The Woman in the Window

"It was the look in her eyes that made him think of murder."

1944 1h 39m EN

👍

7.4

SOLID

★7.4TMDB · 400

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Synopsis

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A seductive woman gets an innocent professor mixed up in murder.

“It was the look in her eyes that made him think of murder.”

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Where to watch · US

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Cast

Edward G. Robinson
Professor Richard Wanley
Joan Bennett
Alice Reed
Raymond Massey
Dist. Attorney Frank Lalor
Edmund Breon
Dr. Michael Barkstane
Dan Duryea
Heidt / Tim, the Doorman
Thomas E. Jackson
Inspector Jackson
Dorothy Peterson
Mrs. Wanley
Robert Blake
Dickie Wanley

Credits

Behind the camera

Director: Fritz Lang
Writers: Nunnally Johnson
Languages: English
Countries: United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7

ERA

Did you know

82 years old — a genuine piece of film history.

MoodPlayr · trivia#01

2 / 7

DIRECTOR

Did you know

Directed by Fritz Lang, shot by Milton Krasner. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02

3 / 7

DIRECTOR

Did you know

Original score by Arthur Lange. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#03

4 / 7

DIRECTOR

Did you know

Editor Marjorie Fowler shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04

5 / 7

CAST

Did you know

Edward G. Robinson and Joan Bennett and Raymond Massey carry the top of the cast.

MoodPlayr · trivia#05

6 / 7

FACT

Did you know

Marketing tagline: "It was the look in her eyes that made him think of murder.".

MoodPlayr · trivia#06

7 / 7

WILD

Did you know

IMDB entry: tt0037469 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Fritz Lang directs. Milton Krasner behind the camera. Arthur Lange scores. Marjorie Fowler cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

182 years old — a genuine piece of film history.
2Directed by Fritz Lang, shot by Milton Krasner. Note their partnership — DPs and directors often return to each other across a career.
3Original score by Arthur Lange. Worth a dedicated listen after — most great films lose half their impact without the score.
4Editor Marjorie Fowler shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
5Edward G. Robinson and Joan Bennett and Raymond Massey carry the top of the cast.
6Marketing tagline: "It was the look in her eyes that made him think of murder.".
7IMDB entry: tt0037469 — still the authoritative cross-reference for credits and trivia.
8Classified under 10 themes, including "dreams", "window", "scissors", "professor".
9Released under 17 different titles around the world.

The technical file

Cinematography: Milton Krasner
Original score: Arthur Lange
Editing: Marjorie Fowler
Costume design: Muriel King
Runtime: 99 min · 1h 39m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Original language: EN
Certification (US): NR
IMDB: The Woman in the Window (1944)

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Fritz Lang

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Community reviews

What people are saying

John Chard2020-03-24
★ 8/10
I was warned of the siren call of adventure. The Woman in the Window is directed by Fritz Lang and adapted by Nunnally Johnson from the novel "Once off Guard" written by J.H. Wallis. It stars Edward G. Robinson, Joan Bennett, Raymond Massey & Dan Duryea. Music is by Arthur Lange and Milton R. Krasner is the cinematographer. After admiring a portrait of Alice Reed (Bennett) in the storefront window of the shop next to his Gentleman's Club, Professor Richard Wanley (Robinson) is shocked to actually meet her in person on the street. It's a meeting that leads to a killing, recrimination and blackmail. Time has shown The Woman in the Window to be one of the most significant movies in the film noir cycle. It was part of the original group identified by Cahiers du Cinéma that formed the cornerstone of film noir (the others were The Maltese Falcon, Double Indemnity, Laura and Murder My Sweet). Its reputation set in stone, it's a film that boasts many of the key noir ingredients: man meets woman and finds his life flipped upside down, shifty characters, a killing, shadows and low lights, and of course an atmosphere thick with suspense. Yet the ending to this day is divisive and, depending what side of the camp you side with, it makes the film either a high rank classic noir or a nearly high rank classic noir. Personally it bothers me does the finale, it comes off as something that Rod Serling could have used on The Twilight Zone but decided to discard. No doubt to my mind that had Lang put in the ending from the source, this would be a 10/10 movie, for everything else in it is top draw stuff. At its core the film is about the dangers of stepping out of the normal, a peril of wish fulfilment in middle age, with Lang gleefully smothering the themes with the onset of a devilish fate and the stark warning that being caught just "once off guard" can doom you to the unthinkable. There's even the odd Freudian interpretation to sample. All of which is aided by the excellent work of Krasner, who along with his director paints a shadowy world consisting of mirrors, clocks and Venetian blinds. The cast are very strong, strong enough in fact for Robinson, Bennett and Duryea to re-team with Lang the following year for the similar, but better, Scarlet Street, while Lang's direction doesn't miss a beat. A great film regardless of the Production Code appeasing ending, with its importance in the pantheon of film noir well deserved. But you sense that watching it as a companion piece to Scarlet Street, that Lang finally made the film that this sort of story deserved. The Woman in the Window: essential but not essentially the best of its type. 8/10
CinemaSerf2022-06-30
★ 7/10
Fritz Lang is at his mischievous best in this cracking noir murder mystery. Genteel professor Edward G. Robinson ("Wanley") retires most evenings to his club with two close friends then as he heads home, passes a gallery which has a women's portrait in the window. On one such evening, whilst admiring it, he meets the lady (Joan Bennett) herself and after a brief chat, ends up back in her apartment where he is discovered by her boyfriend. A fracas ensues and the boyfriend is accidentally killed. Rather stupidly, he agrees with the woman to dispose of the corpse and try to cover it all up. Of course that doesn't work - soon, the cops are getting very close to the truth and she is being blackmailed. He is helplessly trapped between his own basic integrity and the innate charms of this unscrupulous woman. We are never quite sure which way he will turn - and the suspense is delightfully maintained right til the end. Great contributions from an on-form Raymond Massey; a really rather ghastly Dan Duryea and some great, tight photography all help this to be amongst the best of this genre made during the War.