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Sorry, Wrong Number poster

Sorry, Wrong Number

"Tangled Wires... Whispering of Murder! Tangled Lives... Fighting to Escape!"

1948 1h 29m EN
πŸ‘
6.8
SOLID
β˜…6.8TMDB Β· 219
ThrillerMystery
Synopsis
Spoiler shield

Leona Stevenson is confined to bed and uses her telephone to keep in contact with the outside world. One day she overhears a murder plot on the telephone and is desperate to find out who is the intended victim.

β€œTangled Wires... Whispering of Murder! Tangled Lives... Fighting to Escape!”

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Cast

Credits

Behind the camera

Director
Anatole Litvak
Writers
Lucille Fletcher
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
RUNTIME

Did you know

89 minutes exactly β€” the "classic feature" runtime most directors aim for.

MoodPlayr Β· trivia#01
2 / 7
ERA

Did you know

78 years old β€” a genuine piece of film history.

MoodPlayr Β· trivia#02
3 / 7
DIRECTOR

Did you know

Directed by Anatole Litvak, shot by Sol Polito. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#03
4 / 7
DIRECTOR

Did you know

Original score by Franz Waxman. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#04
5 / 7
CAST

Did you know

Barbara Stanwyck and Burt Lancaster and Ann Richards carry the top of the cast.

MoodPlayr Β· trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "Tangled Wires... Whispering of Murder! Tangled Lives... Fighting to Escape!".

MoodPlayr Β· trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt0040823 β€” still the authoritative cross-reference for credits and trivia.

MoodPlayr Β· trivia#07

Cinephile deep dive

The take

Anatole Litvak directs. Sol Polito behind the camera. Franz Waxman scores. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 189 minutes exactly β€” the "classic feature" runtime most directors aim for.
  • 278 years old β€” a genuine piece of film history.
  • 3Directed by Anatole Litvak, shot by Sol Polito. Note their partnership β€” DPs and directors often return to each other across a career.
  • 4Original score by Franz Waxman. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 5Barbara Stanwyck and Burt Lancaster and Ann Richards carry the top of the cast.
  • 6Marketing tagline: "Tangled Wires... Whispering of Murder! Tangled Lives... Fighting to Escape!".
  • 7IMDB entry: tt0040823 β€” still the authoritative cross-reference for credits and trivia.
  • 8Classified under 14 themes, including "husband wife relationship", "telephone", "family business ", "flashback".

The technical file

Cinematography
Sol Polito
Original score
Franz Waxman
Costume design
Edith Head
Makeup / hair
Wally Westmore
Runtime
89 min Β· 1h 29m
Status
Released
Original language
EN
Certification (US)
NR

Also by

Anatole Litvak

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • SWITCH.
    β˜… 7/10

    'Sorry, Wrong Number' isn't a film that leaves a strong lasting impression, but its narrative and visual inventiveness and a thoroughly engaging plot make it an enjoyable journey into 40s film noir. If anything, you leave it with a great appreciation for Lucille Fletcher's devilishly simple premise, one that certainly isn't dulled by the transition from radio to cinema. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-sorry-wrong-number-an-inventive-slice-of-1940s-film-noir

  • CinemaSerf
    β˜… 7/10

    "Leona" (Barbara Stanwyck) is a wealthy bedridden woman who uses her telephone as a lifeline with an outside world which she has increasingly decided to shun. It's when making a call one evening that she overhears two men plotting a murder. Terrified, she tries to reach her husband "Henry" (Burt Lancaster) but he's nowhere to be found. She tries the police but what can she tell them? That is when she begins to try and rationalise what she has heard and for the next tautly directed and paced ninety minutes we begin to learn a little about her, her relationship with her husband and about his own activities with chemist "Evans" (Harold Vermilyea) and the mobster "Morano" (William Conrad). As the story unfolds so does the palpable sense of threat - but who is the target? Is there really a target at all or is she just a neurotic mess of a woman? Her constant and increasingly frenetic use of her telephone serves as an effective conduit for a series of flashbacks that assemble in an episodic, almost compartmentalised, fashion a psychological jigsaw puzzle that exposes something of this frankly quite unpleasant woman, her ambitious and frustrated husband and so go some way to explaining how she has ended up in bed in her townhouse all alone. Any assumptions we may make at the start are quickly disabused by a really strong effort from Stanwyck who manages to ensure we are more and more invested in the fate of her potential victim and dare I say, I even started to warm to the woman a little as the story progressed. Lancaster isn't so impressive, but he does enough and Franz Waxman's menacing score helps bring something of the Hitchcock to this darkly lit film noir that shows Stanwyck to be quite the star.

Production companies

Who made it

  • HA

    Hal Wallis Productions

    US

  • Paramount Pictures

    Paramount Pictures

    US

Key crew

  • Radio PlayLucille Fletcher
  • Set DecorationBertram C. Granger
  • ProducerHal B. Wallis
  • Art DirectionHans Dreier
  • Costume DesignEdith Head
  • ProducerAnatole Litvak
  • Set DecorationSam Comer
  • Assistant DirectorRichard McWhorter
  • Art DirectionA. Earl Hedrick
  • GripFred True
  • Sound RecordistGene Merritt
  • Makeup SupervisorWally Westmore
  • Sound RecordistWalter Oberst
  • Special EffectsGordon Jennings
  • Visual EffectsFarciot Edouart
  • Supervising EditorWarren Low

Themes & keywords

What it's about, really

  • husband wife relationship
  • telephone
  • family business
  • flashback
  • film noir
  • female protagonist
  • fear
  • chemist
  • heiress
  • invalid
  • criminal investigation
  • home alone
  • phone call
  • pharmaceuticals company

Release history Β· US

When it landed

  • Premiere1948-09-01Β· New York City, New York
  • Theatrical1948-09-24NR

Also known as

International titles

  • Il terrore corre sul filoIT
  • PerdΓ³n, nΓΊmero equivocadoES

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