The Neon Demon

"Beauty is vicious."

2016 1h 58m EN

😐

6.5

MID

★6.5TMDB · 4,039

HorrorThriller

Synopsis

Spoiler shield

When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has.

“Beauty is vicious.”

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Cast

Elle Fanning
Jesse
Karl Glusman
Dean
Jena Malone
Ruby
Bella Heathcote
Gigi
Abbey Lee
Sarah
Desmond Harrington
Jack
Keanu Reeves
Hank
Christina Hendricks
Roberta Hoffmann

Credits

Behind the camera

Director: Nicolas Winding Refn
Writers: Nicolas Winding Refn, Mary Laws, Polly Stenham
Languages: English
Countries: United States of America, Denmark, France, Belgium

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

Earned back only 49% of its budget on initial theatrical — a commercial disappointment on release.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

Released 10 years ago.

MoodPlayr · trivia#02

3 / 8

WORLD

Did you know

International production across 4 countries: United States of America, Denmark, France, Belgium.

MoodPlayr · trivia#03

4 / 8

DIRECTOR

Did you know

Directed by Nicolas Winding Refn, shot by Natasha Braier. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Original score by Cliff Martinez. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Editor Matthew Newman shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06

7 / 8

CAST

Did you know

Elle Fanning and Karl Glusman and Jena Malone carry the top of the cast.

MoodPlayr · trivia#07

8 / 8

FACT

Did you know

Marketing tagline: "Beauty is vicious.".

MoodPlayr · trivia#08

Cinephile deep dive

The take

Nicolas Winding Refn directs. Natasha Braier behind the camera. Cliff Martinez scores. Matthew Newman cuts. A commercial under-performer on release. Produced in United States of America, Denmark, France, Belgium. Dialogue in English.

Trivia

Things worth knowing

1Earned back only 49% of its budget on initial theatrical — a commercial disappointment on release.
2Released 10 years ago.
3International production across 4 countries: United States of America, Denmark, France, Belgium.
4Directed by Nicolas Winding Refn, shot by Natasha Braier. Note their partnership — DPs and directors often return to each other across a career.
5Original score by Cliff Martinez. Worth a dedicated listen after — most great films lose half their impact without the score.
6Editor Matthew Newman shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
7Elle Fanning and Karl Glusman and Jena Malone carry the top of the cast.
8Marketing tagline: "Beauty is vicious.".
9IMDB entry: tt1974419 — still the authoritative cross-reference for credits and trivia.
10Classified under 31 themes, including "jealousy", "photographer", "psychopath", "obsession".
11Released under 40 different titles around the world.

The technical file

Cinematography: Natasha Braier
Original score: Cliff Martinez
Editing: Matthew Newman
Production design: Elliott Hostetter
Costume design: Erin Benach
Makeup / hair: Shandra Page
VFX supervisor: Peter Hjorth
Sound: Anne Jensen
Stunt coordinator: Kurt Bryant
Runtime: 118 min · 1h 58m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $7,000,000
Box office: $3,400,000
Return: 49% of budget
Original language: EN
Certification (US): R
IMDB: The Neon Demon (2016)

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Nicolas Winding Refn

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Community reviews

What people are saying

Louisa Moore - Screen Zealots2016-07-30
★ 9/10
A SCREEN ZEALOTS REVIEW www.screenzealots.com LOUISA SAYS: What…did I….just watch? Not for the uninitiated or those with weak stomachs, everyone’s favorite polarizing surrealist director Nicolas Winding Refn is back with the lurid, gory, sadistic, and horrifyingly beautiful “The Neon Demon.” This film makes a bold statement about the shallowness of Hollywood and the fashion industry in the most violent, brutal, bloody and disturbing way possible. The film’s strength is in its breathtaking visuals. Refn once again establishes himself as a true auteur at the top of the visionary food chain. Even if you are one of the many who see him as pompous and pretentious, there’s no denying that few have quite the mastery of the craft of the visual arts as he does. This film belongs in a modern art museum. It doesn’t matter that there’s not much of a plot: teenage ingénue Jesse (Elle Fanning) moves to Los Angeles to chase her dreams of becoming a model. She soon finds herself living in a sketchy motel with lecherous landlord Hank (Keanu Reeves) and surrounded by the seductive Ruby (Jena Malone), Gigi (Bella Heathcote) and Sarah (Abbey Lee), a pack of shallow, jealous, beauty-obsessed women. It’s hard to evaluate the performances since most consist of nothing more than striking and holding a pose or staring longingly into a mirror, but I do think that Reeves has one of the greatest (if small) roles of his career. There’s no escaping the true debate this movie presents: is this a shrewd feminist manifesto or is it grossly misogynistic? It’s taken me three days to reflect on this and I’ve decided that it sways towards the former rather than the latter. First, the film celebrates the female form; the women in the film are beautiful set dressings, designed to be admired (and not treated solely as sexual objects). Yes, the women are one-dimensional but at the same time, that works as a harsh criticism of the narcissism that’s so prevalent in the fashion industry. Refn also artfully expresses the malice that is sometimes deeply hidden in the female psyche. The film is insightful too: women have a dark side and sometimes we do feel like we are in a girl-eat-girl world (a phrase that the film takes a bit too literally). Refn’s hypnotic signature is all over this stylish, elegantly violent film. Cinematographer Natasha Braier adds a disturbing hallucinatory effect while Cliff Martinez lends a thumping, ear-splitting, ominous score that reflects the overall atmosphere of insanity. As with the director’s other films (“Drive,” “Only God Forgives“), there are plenty of scenarios that seem to be present with the sole intent to shock, offend or disgust. (Do we really need an extended scene of lesbian necrophilia? I guess you can argue the point, but the scene goes on a bit too long to make it seem relevant to the plot or characters). The extreme last act feels more like a pointless gross-out than a thoughtful commentary think piece. I think this is a good place to mention that this film is a very, very hard ‘R’ rating; I am surprised it’s not NC-17. “The Neon Demon” isn’t your run-of-the-mill art house film; it’s so far beyond the art house that it’s in another dimension. MATT SAYS: A teenage runaway from Sandusky, Ohio steps off a bus into the glittering lights of Hollywood. All of her friends back home tell her that she’s destined to be a star, and she believes them. But Hollywood does not bestow fame and fortune without a price. First it will take her innocence, then it will take all that remains. So is the story of “The Neon Demon,” the new film by auteur Nicolas Winding Refn (“Drive,” “Only God Forgives”). Elle Fanning is Jesse, the underage runaway that has been lured to Los Angeles by the whispered promises of becoming a famous model. She meets up with another innocent who was been lured to the city: photographer Dean (Karl Glusman), whose attempts at emulating the art he sees in Hollywood through pictures are met with sneering ridicule as “amateurish.” Dean hasn’t sold his soul, and those who have have nothing but contempt for him. Jesse, on the other hand, makes the bargain readily: after being paraded before harshly appraising eyes and being judged a piece of meat worthy of notice, she willingly trades her virtue for empty glamour and attention. After having reborn on the runway, Jesse quickly learns that she has still not given enough: people continue to want more from her, and what they want she isn’t willing to give. “The Neon Demon” is not for everyone. It’s not even for most. Even if you enjoyed “Drive,” you may find yourself frustrated and your patience tried by this movie. There is much to appreciate, but you will be challenged in doing so. In this film, Winding Refn has made an art piece that must be assessed, considered, and deconstructed. Those who are literal-minded will likely find their patience tried: the story isn’t about what’s happening on the surface, it’s about what’s happening underneath. You must watch, listen, and observe carefully. One additional word of warning: “The Neon Demon” is highly disturbing and will upset many casual viewers. Apart from its gore and physical violence, the film pushes boundaries HARD. Terrible things are either shown or implied. I can’t for the life of me understand why the studio and theater chains thought that this was an appropriate film to release in nearly 800 theaters nationwide. One can imagine that of the few audience members who didn’t walk out during the first 20 minutes ran for the exits at its offscreen implication of child abuse. If you’re still reading this review and haven’t been dissuaded yet, I recommend that you see this movie. It’s one of the most interesting discussion pieces in recent memory and it’s not one that I will soon forget. A SCREEN ZEALOTS REVIEW www.screenzealots.com
Gimly2016-09-06
★ 9/10
I don't really foresee The Neon Demon becoming my personal all time favourite film, but from a purely aesthetics point of view, it might just be the best movie I've ever seen. Final rating:★★★★½ - An all round great movie and a whole lot more.
Reno2016-11-04
★ 3/10
It's not anymore a competitive world, but jealousy! It started off very well and in the half mark, it completely lost. In the initial part, it looked like a normal film and then I think even the writer does not know what could happen, they just improvised with whatever they had. Writing was totally messed up. When they had the great characters, it becomes nothing in the end. I'm not a fan of this director, and all his films are average, but this one is the worst among them. I'm not an art film hater, though I hate wasting scenes without any developments and this one had many like them. If you trim them all out, the overall film is around 45 minutes. The rest of the film was just music, colourful lights, and sometimes totally idle, which definitely drag the viewers to the boredom. Whenever there was a scene with the story, like dialogues and developments, I thought it was going well. But then those useless, dialogueless segments turned me off. Especially the conclusion was absolutely crap. Elle was good, like a character made for her. Keanu Reeve was useless, his addition was just a marketing strategy that did not click. This is the story of a teen girl aspiring to be a model, but surrounded by the jealousy people because of her fast growth. How it all goes between them and in the fashion world is what the film talks. The film is watchable, but mostly the second half onwards it gets boring. In the end, I don't think anyone would be satisfied completely with their watch, maybe very, very few, but if you consider the majority, this does not deserve to be suggested. 3/10