Jason Bourne

"You know his name."

2016 2h 3m EN

😐

6.4

MID

★6.4TMDB · 6,393

ActionAdventureThriller

Synopsis

Spoiler shield

The most dangerous former operative of the CIA is drawn out of hiding to uncover hidden truths about his past.

“You know his name.”

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Cast

Matt Damon
Jason Bourne
Tommy Lee Jones
CIA Director Robert Dewey
Alicia Vikander
Heather Lee
Vincent Cassel
Asset
Julia Stiles
Nicky Parsons
Riz Ahmed
Aaron Kalloor
Ato Essandoh
Craig Jeffers
Scott Shepherd
Director NI Edwin Russell

Credits

Behind the camera

Director: Paul Greengrass
Writers: Paul Greengrass, Christopher Rouse
Languages: English
Countries: China, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

$120M budget — tentpole studio territory.

MoodPlayr · trivia#01

2 / 8

MONEY

Did you know

Made its money back 3.5× over at the box office.

MoodPlayr · trivia#02

3 / 8

ERA

Did you know

Released 10 years ago.

MoodPlayr · trivia#03

4 / 8

WORLD

Did you know

International production across 2 countries: China, United States of America.

MoodPlayr · trivia#04

5 / 8

CINEMA

Did you know

Part of the "The Bourne Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#05

6 / 8

CAST

Did you know

449+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Directed by Paul Greengrass, shot by Barry Ackroyd. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#07

8 / 8

DIRECTOR

Did you know

Original score by John Powell. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Paul Greengrass directs. Barry Ackroyd behind the camera. John Powell scores. Christopher Rouse cuts. Made its budget back several times over at the box office. Produced in China, United States of America. Dialogue in English.

Trivia

Things worth knowing

1$120M budget — tentpole studio territory.
2Made its money back 3.5× over at the box office.
3Released 10 years ago.
4International production across 2 countries: China, United States of America.
5Part of the "The Bourne Collection" — so the characters or world continue elsewhere.
6449+ people credited in cast and crew — a small city's worth of labour.
7Directed by Paul Greengrass, shot by Barry Ackroyd. Note their partnership — DPs and directors often return to each other across a career.
8Original score by John Powell. Worth a dedicated listen after — most great films lose half their impact without the score.
9Editor Christopher Rouse shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
10Matt Damon and Tommy Lee Jones and Alicia Vikander carry the top of the cast.
11Marketing tagline: "You know his name.".
12IMDB entry: tt4196776 — still the authoritative cross-reference for credits and trivia.
13Classified under 16 themes, including "assassin", "central intelligence agency (cia)", "amnesia", "casino".
14Released under 11 different titles around the world.

The technical file

Cinematography: Barry Ackroyd
Original score: John Powell
Editing: Christopher Rouse
Production design: Paul Kirby
Costume design: Mark Bridges
Makeup / hair: Chantal Perry
VFX supervisor: Charlie Noble
Sound: Michael Fentum
Stunt coordinator: Gary Powell
Runtime: 123 min · 2h 3m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $120,000,000
Box office: $415,484,914
Return: 346% of budget
Original language: EN
Certification (US): PG-13
IMDB: Jason Bourne (2016)

Part of

The Bourne Collection

The Bourne films are a series of action thriller movies based on the character Jason Bourne, a CIA assassin suffering from extreme memory loss who must figure out who he is. The character is based on novels by Robert Ludlum. The fourth film in the series introduces Aaron Cross, a Department of Defense operative who runs for his life because of Bourne's actions.

Also by

Paul Greengrass

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Trailers & featurettes

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Community reviews

What people are saying

Louisa Moore - Screen Zealots2016-07-30
A SCREEN ZEALOTS REVIEW www.screenzealots.com LOUISA SAYS: “Jason Bourne” is a spy movie for imbeciles. The entire film feels like it’s written using nothing more than the vocabulary of a 12 year old and consists of two very tiring hours of repetition. Bourne gets chased, throws some punches, and gets away. Shoot, bleed, run, escape. Shoot, bleed, run, escape. Shoot, bleed, run, escape. Repeat to infinity. I actually felt bad for the actors having to deliver such dreadful dialogue; their onscreen characters literally describe everything that’s happening as it unfolds (“It’s Bourne!” and “I’m going to shoot!” and “He’s running upstairs!” and “The files are downloaded!”). At some point it started to get funny. Matt Damon is back as Jason Bourne and it feels like he’s sleepwalking through the entire movie. Even the talented Alicia Vikander phones in her questionable performance (is she supposed to have an accent or not?) and Tommy Lee Jones plays yet another scowling caricature of a sinister government official. There’s little in the way of character development and the only actor who’s enjoyable here is franchise veteran Julia Stiles. What a pity that she’s not given much to do. Even the action sequences are inexcusably incoherent. Paul Greengrass is one of my least favorite directors, mainly because he loves that fast cutting junk where I can’t tell what is going on in the movie. It’s a filmmaking style for those with short attention spans and it’s a sign of extreme laziness. Greengrass sucks all the fun out of what should’ve been a spectacular car chase down the Las Vegas strip. Instead of taking his time and showing off the pageantry of stunt driving with a steady hand (see the legendary cinematic car chases in Quentin Tarantino’s “Death Proof,” William Friedkin’s “The French Connection,” Peter Yates’ “Bullit,” Justin Lin’s “Fast Five,” or hell, even Michael Bay’s “Bad Boys II“), Greengrass once again opts for the lazy way out and gives us a messy commotion of three second snippets that seem to be edited together in a blender on the high setting. None of the elements work: the film covers no new ground, it lacks any energy, and it simply feels tired, making “Jason Bourne” the lamest of all in the series. MATT SAYS: “Conversation” with 5-word sentences using spy and techno-jargon. Quick cut to person typing on computer: Beep, boop, beep. Quick cut to shaky cam conversation. Another five-word-sentence conversation and more shaky cam. Cut to shaky-cam motorcycle chase with no sense of geography. Cut back to computer. Cut, cut, cut. Shaky cam, shaky cam, shaky cam. “Jason Bourne” might as well have been shot and assembled by a seven-year-old with ADD that hasn’t taken his Ritalin. It wasn’t so much edited as jammed together. So little artistry went into making this movie that it’s hard to even call Paul Greengrass its “director.” One of my recurring rants is on the use of quick cutting and shaky cams in action films: it’s the hallmark of lazy filmmaking. When your action sequences are constructed by using cut after cut after cut, you don’t have to worry about storyboarding (contrast “The Raid: Redemption“). You don’t need actors who have any training in fight choreography (contrast “The Raid 2“). You don’t have to concern yourself with geography or spatial relationships. In other words, instead of having to WORK at creating a compelling action sequence, you can hack your way through it. And boy, there is NO ONE working in film now that loves hack action better than Paul Greengrass. And nowhere has Greengrass’s hackiness been on display more than in “Jason Bourne.” It’s his masterpiece of hacketry. I can continue making up new word forms using “hack” to describe this movie and director, but I think you get the idea. In addition to the bad direction and editing, “Jason Bourne” stinks because it’s a poor excuse for a spy thriller. We are subjected to scene after scene of dreadful acting. Julia Stiles (Nicky Parsons) is the worst of the lot, but Matt Damon (Jason Bourne), Alicia Vikander (Heather Lee) and Tommy Lee Jones (Director Dewey) are only marginally better. The script is abysmal, with the characters not so much dialoguing with one another as speaking spy techno-jargon while they type on computers that are constantly beep-bloop-bleeping (no computer I’ve ever used makes so many noises when scanning files). Using words that sound cool does not make a scene interesting. And the plot? It’s barely even there. I found only three things enjoyable about this movie. The very first fight scene between Bourne and some nameless guy — the one you see in the trailer. The story thread featuring the Silicon Valley billionaire that refused to screw over the public in the name of national security. And the final vehicular chase scene down Las Vegas Boulevard — which I liked in spite of the terrible editing (which, incidentally, got the geography of the Strip all wrong). Please don’t make this movie a hit, because then we will get lots of imitators (like we did after “The Bourne Supremacy” and “The Bourne Ultimatum“, when quick cuts and shaky cam were used in 95% of all action pictures). Demand more for your money. There are so many movies that do it better than this one. Do you want an engaging, twisty techno-spy thriller? Check out the “Mission Impossible” series. Do you want a well-written story of international espionage and intrigue? See “Our Kind of Traitor.” Do you want well-choreographed fight sequences? Watch “The Raid” movies. Hell, even this summer’s “Warcraft” did a better job with its fights and action that this film. A SCREEN ZEALOTS REVIEW www.screenzealots.com
Reno2016-12-04
★ 6/10
New officials, new operations at agency, but the same old Bourne! I thought the original films are meant to be a trilogy, but when filmmakers saw money, they went ahead with the fourth in a new direction. So now with this, it has returned to the original storyline. The Jason Bourne, whose quest to find the answers was over. Yet, a new chapter begins with this like another trilogy is on making like the 'Star Wars' with a new storyline and adventures. Still the theme remains the same, like running and chasing. So the story was just a one or two liner. But if you like the action sequences, this has got plenty of them to entertain you. That's should be a main reason, if you want to see it, other than that the film was average kind. Matt Damon's return for the title role was the best thing happened in here with the director of 'Supremecy' and 'Ultimatum'. I think Alicia Vikander's role is yet to exploit and that would be in the next two films. Looks like an interesting combo between her and Matt, so waiting for the official news. The same formula for this is what disappointing, though not a bad flick. After all, that's how we know Bourne series. So go for it if you are up to date with this franchise, because there's going to be at least another two films if my guess is right. 6/10
Dr Nostromo2026-01-24
★ 8/10
78/100 Nicky Parsons draws Bourne out of hiding after nearly 10 years when she finds information about his father ...not to mention a variety of new nefarious government projects. The chase begins once again. This is the only Bourne film that was not scripted by Tony Gilroy. As such, the story is simpler and it does seem to be a bit lacking in the depth of the characters and the finer details of the chase but it is most certainly a Bourne film making it quite exciting and fun to watch. --DrNostromo.com