
Did you know
$175M budget — tentpole studio territory.

"It's not over until lightning strikes."
Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen finds himself pushed to the brink—and suddenly, the champion who once ruled the track is fighting just to stay in the race. With his career hanging in the balance, McQueen must turn to an ambitious young race technician with a plan of her own, draw strength from the legacy of the late Fabulous Hudson Hornet, and risk everything on one last shot at glory.
“It's not over until lightning strikes.”

Owen Wilson
Lightning McQueen (voice)

Cristela Alonzo
Cruz Ramirez (voice)

Chris Cooper
Smokey (voice)

Nathan Fillion
Sterling (voice)

Larry the Cable Guy
Mater (voice)

Armie Hammer
Jackson Storm (voice)

Ray Magliozzi
Dusty (voice)

Tony Shalhoub
Luigi (voice)
Credits
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Brian Fee directs. Jeremy Lasky behind the camera. Randy Newman scores. Jason Hudak cuts. Profitable at the box office. Produced in United States of America. Dialogue in English.
Trivia
Part of
A computer-animated action-adventure comedy film series that follows the adventures of Lightning McQueen and Mater, set in a world populated entirely by anthropomorphic cars and other vehicles.
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Community reviews
The new age begins! Having seen enough animated feature that possible eligible for the 2018 Oscars, I'm really disappointed with the result of some of the big titles. Yes, including this one, not big films, except 'Coco' are up to any impressive. The bright side is, after a long time, 2D animation might win. This was an okay film. Though I liked the story outline, but did not like how it all was narrated. I have seen the evolution of 'Harry Potter'. I meant the cast, particularly the main three. For a decade, the little kids grew into older teenagers. But for an animation character, there's no concept of ageing. They always remain same. This film just gave a new perspective. I mean it talked about being or growing old and how it impacts our lives. That we can't hold forever our safe position. Sooner or later, the youngsters will take over it. McQueen is enjoying his racing, competing with his friendly opponents. But it all changes when a young rookie rewrites the history. Without able to cope with the new generation and their aggression, how McQueen and Co like to counter the latest threat is the film's story. Liked such inspiring storyline. I mean it would inspire more the middle aged people than anybody else. But it is a fun film for all ages, particularly the kids. It is just like turning 'Rambo' into 'Creed', I just want a new beginning in the next sequel. 7/10
A worthy follow up to the original film, miles better than Cars 2. They wisely focus the action back on Lightnin' McQueen and keep Mater to a bare minimum. It's not going to change lives, but a solid animated feature nonetheless. Even when Pixar is coasting they still deliver a very pretty looking film, albeit a little shallow. One thing bugs me though, why in a world of anthropomorphic vehicles, with no signs of humans, do they have door handles...?
I agree <em>'Cars 3'</em> improves upon <em>'Cars 2'</em>, not by much though. The story for this does feel more rounded than the preceding film, even if it ends rather lamely. The whole production builds up around Lightning McQueen, rightly, before strangely having a conclusion that focuses on newbie Cruz Ramirez. I like the idea of what they were going for, but the way the do it is actually quite poor - it feels too forced, as well as chucking most of the development for McQueen across acts one and two out the window. With that said, it isn't a massive hindrance. I still had a fun time with this. Owen Wilson remains good as McQueen, while Cristela Alonzo gives an accomplished performance as Ramirez. One thing I do rate about Alonzo is that Disney didn't go down the obvious, lovey-dovey route with her. None of the rest of the cast standout all that much, though it's cool to hear Kerry Washington as Natalie Certain. Mater (Larry the Cable Guy) is arguably underused, which is weird as he is overused in the 2011 sequel - they don't seem to know how to fit him in ideally. The overall premise itself is interesting, while the animation remains in top gear. The ending doesn't fit perfectly for me, but I can still recommend that you give this a viewing.
Production companies

Pixar
US

Walt Disney Pictures
US
Themes & keywords
Release history · US
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