Mechanic: Resurrection

"Four continents. Three kills... Or the love of his life is dead."

2016 1h 39m EN

😐

6.1

MID

🥫

28%

ROTTEN

😬

METACRITIC

⭐

5.8

IMDB

★6.1TMDB · 3,778🥫28%Rotten Tomatoes●38Metacritic★5.8IMDB · 102,884

ActionCrimeThrillerAdventure

Synopsis

Spoiler shield

Arthur Bishop thought he had put his murderous past behind him when his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best, make them look like accidents.

“Four continents. Three kills... Or the love of his life is dead.”

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Cast

Jason Statham
Arthur Bishop
Jessica Alba
Gina
Tommy Lee Jones
Max Adams
Michelle Yeoh
Mei
Sam Hazeldine
Riah Crain
John Cenatiempo
Jeremy
Toby Eddington
Adrian Cook
Femi Elufowoju Jr.
Krill

Credits

Behind the camera

Director: Dennis Gansel
Writers: Philip Shelby, Rachel Long, Tony Mosher
Languages: Bulgarian, English
Countries: United States of America, Germany, France

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

Made its money back 3.1× over at the box office.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

Released 10 years ago.

MoodPlayr · trivia#02

3 / 8

WORLD

Did you know

Dialogue crosses 2 languages: Bulgarian, English.

MoodPlayr · trivia#03

4 / 8

WORLD

Did you know

International production across 3 countries: United States of America, Germany, France.

MoodPlayr · trivia#04

5 / 8

CINEMA

Did you know

Part of the "Mechanic Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Directed by Dennis Gansel, shot by Daniel Gottschalk. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Original score by Mark Isham. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#07

8 / 8

DIRECTOR

Did you know

Editor Todd E. Miller shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Dennis Gansel directs. Daniel Gottschalk behind the camera. Mark Isham scores. Todd E. Miller cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in United States of America, Germany, France. Dialogue in Bulgarian, English.

Trivia

Things worth knowing

1Made its money back 3.1× over at the box office.
2Released 10 years ago.
3Dialogue crosses 2 languages: Bulgarian, English.
4International production across 3 countries: United States of America, Germany, France.
5Part of the "Mechanic Collection" — so the characters or world continue elsewhere.
6Directed by Dennis Gansel, shot by Daniel Gottschalk. Note their partnership — DPs and directors often return to each other across a career.
7Original score by Mark Isham. Worth a dedicated listen after — most great films lose half their impact without the score.
8Editor Todd E. Miller shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
9Jason Statham and Jessica Alba and Tommy Lee Jones carry the top of the cast.
10Marketing tagline: "Four continents. Three kills... Or the love of his life is dead.".
11IMDB entry: tt3522806 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography: Daniel Gottschalk
Original score: Mark Isham
Editing: Todd E. Miller
Production design: Sebastian T. Krawinkel
Costume design: Preeyanan Suwannathada
Makeup / hair: Paul Pattison
VFX supervisor: Ajoy Mani
Sound: Ryan Nowak
Stunt coordinator: Grant Page
Runtime: 99 min · 1h 39m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $40,000,000
Box office: $125,729,635
Return: 314% of budget
Original language: EN
Certification (US): R
IMDB: Mechanic: Resurrection (2016)
Rotten Tomatoes: 28% 🥫 Rotten
Metacritic: 38/100
IMDB rating: 5.8/10 · 102,884 votes
MPAA: R

Awards

1 nomination total

Part of

Mechanic Collection

A film series centered on Arthur Bishop the 'mechanic' - an elite assassin with a strict code and unique talent for cleanly eliminating targets; making his hits look like accidents, suicides or the acts of petty criminals. It's a job that requires professional perfection and total detachment, and Bishop is the best in the business.

Also by

Dennis Gansel

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Community reviews

What people are saying

Frank Ochieng2016-08-29
British badass Jason Statham is back and doing what he does best: kicking butt and taking targeted names in the process. The veteran action star is out for more blood in the labored sequel Mechanic: Resurrection. The trouble, however, is that fist-swinging wrecking ball Statham’s taste for boisterous blood in his latest toothless and meandering globe-trotting caper may be in desperate need of a transfusion. Woefully repetitive, aimless, strained and riddled with formulaic sharp-shooting shenanigans, Mechanic: Resurrection is yet another bombastic Bond knock-off that synthetically strut its stuff in stunt-driven oblivion. The majority of Statham fans may find this latest installment of Mechanic worth tinkering with due to its kinetic action-pack parts in motion with its stylish bald-headed anti-hero at the helm of voyeuristic mayhem. Still, for others the excitable human bullet factor routine that the aging Statham has perfected in his past furious film exploits (read: “The Transporter” film series in particular) is getting long in the tooth as Mechanic: Resurrection is yet another familiar and feisty vehicle that the punishing tough guy has predictably driven before. Resurrection is the follow-up to the 2011 blueprint The Mechanic where Statham portrayed a stone-faced iron man “gun-for-hire” whose mission is to travel the world while eradicating high-profiled baddies–a specialty that he mechanically and skillfully carries out with polished precision. Naturally Statham’s charged take as the combative assassin is based upon the 1972 flick The Mechanic featuring the late great gravel-faced action icon Charles Bronson who was no stranger to vigilante-style cinema. Statham’s “take-no-prisoners” approach as the hardened terminator Arthur Bishop is definitely inspired when the English acrobatic avenger is summoned to brandish exotic weaponry, engage in calculating yet cockeyed ways to utilize boobytraps to exterminate his assigned targets and find time to occasionally court the hot chicks that dig his masculine, mischievous charm. No doubt that Statham’s blue-collar Bishop tries to echo the eye-popping sentiments of the aforementioned Bond’s debonair endeavors in intrigue, over-the-top villains, lavish locales and luscious ladies. As for watching the five decade-old adventurous James Bond it feels like an excitable surreal vacation laced with imaginative dare and danger. In witnessing Statham’s stiffened and procedural Arthur Bishop it seems somewhat like an assigned chore in chronicling the gadget-loving gumption of this action-oriented covert clone. Sure, Mechanic: Resurrection derives its occasional chilly appeal from the scenic locations that allows the athletic Bishop to bounce around the globe on an elaborated whim. Plus, some may get an aesthetic rise out of the choreographed in-your-face confrontational fights and showy staged daredevil stunts that feature Bishop’s physical prowess. This is all well and good but the dubious dalliances and action-oriented swaggering that is demonstrated by Statham’s bone-crushing Bishop is rather uneventful and recycled. Unfortunately, Resurrection refuses to allow Statham any flexible growth or depth to differentiate his caustic characterization or the high-wire dilemmas beyond the previous antics regurgitated from his earlier copycat fare as Crank, The Bank Job and yes…the obvious mention of The Transporter series. Hit man Arthur Bishop is basking in the scenic Rio de Janeiro surroundings in hopes of drowning out his deadly duties from yesteryear. Soon, Bishop’s wake-up call to resume his treacherous trade in taking out toxic targets is encouraged by his archenemy in warped businessman Riah Crain (Sam Hazeldine). Specifically, Crain wants Bishop to assassinate three persons of interest in particular that has him roaming three different continents. Bishop is not too receptive to getting back in “the grusome game” but of course the crooked Crain has a twisted way of convincing him otherwise. The critical key to changing a reluctant Bishop’s mind was to hit him where is heart hurts…that is, abduct his gorgeous girlfriend Gina (Jessica Alba from “Sin City”). Holding Gina captive clearly gives Crain the upper hand to urge the beleaguered Bishop to return to the fatalistic fold of his poisonous profession–wiping out the assigned undesirables while making it look like accidental incidents. Thus, Bishop puts on his traveling shoes as he hunts down an imprisoned African warlord, an Australian human trafficker and finally a Bulgaria-based arms dealer Max Adams (Oscar winner Tommy Lee Jones). If and when Bishop delivers his three kills for the ruthless Crain then Gina’s release is assured. It is a no-brainer that Bishop wants to ensure the safety of the exotic beauty Gina. Alba’s Gina is not the only lovely lady that is attached to Bishop’s hip affectionately. In Thailand, Bishop manages to catch up with another cute bombshell in buddy Mei (martial arts goddess Michelle Yeoh wasted in a transparent role), an innkeeper that worries about her friend’s worldly welfare. Curiously, German director Dennis Gansel’s decision not to give the desirable ageless Asian actress anything to do constructive in this by-the-numbers actioner besides providing sideline concern for Statham’s Bishop is inexcusable. Why not play to Yeoh’s cinematic strengths as a karate-kicking cutie pie with a deadly disposition…you know, what movie audiences have come to expect and cherish about the beautiful Malaysian performer’s film-related credibility? The 1997 Bond film Tomorrow Never Dies effectively used the curvaceous Yeoh to compliment Pierce Brosnan’s Agent 007 so Gansel could not oblige her more on-screen activity with the robotic Statham? Of course any Statham-oriented movie would not be complete without the arbitrary display of colorful explosions, glorified chases, exaggerated gunplay and a no-nonsense Bishop predictably flexing his acrobatic leaping, climbing, swimming and fighting muscles as if he was participating in his own self-indulgent Olympic games. There is no real rhyme or reason behind Mechanic: Resurrection other than to revisit the nostalgic relevance of Statham’s left-over box office heft from yesteryear. Perhaps the proven off-kilter spark that Statham generated in the Melissa McCarthy well-received espionage laugher Spy could have been injected in this gimmicky and pointless pot-boiler that has all the succulent juices of a dried-up meatloaf. All the challenging stunt work and exquisite locations cannot excuse the lack of lubrication that Mechanic desires in its insipid, loud execution. There is not much to chew on the bone concerning the so-called return of Statham’s harried hit man that constitutes round two of another dazzling but dense Mechanic offering. Alba’s distressed diva is nothing more than stand-by eye candy and the convenient motivating factor for Statham’s/Bishop’s worldwide witch-hunt. Hazeldine’s Crain barely passes muster as a second-rate Bond villain left on the cutting room floor. Jones, who has played wacky villains in the past, merely going through the tiresome motions as pseudo-flashy Max Adams with off-the-cuff irreverence. Perhaps Arthur Bishop’s glossy gadgets could prevent an unwelcoming third edition of another Mechanic entry from blasting away in boorish fashion? Mechanic: Resurrection (2016) Summit Entertainment 1 hr. 50 mins. Starring: Jason Statham, Jessica Alba, Tommy Lee Jones, Sam Hazeldine, Michelle Yeoh, Natalie Burn, Yayaying Rhatha Phongam Directed by: Dennis Gansel MPAA Rating: R Genre: Action and Adventure/Suspense Thriller/International Crime Drama Critic’s rating: * 1/2 stars (out of 4 stars) (c) Frank Ochieng 2016
Reno2016-12-04
★ 6/10
Falling in love is a trap, but some men risk everything for it. This is an unexpected sequel. Actually, I was looking for other sequels from Statham's filmography, particularly the third 'Crank'. I think the idea of going for it was good and the film was not that bad, if your purpose of a watch is time pass. The story was so bad, but the filmmaking was excellent. Because it was made by a renowned German director. Only if he had got a better script, the outcome would have been different. So it's the actors and the director makes it watchable. Other than that, this film falls into the average category. The story follows after Arthur Bishop was found living in Brasil by some people who know him. Then he narrowly escapes from there and lands in Southeast Asia, where he meets Gina, a woman struggling from domestic violence. But he soon discovers that's a setup. After she was taken captive by an international criminal, now he has to follow his instruction to set her free. So the action begins where he takes a series of missions across the globe and how it all ends follows in the rest of the narration, It's good to see Jason Statham back to his signature role. This is what he's good at. Even if the story is not good, that's okay, because Statham's presence is a very comfortable to watch without any trouble. Jessica Alba as well, I haven't seen her in any major hit film at the recent time. Even though the film was received below average, it kind of puts them both back on the track. Definitely they both needed this breakthrough. There's a third film is coming, it's not official yet, but the conclusion was a hint where Tommy Lee Jones can be seen in an important role in the next part. You won't like this film, but surely enjoy it if you are a Statham's fan, that's the only reason to go for it. 6/10
Dan_Tebasco2017-05-19
★ 6/10
A sequel that no one asked for, the first one was alright but didn't even stand out by Statham standards. The sequel isn't quite as 'alright', a bit sloppily put together and not very well thought of but if you liked the original and Statham in general it's still watchable. 5.5/10