Godzilla: King of the Monsters

"Long live the king."

2019 2h 12m EN

👍

6.7

SOLID

★6.7TMDB · 6,949

Science FictionAction

Synopsis

Spoiler shield

Follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species, thought to be mere myths, rise again, they all vie for supremacy, leaving humanity's very existence hanging in the balance.

“Long live the king.”

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Cast

Kyle Chandler
Mark Russell
Vera Farmiga
Emma Russell
Millie Bobby Brown
Madison Russell
Ken Watanabe
Dr. Ishiro Serizawa
Zhang Ziyi
Dr. Ilene Chen / Dr. Ling
Bradley Whitford
Dr. Rick Stanton
Sally Hawkins
Dr. Vivienne Graham
Charles Dance
Alan Jonah

Credits

Behind the camera

Director: Michael Dougherty
Writers: Michael Dougherty, Zach Shields, Michael Dougherty
Languages: Mandarin, English, Japanese
Countries: China, Japan, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

$170M budget — tentpole studio territory.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

Released 7 years ago.

MoodPlayr · trivia#02

3 / 8

WORLD

Did you know

Dialogue crosses 3 languages: Mandarin, English, Japanese.

MoodPlayr · trivia#03

4 / 8

WORLD

Did you know

International production across 3 countries: China, Japan, United States of America.

MoodPlayr · trivia#04

5 / 8

CINEMA

Did you know

Part of the "Godzilla Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#05

6 / 8

CAST

Did you know

245+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Directed by Michael Dougherty, shot by Lawrence Sher. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#07

8 / 8

DIRECTOR

Did you know

Original score by Bear McCreary. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Michael Dougherty directs. Lawrence Sher behind the camera. Bear McCreary scores. Roger Barton cuts. Profitable at the box office. Produced in China, Japan, United States of America. Dialogue in Mandarin, English, Japanese.

Trivia

Things worth knowing

1$170M budget — tentpole studio territory.
2Released 7 years ago.
3Dialogue crosses 3 languages: Mandarin, English, Japanese.
4International production across 3 countries: China, Japan, United States of America.
5Part of the "Godzilla Collection" — so the characters or world continue elsewhere.
6245+ people credited in cast and crew — a small city's worth of labour.
7Directed by Michael Dougherty, shot by Lawrence Sher. Note their partnership — DPs and directors often return to each other across a career.
8Original score by Bear McCreary. Worth a dedicated listen after — most great films lose half their impact without the score.
9Editor Roger Barton shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
10Kyle Chandler and Vera Farmiga and Millie Bobby Brown carry the top of the cast.
11Marketing tagline: "Long live the king.".
12IMDB entry: tt3741700 — still the authoritative cross-reference for credits and trivia.
13Classified under 16 themes, including "mexico", "boston, massachusetts", "giant monster", "cryptozoology".
14Released under 23 different titles around the world.

The technical file

Cinematography: Lawrence Sher
Original score: Bear McCreary
Editing: Roger Barton
Production design: Scott Chambliss
Makeup / hair: Joel Harlow
VFX supervisor: Guillaume Rocheron
Sound: Erik Aadahl
Stunt coordinator: Thomas Robinson Harper
Runtime: 132 min · 2h 12m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $170,000,000
Box office: $387,300,138
Return: 228% of budget
Original language: EN
Certification (US): PG-13
IMDB: Godzilla: King of the Monsters (2019)

Part of

Godzilla Collection

An American multimedia franchise and shared fictional universe which is centered on a series of monster films featuring Godzilla.

Also by

Michael Dougherty

Stills · wallpapers

Selected frames

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Wallpaper

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

SWITCH.2019-05-29
★ 4/10
‘Godzilla II: King of the Monsters’ promises to build on the great work already laid out for this franchise, mixing popcorn fun and thrilling craft, but instead it relinquishes all of that to be a predictably dull and plodding bore. It doesn’t even manage to be a fun, brainless monster movie, assuming that a satisfying monster battle is all about being big and loud and doing nothing else. We waited five years for the follow-up to ‘Godzilla’, which only makes this new film even more of a disappointment, and doesn't excuse the badly-written screenplay or the poorly-executed visual effects. With Dougherty handing the reigns over to horror director Adam Wingard for 2020’s ‘Godzilla vs Kong’, here’s hoping the Monsterverse finds its feet again. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-godzilla-2-king-of-the-monsters-the-king-stumbles-in-this-loud-and-blundering-mess
garethmb2019-05-29
Picking up after the events of the previous film; “Godzilla: King of the Monsters” deals with a world trying to assess what to do with the presence of the giant Titans. The Monarch Corporation wants the creatures studied and has established locales to study the ones they have found currently hibernating. The U.S. Government wants them destroyed as they do not want repeats of the destruction that was previously caused by Godzilla. Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies. After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives. This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son. When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world. While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film. The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with. The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy. While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff. 2.5 stars out of 5
Manuel São Bento2019-05-30
★ 4/10
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) As some of you might know, Godzilla: King of the Monsters is one of my Most Anticipated Movies of 2019. Not because I expected it to be a beautifully written, heartfelt story with fully-developed characters who I would immensely care about. I was incredibly excited because it’s freaking Godzilla and from the few images that I had seen, it looked absolutely stunning. I didn’t need an Oscar-worthy screenplay or amazing performances. I just wanted a decent and logical (this last word is important) narrative with reasonable characters, and tons of monsters fighting to the death against each other. So, my expectations were neither complex or as high as some other people might have. Unfortunately, I left the theater extremely disappointed. I can’t deny the impeccable VFX and the infinite amount of wallpaper-worthy images spread across the entire film. Some scenes are filled with jaw-dropping cinematography, astonishingly gorgeous monsters, and the fights feel so real that the sound design alone takes you to the edge of your seat. However, when the two pillars of any movie (story and characters) are so far away from even remotely working, there are no technically perfect aspects that can save the film from a disaster. I wrote this exact last sentence a few weeks ago regarding Game Of Thrones, and I will stand by it. I’m always the first guy to praise exceptional filmmaking skills, but if I have to choose between a technically seamless movie, and a film with a fantastic story and fully-developed characters, I have no doubts that the latter is the indisputably right choice. Ultimately, that’s the huge problem here. The screenplay is loaded with some of the laziest exposition scenes I’ve seen in the last few years. Characters continuously have some sort of presentation to explain something in a completely unpredictable conversation randomly. Generally, a movie like this always has some kind of cliche secondary characters who are either a nerdy scientist, a comic-relief guy, a duo of bantering personalities or a military general who always wants to attack something, even though everyone knows it’s not the most intelligent decision. King of the Monsters has all of these types and more! More?! Seriously, Michael Dougherty and Zach Shields overstuff the narrative with so many unnecessary, useless, stereotypical characters who stretch the overall runtime and extend the periods between the massive fights, turning them into minutes of complete boredom. I yawned during a Godzilla blockbuster. Yawned. How sad is that?! I really enjoyed Gareth Edwards’ 2014’s Godzilla. At the time, the most common complaint was that there wasn’t enough Godzilla in it. Most of the characters were well-written, despite that some could have been more fleshed out. King of the Monsters is (kind of) the other way around: there are dozens of monsters and bone-crushing, titanic fights, but they literally forgot to write a captivating story with compelling characters. In the first installment, even though I also wanted more Godzilla, when he actually shows up, I was so freaking excited! Since I had to wait for the third act to watch the Titans fight, the build-up that was generated and its payoff actually made the time spent with the human characters worthy. This sequel was doomed from the moment the characters were written. There are a lot of fight sequences, and I wrote above that unnecessary characters extend the periods between these scenes. The dilemma is that those periods need to exist, making the whole thing look like a double-edged sword that the director is trying to avoid. On one hand, you can’t have an action set piece after another action set piece consecutively, otherwise, these will lose impact over time and become monotonous, so you need to spend time with the horribly-written human characters. On the other hand, you can’t have dumb characters with unclear motivations on-screen for long periods, otherwise, the audience will fall asleep of tediousness or get annoyed, so you have to insert a massive fight sequence again, hence making the audience gradually lose interest in those scenes. King of the Monsters continuously repeats this cycle of going from one situation to the other. No one wants to have back-to-back fights because they’ll lose the impactful energy, but no one wants to waste their precious time listening to exposition-heavy PowerPoint presentations from characters no one is going to remember their name. I can’t even remember the main characters’ names, and I watched the movie yesterday! I can’t blame the cast, everyone gives good performances. Millie Bobby Brown (Madison Russell) continues her path to become one of Hollywood’s biggest stars (in less than 10 years, she’ll have an Oscar in her hands, I guarantee you that). Kyle Chandler (Mark Russell) does more than what was expected of him with such a lousy script, and Ken Watanabe (Dr. Ishiro Serizawa) is the only one who delivered a solid performance AND had a suitable character (fruit of the previous film). Vera Farmiga (Dr. Emma Russell) is connected to the worst character of the movie (atrociously irrational decisions made by Emma), and everyone else is pretty much one of the vast cliche secondary characters. They had five years to write a straightforward narrative with simple characters. No fan neither wanted or needed a brilliant, groundbreaking screenplay. Dougherty and Shields delivered one of the worst scripts of the year, one filled with exposition, cliche characters, and a runtime that turned out to be way too long for someone to tolerate all of the dreadful dialogue. I don’t know if it will clearly end up as one of the worst films of 2019, but it’s definitely one of the biggest letdowns. All in all, Godzilla: King of the Monsters didn’t meet my expectations (and mine were pretty fair), not even close. Visually, it’s one of the most striking movies I’ve seen this year, and that can’t be dismissed. From the massive fights with the Titans to the impressive wide shots, Dougherty had a gorgeous diamond that he just needed to polish with a rational and simplistic story, like it was a soft, clean cloth. Instead, he used a hammer… Rating: C-