shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 6Sophia Loren and Marcello Mastroianni and John Vernon carry the top of the cast.
  • 7Marketing tagline: "A special film about two special people.".
  • 8IMDB entry: tt0076085 — still the authoritative cross-reference for credits and trivia.
  • 9Classified under 8 themes, including "rome, italy", "fascism", "housewife", "benito mussolini".
  • 10Released under 18 different titles around the world.

The technical file

Cinematography
Pasqualino De Santis
Original score
Armando Trovajoli
Editing
Raimondo Crociani
Production design
Luciano Ricceri
Costume design
Enrico Sabbatini
Makeup / hair
Ada Palombi
Runtime
106 min · 1h 46m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
IT
Certification (US)
NR
Rotten Tomatoes
100% 🍅 Fresh
IMDB rating
8.1/10 · 17,571 votes
MPAA
Approved

Awards

Nominated for 2 Oscars. 13 wins & 5 nominations total

  • César Award for Best Foreign Film
  • Golden Globe Award for Best Non-English Language Film

Individual records documented via Wikidata; the summary above may count more.

Also by

Ettore Scola

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

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Community reviews

What people are saying

  • talisencrw
    ★ 10/10

    Previously I had seen many pairings of Sophia Loren and Marcello Mastroianni--next to William Powell and Myrna Loy, this is my favourite cinematic coupling--but never any works by director Scola, so I wasn't really sure what to expect, especially with it being a period piece of Italy just before the Second World War. This was a masterpiece. I could talk all day about how excellent the two stars must have been, in order to completely subvert every preconception we have come to associate with their on-screen romantic partnership (namely, Loren portraying a shy, put-upon mother of six, and Mastroianni playing a suicidal gay man) AND so convincingly. As well, I heartily recommend viewers to watch all of the extras on The Criterion Collection's recent release--I loved Scola's statement (and I paraphrase): 'Humour is as much a part of life as everything else--If a writer has a chance to put a comedic incident in a realistic drama, he has a moral obligation to do so.' I will remember that--and hopefully utilize it in my own work, should I ever be so gifted as to work in the field that I love--for the rest of my days. I am surprised that it wasn't mentioned in any of the extras that Mastroianni was nominated for an Academy Award for Best Actor for his performance here. That is extremely rare for a foreign-language film, and should instantly be a clue to you of the film's quality. In Loren's June 2015 interview, she stated it was her best work other than her Oscar-winning acting in 'Two Women'. She's absolutely spot-on--and still looking gorgeous today. Definitely worth a purchase and rewatching. It's one of the most poignant observations of loneliness I have yet seen. When Loren's Antonietta says to Mastroianni's Gabriele 'I love you just as you are', it really doesn't matter what eventually happens to either party--Gabriele has found unconditional love. There is truly nothing else worth having, not even life. It should have been called 'A Very Special Day', for it most certainly is, especially for the cinephile who watches it, even now. And I wouldn't be the least surprised if the film's re-release starts a surge of interest in scrapbooking, as Antonietta was so good at it, charting in an obsessive fashion the doings of her beloved Il Duce.

  • CinemaSerf
    ★ 7/10

    The first fifteen minutes or so of this film consists of a mini-documentary setting the scene as Adolf Hitler makes the train journey from Germany to meet with King Vittorio Emanuele III and Benito Mussolini in Rome to seal this friendship pact in 1938. The extensive archive footage is overlaid with a propagandist style of commentary that would have entirely fitted the cinema screenings at the time extolling the might of the Italian Empire and their new, invincible, allies. It's a grand celebration in Rome that the family of "Antonietta" (Sophia Loren) are to attend. Her husband "Emanuele" (John Vernon) takes their six children to the party whilst she remains at home attending to her chores. It's while they are away that she encounters her neighbour "Gabriele" (Marcello Mastroianni). Until recently he was an announcer on state radio but no longer. An intense few hours, and a mynah bird with a mind of it's own, sees us introduced in more depth to both characters and to discover why he is no longer on air, not at the parade and why she is less than contented with her drudge of a life. It's the intensity of the hour or so we spend in this couple's company that challenges many stereotypes of expected and tolerable behaviour in the 1930s - and not just in Italy either. The scripting is poignant and delivered sometimes calmly and then as if all hell were breaking lose - and Loren is on great form exploding the exasperation of "Antonietta" all over their apartment. The conclusion is to be expected - on just about every front - but as the audio continually reminds us of what the rest of the population are up to, the intimate story of these two, flawed, people is well told.

Production companies

Who made it

  • C.

    C. C. Champion

    IT

  • CA

    Canafox Films

    CA

Key crew

  • ProducerCarlo Ponti
  • Production ManagerGiorgio Scotton
  • AdministrationSergio Bologna
  • SeamstressBerta Betti
  • SeamstressGiuseppina Delli Carpini
  • Assistant Production DesignEzio Di Monte
  • Unit ManagerMaurizio Anticoli
  • Assistant EditorPina Triunveri
  • First Assistant DirectorSilvio Ferri
  • GafferLuciano Leoni
  • Assistant EditorGraziella Di Giovanni
  • Assistant CameraMarcello Mastrogirolamo
  • Script SupervisorIlde Muscio
  • Still PhotographerGianfranco Lelj
  • Foley ArtistLuciano Anzellotti
  • Camera OperatorIdelmo Simonelli
  • Production SecretaryVivien Boden
  • Script SupervisorPaola Scola
  • Key GripAldo Colanzi
  • Assistant Costume DesignerGiovanni Viti
  • SoundCarlo Palmieri
  • Sound MixerFranco Bassi
  • Costume DesignEnrico Sabbatini
  • HairstylistAda Palombi

Themes & keywords

What it's about, really

  • rome, italy
  • fascism
  • housewife
  • benito mussolini
  • male homosexuality
  • neighbor
  • 1930s
  • gay theme

Release history · US

When it landed

  • Theatrical1977-09-25NR

Also known as

International titles

  • Un día muy particularAR
  • Una jornada particularES
  • Um Dia InesquecívelPT
  • Une journée particulièreFR
  • Um Dia Muito EspecialBR
  • 特別な一日JP
  • Необычный деньSU
  • O zi deosebităRO
  • Μια ξεχωριστή μέραGR
  • Един особен денBG
  • Une Journée particulièreCA
  • Un día muy especialCO
  • Kohtaaminen RoomassaFI
  • En alldeles särskild dagSE
  • Zvláštní denCZ

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