
Did you know
80 minutes exactly — the "classic feature" runtime most directors aim for.

After finding an ad online for “video work,” Sara, a video artist whose primary focus is creating intimacy with lonely men, thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer. Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on, she discovers she may have dug herself into a hole from which she can’t escape.
“Some stories are better left unspoiled.”
Where to watch · US

Mark Duplass
Aaron

Desiree Akhavan
Sara

Karan Soni
Dave
Kyle Field
Wade

Caveh Zahedi
Randy
Jeff Man
Alex

Patrick Brice
Old Aaron
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
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Cinephile deep dive
Patrick Brice directs. Desiree Akhavan behind the camera. Julian Wass scores. Chris Donlon cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.
Trivia
Part of
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure. After finding an ad online for “video work,” Sara, a video artist whose primary focus is creating intimacy with lonely men, thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer. Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on, she discovers she may have dug herself into a hole from which she can’t escape.
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Trailers & featurettes
Community reviews
The original Creep's laurels rested firmly, and singularly, on the head of Mark Duplass' characterisation. Creep 2 lifts the game up in other areas, bringing some new, punchy ideas to the table. Unfortunately, Mark Duplass' role, while still portrayed excellently, is essentially the same thing we saw last time around, which, unfortunately, can't possibly have the same impact a second go around. Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.
I was disappointed both with the prey, a self-styled fearless profiler of the eccentric, and the antagonist- Bruce, serial killer of 39 boys and men. The former seemed to be a blank canvas when she was forced out of her self-styled persona (video profiler of the eccentric) and the latter, after having done a fantastic job in the original story, seemed bored to me. The dialogue was only marginally creative and the final act felt like someone whispering under their breath "I've got nothing". With the exception of the very last frame of the movie: a look that inspired hopes of better things to come.
Production companies

Duplass Brothers Productions
US

Blumhouse Productions
US
Themes & keywords
Release history · US
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