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Dressed to Kill poster

Dressed to Kill

"The latest fashion in murder."

1980 1h 45m EN
👍
6.9
SOLID
🍅
84%
FRESH
👌
74
METACRITIC
⭐
7
IMDB
★6.9TMDB · 1,180🍅84%Rotten Tomatoes●74Metacritic★7IMDB · 54,961
ThrillerMysteryHorror
Synopsis
Spoiler shield

After witnessing a mysterious woman brutally slay a homemaker, prostitute Liz Blake finds herself trapped in a dangerous situation. While the police thinks she is the murderer, the real killer is intent on silencing her only witness.

“The latest fashion in murder.”

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Cast

Credits

Behind the camera

Director
Brian De Palma
Writers
Brian De Palma
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Made its money back 4.9× over at the box office.

MoodPlayr · trivia#01
2 / 8
ERA

Did you know

46 years old — old enough to be someone's favourite childhood film.

MoodPlayr · trivia#02
3 / 8
DIRECTOR

Did you know

Directed by Brian De Palma, shot by Ralf D. Bode. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Original score by Pino Donaggio. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04
5 / 8
ERA

Did you know

Editor Gerald B. Greenberg shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05
6 / 8
CAST

Did you know

Nancy Allen and Michael Caine and Angie Dickinson carry the top of the cast.

MoodPlayr · trivia#06
7 / 8
FACT

Did you know

Marketing tagline: "The latest fashion in murder.".

MoodPlayr · trivia#07
8 / 8
WILD

Did you know

IMDB entry: tt0080661 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Brian De Palma directs. Ralf D. Bode behind the camera. Pino Donaggio scores. Gerald B. Greenberg cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Made its money back 4.9× over at the box office.
  • 246 years old — old enough to be someone's favourite childhood film.
  • 3Directed by Brian De Palma, shot by Ralf D. Bode. Note their partnership — DPs and directors often return to each other across a career.
  • 4Original score by Pino Donaggio. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 5Editor Gerald B. Greenberg shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 6Nancy Allen and Michael Caine and Angie Dickinson carry the top of the cast.
  • 7Marketing tagline: "The latest fashion in murder.".
  • 8IMDB entry: tt0080661 — still the authoritative cross-reference for credits and trivia.
  • 9Classified under 30 themes, including "friendship", "taxi", "prostitute", "nightmare".
  • 10Released under 24 different titles around the world.

The technical file

Cinematography
Ralf D. Bode
Original score
Pino Donaggio
Editing
Gerald B. Greenberg
Costume design
Gary Jones
Makeup / hair
Joe Cranzano
Sound
Dick Vorisek
Stunt coordinator
Victor Magnotta
Runtime
105 min · 1h 45m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$6,500,000
Box office
$31,899,000
Return
491% of budget
Original language
EN
Certification (US)
R
Rotten Tomatoes
84% 🍅 Fresh
Metacritic
74/100
IMDB rating
7/10 · 54,961 votes
MPAA
R

Awards

1 win & 10 nominations total

Also by

Brian De Palma

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • John Chard
    ★ 8/10

    Erotico Psycho Dressed to Kill is directed and written by Brian De Palma. It stars Michael Caine, Angie Dickinson, Nancy Allen, Keith Gordon and Dennis Franz. Music is by Pino Donaggio and cinematography by Ralf D. Bode. Brian De Palma continues his commitment to Hitchcock thrillers with this erotic and lurid slice of entertainment pie. Plot in short order finds a razor wielding blonde woman on the loose in the city. A high class prostitute, a psychiatrist and the son of a victim try to solve the mystery before they themselves fall to the blonde killer. De Palma throws it all at the audience here, merrily pushing people's buttons as he goes. He uses all the tools and tricks of his trade for maximum impact, blending a number of genre staples and churning out a hyper stylised neo-noir that gleefully toys with audience expectations. Oh the plot is bonkers, deliriously so, but De Palma is a crafty pro who deftly marries up the excesses of the plot with virtuoso camera work, and not content with that he then brings Donaggio's musical score into play to ensure the viewer's senses are tingling. Unsurprisingly for the director, Dressed to Kill is sexually charged and violent, from the steamy beginning that ruffled feathers in a number of quarters, to the outrageous coda at the end where De Palma homage's himself, it's a film revelling in its schlocky being. However, it still has time for dramatic suspense and dangerously sensual mysticism, reference an extended section of film that sees Allen's hooker pursued relentlessly through the perils of the subway system, and a sequence played out at an art gallery without dialogue as we become Dickinson's disoriented eyes. Then there is the key murder scene, a dizzying array of slashes and cartoonish blood, it's purposely excessive and followed by screw tightening suspense that sets up the rest of the movie. De Palma and his on form principal cast members are having fun, how could they not with such trashy material to work from? Is Dressed to Kill phobic and misogynistic? Well plenty of people think so, in fact there was quite a fall out when the film was first released, when De Palma was subjected to the ire of a few minority groups. Judge for yourself is the only way to go really, but personally in amongst the schlock I feel there's comment on the dangers of fantasising beyond your realm, or of unfaithfulness, maybe even that America is itself irresponsible for its treatment of women on film? Of course it could just be De Palma at his most playful? Sitting there giggling to himself as others lose their cool… 8/10

  • slayrrr666
    ★ 7/10

    Following a housewife’s brutal murder, the only witness to the incident teams up with the woman’s son to try to find the culprit which leads them to the patient of a psychiatrist who treated her and tries to stop the killer from striking them in order to cover the crime. This one turned out to be quite the rather enjoyable effort. A lot of the film’s great parts come from the manner in which this one deals with the expectations featured here of the film by following so close to its influences. As it follows so close to the main format here, as the general structure employed here comes directly with the structure of having the first half focus solely on the victim to get killed off and then morph over into the investigation into the incidents, that makes for a great deal of fun here as it deals with the few changes to be had with the storyline. That familiarity lends itself a great deal to the overall manner in which this one moves along as that keeps this one a lot more entertaining than it really should be without a whole lot of slashing action throughout here. With a big emphasis on the murder investigation and her involvement in the procedure, there’s a nice emphasis here to follow up the later adverts of that ones’ followers in a distinctly European manner by introducing not only the main investigation from the police but also going rather nicely into the amateur investigation by way of a piece of evidence only briefly glimpsed during the incident that becomes a central part of the investigation. These elements all give it a rather distinct and pronounced atmosphere to these brands of films which really lets it dwell in that type of sleaze far more comfortably than would be expected, not only from the type of nudity but also the rather stark sex scenes and frequently intoned psychosexual themes from the killer’s motivation which is straight out of that particular school of thriller which makes this one connect quite well there. Even with some incredibly well-done stalker scenes, including the opening attack in the elevator, the subway sequence or the finale at the office which give this some rather suspenseful stalking as well to balance it all with plenty to like. These don’t help the fact that there’s just not a whole lot of slasher action here, as the more thriller aspects here dominate this one so it doesn’t have a lot of stalking scenes and the body count itself is so low as to not really offer much in the way of bloodshed or gore. Those looking for a straight-up slasher won’t be interested in this one at all. Rated R: Extreme Graphic Language, Full Nudity, Graphic Violence and several intense sex scenes.

  • GenerationofSwine
    ★ 10/10

    It is an enjoyable film...but one with several natural endings. And that kind of makes for a fail. You're ready for the movie to be over after it concludes and then you wait until it concludes again, and then you wait until is actually concludes. However, it is tense, which is a De Palma hallmark, he knows how to make for a tense thriller, and that is where the appeal is, that is what really sets Dressed to Kill above a lot of other films. It plays on the nerves.

Production companies

Who made it

  • Filmways Pictures

    Filmways Pictures

    US

  • CI

    Cinema 77 Films

Key crew

  • Executive ProducerSamuel Z. Arkoff
  • ProducerGeorge Litto
  • EditorGerald B. Greenberg
  • Second Assistant DirectorWilliam Eustace
  • Assistant Director TraineePaula Mazur
  • Second Second Assistant DirectorRobert Rothbard
  • CarpenterGilbert Gertsen
  • Construction CoordinatorWilliam Lowry
  • Scenic ArtistErnest W. Southern
  • PropsPaul J. Wilson
  • Boom OperatorEd Abele
  • Sound MixerJohn H. Bolz
  • Sound RecordistPeter Ilardi
  • Assistant Sound EditorLowell Mate
  • Sound EditorMichael Moyse
  • Supervising Sound EditorDan Sable
  • Sound Re-Recording MixerDick Vorisek
  • Assistant Sound EditorJean Fraser Wardle
  • Apprentice Sound EditorRandall Coleman
  • Stunt CoordinatorVictor Magnotta
  • StuntsTim Gallin
  • StuntsSteve James
  • Still PhotographerHolly Bower
  • Assistant CameraMarc Hirschfeld

Themes & keywords

What it's about, really

  • friendship
  • taxi
  • prostitute
  • nightmare
  • transvestism
  • photography
  • subway
  • shower
  • manipulation
  • assault
  • seduction
  • one-night stand
  • alter ego
  • murder
  • stalking
  • serial killer
  • slasher
  • whodunit
  • psychiatrist
  • interrogation
  • desire
  • guilt
  • extramarital affair
  • straight razor
  • exhibitionism
  • elevator
  • dark secret
  • art museum
  • erotic thriller
  • american giallo

Release history · US

When it landed

  • Theatrical1980-07-25R
  • Physical2001-08-28R· DVD Release
  • Physical2011-09-06R· Blu-Ray Release

Also known as

International titles

  • Одет для убийстваRU
  • Одежда для убийстваRU
  • Одетый для убийствaRU
  • Kledd for mordNO
  • แต่งตัวไปฆ่าTH
  • 剃刀邊緣CN
  • يرتدي ليقتلSA
  • در لباسی خیره‌کنندهIR
  • يرتدى ليقتلEG
  • Одягнений для вбивстваUA
  • Προετοιμασία για έγκλημαGR
  • Vestida per matarES
  • Vestito per uccidereIT
  • Обучена да убиваMK
  • БритваRU

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