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Fifty Shades Freed poster

Fifty Shades Freed

"Don't miss the climax."

2018 1h 50m EN
πŸ‘
6.7
SOLID
β˜…6.7TMDB Β· 8,442
DramaRomance
Synopsis
Spoiler shield

Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.

β€œDon't miss the climax.”

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Cast

Credits

Behind the camera

Director
James Foley
Writers
Niall Leonard, Jim Magdaleno
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Mid-budget at $55M β€” the now-extinct middle tier of Hollywood.

MoodPlayr Β· trivia#01
2 / 8
MONEY

Did you know

Made its money back 6.8Γ— over at the box office.

MoodPlayr Β· trivia#02
3 / 8
ERA

Did you know

Released 8 years ago.

MoodPlayr Β· trivia#03
4 / 8
CINEMA

Did you know

Part of the "Fifty Shades Collection" β€” so the characters or world continue elsewhere.

MoodPlayr Β· trivia#04
5 / 8
DIRECTOR

Did you know

Directed by James Foley, shot by John Schwartzman. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#05
6 / 8
DIRECTOR

Did you know

Original score by Danny Elfman. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#06
7 / 8
DIRECTOR

Did you know

Editor David S. Clark shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#07
8 / 8
CAST

Did you know

Dakota Johnson and Jamie Dornan and Eric Johnson carry the top of the cast.

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

James Foley directs. John Schwartzman behind the camera. Danny Elfman scores. David S. Clark cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Mid-budget at $55M β€” the now-extinct middle tier of Hollywood.
  • 2Made its money back 6.8Γ— over at the box office.
  • 3Released 8 years ago.
  • 4Part of the "Fifty Shades Collection" β€” so the characters or world continue elsewhere.
  • 5Directed by James Foley, shot by John Schwartzman. Note their partnership β€” DPs and directors often return to each other across a career.
  • 6Original score by Danny Elfman. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 7Editor David S. Clark shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 8Dakota Johnson and Jamie Dornan and Eric Johnson carry the top of the cast.
  • 9Marketing tagline: "Don't miss the climax.".
  • 10IMDB entry: tt4477536 β€” still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography
John Schwartzman
Original score
Danny Elfman
Editing
David S. Clark
Production design
Nelson Coates
Costume design
Shay Cunliffe
Makeup / hair
Renee Dombrosky
Sound
Frank A. MontaΓ±o
Stunt coordinator
Owen Walstrom
Runtime
110 min Β· 1h 50m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$55,000,000
Box office
$371,985,018
Return
676% of budget
Original language
EN
Certification (US)
R

Part of

Fifty Shades Collection

University student Anastasia Steele delves deeper and deeper in to the rabbit hole that is a 'relationship' with Christian Grey. An erotic tale of dominance and submission, of sex and love, and of the perception of control. Christian Grey, self made millionaire, bachelor, and someone who is always in control.

Also by

James Foley

Stills Β· wallpapers

Selected frames

Full-resolution frames β€” open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • ehabsalah

    Nice Movie β™₯

  • GenerationofSwine
    β˜… 1/10

    OK, I gave the first one 10 out of 10 stars...because I am easy and, honestly, the original didn't claim to be anything more than what it delivered. To me that earns all 10 stars. Darker I gave 1 out of 10, because the plot line that it bills itself as following takes all of 5 minutes, gets resolved in the middle of the film, never comes up again, and has little sex (which is the reason why people see these things). This one I am giving 1 of 10 stars. There is actually less sex than in the sequel and far less than in the original...but look at the picture up here on IMDB, look at all the posters...it was marketed as a film about sex and there really wasn't that much. You see more in a single episode of an HBO series. And the plot, again quoting IMDB: "Anastasia and Christian get married, but Jack Hyde continues to threaten their relationship" Like with Darker, that all happens in the blink of an eye. You sneeze and you'll miss the bulk of the plot. And the sex (the reason why people actually watch this film) doesn't even serve as filler. So what you are left with is Anastasia and Christian sitting around, not having sex, trying to figure out how to fill the rest of the film. It's like watching linoleum curl on a hot day. We aren't watching it for the plot anyway, just give us the cream filling we are actually buying the ticket for, otherwise give us an actual plot. you gave us neither.

  • r96sk
    β˜… 5/10

    <em>'Fifty Shades Freed'</em> is the most boring of the trilogy, even if it probably is a tiny bit better than the original (no. 2 is minorly superior). I am embarrassed to admit that it gave me some goosebumps at the end, I'm such a simp for a montage, I'm afraid; Ellie Goulding's song helped, admittedly. There isn't much to note about this, at least in terms of being unique from the two movies that proceeded - very much a copy-and-paste job. I still like Dakota Johnson and Jamie Dornan, without whom I'd likely be rating this film down in the depths alongside the presumed majority. I did wonder, before and after seeing the first flick, how they managed to stretch this out across three productions. Having now seen them all, I can see they just barely managed to do so. This third release is pretty pointless, they've could've fit all this into a small chunk at the end of #2. Crazy how these films made a billion at the box office. Turns out sex does indeed sell.

Production companies

Who made it

  • Universal Pictures

    Universal Pictures

    US

  • MI

    Michael De Luca Productions

    US

  • Perfect World Pictures

    Perfect World Pictures

    US

Key crew

  • Production CoordinatorSally Potters
  • Stunt CoordinatorOwen Walstrom
  • NovelE.L. James
  • Stunt DriverAllan Padelford
  • Second Unit DirectorDoug Coleman
  • StuntsWhitney Coleman
  • Music ArrangerTom Brown
  • ProducerDana Brunetti
  • ProducerMichael De Luca
  • ProducerE.L. James
  • ProducerMarcus Viscidi
  • EditorDavid S. Clark
  • EditorRichard Francis-Bruce
  • EditorDebra Neil-Fisher
  • Production DesignNelson Coates
  • CastingLaray Mayfield
  • CastingCorinne Renard-Bendjadi
  • CastingJulie Schubert
  • Art DirectionPeter Bodnarus
  • Supervising Art DirectorJeremy Stanbridge
  • Set DecorationCarolyn A. Loucks
  • Costume DesignShay Cunliffe
  • Assistant HairstylistRenee Dombrosky
  • Assistant Makeup ArtistMegan Harkness

Themes & keywords

What it's about, really

  • based on novel or book
  • eroticism
  • sequel
  • bdsm
  • toxic relationship
  • dramatic
  • based on fanfiction

Release history Β· US

When it landed

  • Theatrical2018-02-09R
  • Physical2018-05-08R

Also known as

International titles

  • Femtio nyanser av frihetSE
  • Cinquante Nuances de Grey 3 - Cinquantes Nuances Plus ClairesFR
  • Fifty Shades Of Grey 3: Fifty Shades FreedUS
  • 50 tons de liberdadeBR
  • 50 odstΓ­nΕ― svobodyCZ
  • 50 nuances plus clairesFR
  • Fifty Shades 3: Fifty Shades FreedUS
  • Fifty Shades of Grey 3 - Befreite LustAT

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