
Did you know
39 years old — old enough to be someone's favourite childhood film.

"This time it's war!"
After the death of his girlfriend's daughter from a drug overdose, Paul Kersey takes on the local drug cartel.
“This time it's war!”

Charles Bronson
Paul Kersey

Kay Lenz
Karen Sheldon

John P. Ryan
Nathan White

Perry Lopez
Ed Zacharias

George Dickerson
Detective Reiner

Soon-Tek Oh
Det. Phil Nozaki

Dana Barron
Erica Sheldon

Jesse Dabson
Randy Viscovich
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
J. Lee Thompson directs. Gideon Porath behind the camera. Paul McCallum scores. Peter Lee-Thompson cuts. Runs lean at under 100 minutes. Profitable at the box office. Produced in United States of America. Dialogue in French, English.
Trivia
Part of
Five films about Paul Kersey, an architect with no luck whatsoever. First His wife is murdered when their apartment is broken into, 8 years later his mentally ill daughter is raped and murdered. After all this Kersey is never the same and ends up taking on the drug lords and various criminals of the world.
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Trailers & featurettes
Community reviews
Bronson should have shown restraint. CONTAINS SPOILERS To be fair, the bad guy did warn Bronson that he would kill the girl - but Bronson did not listen. He kept on coming at the other guy until the guy delivered his promise and killed the girl. Bronson pushed the guy into it. He did warn Bronson. Here is the unacceptable part - Bronson then mercilessly blows him to pieces. The man was trying to reason with Bronson and gave him ample warning but Bronson just opted for a violent conclusion. Bronson should have not killed the man - especially as the guy was trying to make concessions for Brosnan. Bronson brought it on himself.
"Death Wish 4: The Crackdown" really ought to have a more routine and listless quality about it by this late date and while there is a faint sense of that detectable here it isn't as prevalent as it could have been. The film pushes incredibly hard to create some sort of new and innovative angle on its central theme - a theme which has now gone from being highly controversial and politically and socially divisive to becoming acceptable and commonplace action movie fodder in just a span of fifteen years - to trigger the mayhem and by and large this results in a much better film than you could have ever expected. There is still an abundance of gunplay on display, but fortunately the unpalatable and lurid violence towards women (which still exists here to a certain extent) receives far less attention from screenwriter Gail Morgan Hickman than some of her male counterparts in previous times and best of all there are no deliberately cruel and horrifically over extended rape scenes to fast forward through this time around.
Production companies

The Cannon Group
US
Golan-Globus Productions
US
Themes & keywords
Release history · US
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