
Did you know
At 202 minutes, this is a three-hour-plus commitment β longer than 95% of films ever made.

"Scholar, convict, leader, disciple, hipster, father, hustler, minister, black man, every man."
A tribute to the controversial black activist and leader of the struggle for black liberation. He hit bottom during his imprisonment in the '50s, he became a Black Muslim and then a leader in the Nation of Islam. His assassination in 1965 left a legacy of self-determination and racial pride.
βScholar, convict, leader, disciple, hipster, father, hustler, minister, black man, every man.β

Denzel Washington
Malcolm X

Angela Bassett
Betty Shabazz

Albert Hall
Baines

Al Freeman Jr.
Elijah Muhammad

Delroy Lindo
West Indian Archie

Spike Lee
Shorty

Theresa Randle
Laura

Kate Vernon
Sophia
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Spike Lee directs. Ernest R. Dickerson behind the camera. Terence Blanchard scores. Barry Alexander Brown cuts. A long sit β settle in. Profitable at the box office. Produced in United States of America, Netherlands Antilles. Dialogue in Arabic, English.
Trivia
Awards
Nominated for 2 Oscars. 19 wins & 24 nominations total
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
I cannot imagine the hoops Spike Lee must have had to jump through to get any form of investment into either the concept or the production of this truly groundbreaking study of a man who divided opinion in a way few others have since the end of the Second World War. I say a study of man, but this is way more than just about him, it identifies and develops themes about inter and intra racial and gender attitudes and leaves a bitter taste in your mouth. All of that said, it does struggle as a piece of entertainment. I don't mean to trivialise the subject matter, but if it wanted to be a documentary then it should have been more tightly focused on fact and less on the dramatisation of events, some real, some not. As a biopic, it kind of falls between two stools. We are presented with, essentially, a collective of unpleasant individuals who either started out that way, or were corrupted by the environments in which they existed and/or created - clearly illustrated, for example, by the way the women are treated by their husbands/bosses etc. This left me with an overwhelming feeling that had there been more general respect and decency on offer here - across the board - then a lot of the violence from both "sides" might have been avoided. It is a must see movie, but perhaps time has robbed it of much of it's potency and left us with a sad reflection of a time when vileness didn't care about your colour.
Production companies

Warner Bros. Pictures
US

40 Acres and a Mule Filmworks
US
Marvin Worth Productions
US
Largo International
AN
Themes & keywords
Release history Β· US
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