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Frankenstein Must Be Destroyed

"The Most Frightening Frankenstein Movie Ever!"

1969 1h 41m EN
😐
6.3
MID
★6.3TMDB · 136
HorrorScience Fiction
Synopsis
Spoiler shield

Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature wreaks his revenge on the perpetrator of his misery: Baron Frankenstein.

“The Most Frightening Frankenstein Movie Ever!”

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Cast

Credits

Behind the camera

Director
Terence Fisher
Writers
Bert Batt, Anthony Nelson Keys, Bert Batt
Languages
English
Countries
United Kingdom

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
ERA

Did you know

57 years old — a genuine piece of film history.

MoodPlayr · trivia#01
2 / 8
CINEMA

Did you know

Part of the "Frankenstein (Hammer) Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#02
3 / 8
DIRECTOR

Did you know

Directed by Terence Fisher, shot by Arthur Grant. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Original score by James Bernard. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Editor Gordon Hales shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05
6 / 8
CAST

Did you know

Peter Cushing and Veronica Carlson and Freddie Jones carry the top of the cast.

MoodPlayr · trivia#06
7 / 8
FACT

Did you know

Marketing tagline: "The Most Frightening Frankenstein Movie Ever!".

MoodPlayr · trivia#07
8 / 8
WILD

Did you know

IMDB entry: tt0065738 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Terence Fisher directs. Arthur Grant behind the camera. James Bernard scores. Gordon Hales cuts. Produced in United Kingdom. Dialogue in English.

Trivia

Things worth knowing

  • 157 years old — a genuine piece of film history.
  • 2Part of the "Frankenstein (Hammer) Collection" — so the characters or world continue elsewhere.
  • 3Directed by Terence Fisher, shot by Arthur Grant. Note their partnership — DPs and directors often return to each other across a career.
  • 4Original score by James Bernard. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 5Editor Gordon Hales shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 6Peter Cushing and Veronica Carlson and Freddie Jones carry the top of the cast.
  • 7Marketing tagline: "The Most Frightening Frankenstein Movie Ever!".
  • 8IMDB entry: tt0065738 — still the authoritative cross-reference for credits and trivia.
  • 9Classified under 9 themes, including "rape", "halloween", "mad scientist", "victorian england".

The technical file

Cinematography
Arthur Grant
Original score
James Bernard
Editing
Gordon Hales
Makeup / hair
Eddie Knight
Runtime
101 min · 1h 41m
Aspect ratio (typical)
1.78:1 (16:9)
Status
Released
Original language
EN
Certification (US)
PG-13

Part of

Frankenstein (Hammer) Collection

A Hammer Films Production film series beginning with The Curse of Frankenstein in 1957 and its sequels.

Also by

Terence Fisher

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • John Chard
    ★ 8/10

    I fancy that I am the spider and you are the fly, Frankenstein. Frankenstein Must Be Destroyed is directed by Terence Fisher and written by Bert Batt. It stars Peter Cushing, Veronica Carlson, Simon Ward and Freddie Jones. Music is by James Bernard and cinematography by Arthur Grant. The fifth entry in Hammer Film's Frankenstein series is one of the best. Playing as a variant on the original Frankenstein sources, story finds Cushing's Baron Victor Frankenstein as an utterly repugnant individual who is prepared to do whatever it takes to achieve his medical goals. Morally and ethically bankrupt, Frankenstein blackmails young lovers Anna and Karl into helping him achieve his ultimate goal - with disastrously ghoulish results for all concerned. Steered strongly by the hands of the under valued Fisher, pic is not just hauntingly elegant as per being a Gothic mood piece, but it is filled out with macabre shocks, and even gallows humour. Some scenes are striking in their ability to gnaw away at your senses, including the infamous sexual predator scene that has divided opinions (personally I think it's great in showing how low Frankenstein has gotten). It builds to a terrific climax, where Freddie Jones (turning in a super emotionally driven turn as one of the better "creatures" in the series) and Frankenstein indulge in spider and fly bluster. Despair, degradation and disintegration unbound, Frankenstein Must Be Destroyed is high-end Hammer Horror. 8/10

  • Wuchak
    ★ 9/10

    One of the best Frankenstein films Hammer did 7 Frankenstein films in 17 years from the late 50s to early 70s: 1. The Curse of Frankenstein (1957); 2. The Revenge of Frankenstein (1958); 3. The Evil of Frankenstein (1964); 4. Frankenstein Created Woman (1967); 5. Frankenstein Must Be Destroyed (1969); 6. The Horror of Frankenstein (1970); and 7. Frankenstein and the Monster from Hell (1974). Peter Cushing played Baron Frankenstein in every one of these except "The Horror of Frankenstein" because it was a remake of the original story and they needed a much younger actor to play the role; they chose Ralph Bates (who superbly plays the love-to-hate satanist in "Taste the Blood of Dracula," released the same year). We all know the basic Frankenstein tragedy: A brilliant scientist is obsessed with creating life and eventually succeeds, but his creation goes on a killing spree, although the creature is nice to kids 'cause they're innocent. Ultimately the monster must be destroyed (and the Baron usually goes with him). I like how "Frankenstein Must Be Destroyed" deviates from this overdone original plot. The story involves Baron Frankenstein as a fugitive going by a different name yet still intent on continuing his gruesome work. He cunningly manipulates a young couple into assisting him wherein they apprehend a patient from the local asylum to conduct experimental surgeries. This is one of the best Frankenstein flicks I've seen. It's creative, labyrinthian and full of pizazz. Being a sequel, the film retains the essential elements of the original story but is a natural progression. The REAL monster in this picture is Baron Frankenstein himself; he's no longer a basically decent, brilliant person obsessed with creating life. His obsession has defiled him to the point of enmity, hate, arrogance, violence, rape and murder. Speaking of the brief rape sequence, I always felt it was forced into the script to make the series more 'cutting edge' at the height of the counterculture movement (1969). In other words, it was out of character for Baron Frankenstein but producers didn't care because they wanted to keep the series 'hip' and profitable in the late 60s. That said, I suppose it can be defended on the grounds that Victor got morally worse as the series proceeded and his arrogance increased; and this was the second to last film (discounting “The Horror of Frankenstein” which, again, was a redo of the original story with a different actor). The film is highlighted by Veronica Carlson, who looks a lot like Ursula Andress, but possibly even more beautiful (if you can imagine that). The movie runs 1 hour, 41 minutes, and was shot just northwest of London at EMI Studios, Elstree, and nearby Tykes Water Lake, as well as Stanmore Hall Lodge, Middlesex (Victor’s hiding place). Another great Frankenstein film from this same period is the Italian "Lady Frankenstein," which likewise puts a creative spin on Shelley’s basic plot. It was released in 1971 and stars Rosalba Neri (aka Sara Bey) as the Baron's daughter who overtakes his work after his death. See my review for details. GRADE: A

Production companies

Who made it

  • Hammer Film Productions

    Hammer Film Productions

    GB

Key crew

  • ProducerAnthony Nelson Keys
  • EditorGordon Hales
  • CastingIrene Lamb
  • Makeup ArtistEddie Knight
  • Music DirectorPhilip Martell
  • Supervising Art DirectorBernard Robinson
  • HairstylistPat McDermott
  • CharactersMary Shelley
  • Production ManagerChristopher Neame
  • Assistant DirectorBert Batt
  • Second Assistant DirectorBill Westley
  • Construction ManagerArthur Banks
  • PainterMichael Finlay
  • Sound SupervisorA.W. Lumkin
  • Sound EditorDon Ranasinghe
  • Sound RecordistKen Rawkins
  • Boom OperatorHarry Fairbairn
  • StuntsPeter Diamond
  • StuntsTerence Maidment
  • Camera OperatorNeil Binney
  • ElectricianDerek Suter
  • Wardrobe SupervisorRosemary Burrows
  • Wardrobe MasterLotte Slattery
  • ContinuityDoreen Dearnaley

Themes & keywords

What it's about, really

  • rape
  • halloween
  • mad scientist
  • victorian england
  • murder
  • grave robber
  • grave robbing
  • brain transplant
  • frankenstein

Release history · US

When it landed

  • Theatrical1970-02-11PG-13

Also known as

International titles

  • Frankenstein sucht ein neues OpferDE
  • Frankenstein död eller levandeSE
  • Le Retour de FrankensteinFR
  • Distruggete Frankenstein!IT
  • El Cerebro de FrankensteinES
  • Frankenstein Muss SterbenAT
  • Frankenştayn Yox EdilməlidiAZ

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