
Did you know
83 minutes exactly — the "classic feature" runtime most directors aim for.

"Ogres from a black hole in space use monsters to seize Earth!"
A submarine expedition to salvage the remains of Mechagodzilla is thwarted by a massive dinosaur named Titanosaurus. An Interpol investigation leads biologist Ichinose to uncover the work of Dr. Mafune and his mysterious daughter Katsura. Aligned with the Black Hole Aliens, Katsura's life becomes entwined with the resurrected machine.
“Ogres from a black hole in space use monsters to seize Earth!”

Katsuhiko Sasaki
Biologist Akira Ichinose

Tomoko Ai
Katsura Mafune

Akihiko Hirata
Dr. Shinzô Mafune

Tadao Nakamaru
INTERPOL Chief Tagawa

Gorō Mutsumi
Commander Mugal

Masaaki Daimon
Captain Kusakari

Katsumasa Uchida
Jiro Murakoshi
Shin Roppongi
Yûuchi Wakayama
Credits
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Cinephile deep dive
Ishirō Honda directs. Motoyoshi Tomioka behind the camera. Akira Ifukube scores. Yoshitami Kuroiwa cuts. Runs lean at under 100 minutes. Produced in Japan, United States of America. Dialogue in Japanese.
Trivia
Part of
Film series featuring Godzilla from the Showa era.















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Community reviews
The last of the original wave of Zilla movies. It has a mixed reputation among the fans, but Terror of Mechagodzilla is a romp of a sequel, one that's not without deep emotional heart. Plot is bonkers of course, aliens are plotting to rule the world and have recreated Mechagodzilla after Godzilla shredded it to pieces in the previous meeting of the two beasts (Godzilla V Mechagodzilla). There's Interpol agents running around not exactly in control of anything, a vengeful scientist with an agenda who aids the aliens, while his daughter has become a cyborg designed to control Titanosaurus, a gigantic amphibious dinosaur that teams up with Mechagodzilla to stomp on Tokyo. All is lost for mankind, until Godzilla climbs out of the ocean to hopefully protect his domain. The return of Ishirō Honda to the director's chair is a reassuring presence, and it helps the film retain a classy production level. The monster smack-downs are neatly choreographed, the model work is wonderfully 1970s, and Akira Ifukube's thunderous score gladdens the spirit as it simultaneously rocks your bones. Yukiko Takayama's screenplay contains intelligence, where the sci-fi boffin speak is spliced with deep observations on humanity and what it means to be part of such a race etc. Fan division usually comes down to who likes super-hero Godzilla or who likes Godzilla in destroy everything mode. This is the former, and it's cheer worthy, the atomic lizard in a bad mood would not surface again for 10 years, and by then the direction of Zilla's fortunes got increasingly silly. This marks "Terror" as something of a franchise closure to be cherished, and rightly so because it has all the good parts that made the first Toho wave so enjoyable. So turn up the volume, open your screens out and indulge. Wonderful. 8/10
Production companies

TOHO
JP
Toho Eizo Bijutsu
JP

Tokyo Laboratory
JP
Themes & keywords
Release history · US
Also known as
Movie1994
Movie1999
Movie1974
Movie2010
Movie1973
Movie1965
Movie2017
Movie1968
Movie1964
Movie1993