The Legend of Zorro

"Adventure begins with a Z."

2005 2h 10m EN

😐

6.1

MID

🥫

27%

ROTTEN

😬

METACRITIC

⭐

IMDB

★6.1TMDB · 3,182🥫27%Rotten Tomatoes●47Metacritic★6IMDB · 112,175

ActionAdventureWestern

Synopsis

Spoiler shield

Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.

“Adventure begins with a Z.”

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Cast

Antonio Banderas
Don Alejandro de la Vega / Zorro
Catherine Zeta-Jones
Elena
Adrian Alonso
Joaquin
Julio Oscar Mechoso
Frey Felipe
Nick Chinlund
Jacob McGivens
Alexa Benedetti
Lupe
Rufus Sewell
Armand
Raúl Méndez
Ferroq

Credits

Behind the camera

Director: Martin Campbell
Writers: Roberto Orci, Alex Kurtzman, Roberto Orci
Languages: English, Spanish
Countries: United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

Mid-budget at $75M — the now-extinct middle tier of Hollywood.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

Released 21 years ago.

MoodPlayr · trivia#02

3 / 8

WORLD

Did you know

Dialogue crosses 2 languages: English, Spanish.

MoodPlayr · trivia#03

4 / 8

CINEMA

Did you know

Part of the "Zorro Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Directed by Martin Campbell, shot by Phil Meheux. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Original score by James Horner. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Editor Stuart Baird shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#07

8 / 8

ERA

Did you know

Antonio Banderas and Catherine Zeta-Jones and Adrian Alonso carry the top of the cast.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Martin Campbell directs. Phil Meheux behind the camera. James Horner scores. Stuart Baird cuts. Profitable at the box office. Produced in United States of America. Dialogue in English, Spanish.

Trivia

Things worth knowing

1Mid-budget at $75M — the now-extinct middle tier of Hollywood.
2Released 21 years ago.
3Dialogue crosses 2 languages: English, Spanish.
4Part of the "Zorro Collection" — so the characters or world continue elsewhere.
5Directed by Martin Campbell, shot by Phil Meheux. Note their partnership — DPs and directors often return to each other across a career.
6Original score by James Horner. Worth a dedicated listen after — most great films lose half their impact without the score.
7Editor Stuart Baird shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
8Antonio Banderas and Catherine Zeta-Jones and Adrian Alonso carry the top of the cast.
9Marketing tagline: "Adventure begins with a Z.".
10IMDB entry: tt0386140 — still the authoritative cross-reference for credits and trivia.
11Classified under 16 themes, including "california", "hero", "mexico", "parent child relationship".

The technical file

Cinematography: Phil Meheux
Original score: James Horner
Editing: Stuart Baird
Production design: Cecilia Montiel
Costume design: Graciela Mazón
Makeup / hair: Ken Diaz
VFX supervisor: Kent Houston
Stunt coordinator: Gary Powell
Runtime: 130 min · 2h 10m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $75,000,000
Box office: $142,400,065
Return: 190% of budget
Original language: EN
Certification (US): PG
IMDB: The Legend of Zorro (2005)
Rotten Tomatoes: 27% 🥫 Rotten
Metacritic: 47/100
IMDB rating: 6/10 · 112,175 votes
MPAA: PG

Awards

2 wins & 3 nominations total

Part of

Zorro Collection

Collection of films about the Mexican hero known as Zorro starring Antonio Banderas.

Also by

Martin Campbell

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

Unknownian2022-01-29
★ 3/10
I finally got around to watching this yesterday. I'm sorry to say that this movie is a laughable sequel to the first one also starring Bandaras and Jones. It would be hard to convince me that the same director was involved with both projects if I hadn't read it in the credits for myself. Zorro 'never kills anyone' with his sword. He smacks them on the backside, slaps them on the face, or flips them on their butts. This doesn't stop the villains from killing folks; they have a field day while Bandaras is more concerned about waving to the cheering crowds than saving his friends. The hired henchman is within Zorro's killing field from the very first scenes right through the movie. However, for some mystical reason not (revealed by the film makers), Zorro lets him and his friends escape each time, until Jones finally puts him down near the end. Constant bickering between Bandaras and Jones throughout the flick, and Zorro's playful heroic non lethal fighting style, ruin this potentially good film. 1&1/2 stars out of 4, for the great performance by 'Tornado' (the horse), or it would be a complete flop.
Filipe Manuel Neto2023-04-28
★ 9/10
A clever and dextrous sequel, and a good adventure movie to spend some family time. I really liked the first film, one of the best modern swashbuckling films, and I didn't expect anything too inferior from this one, which has the ability to create a good continuity with its predecessor. The action takes place a few years later, during the ephemeral Republic of California, which had achieved independence to join the USA. In the film, Diego and Elena's marriage is falling apart, and they end up separated. She is then coerced into working for the Pinkerton's, who seek to keep tabs on a European aristocrat who has just moved to the region, and whom Elena already knew from her youth. Meanwhile, Diego tries to stay active as Zorro and reconcile that with his obligations as the father of the young and willful Joaquin, a deep admirer of the masked hero who is not yet aware of his father's double life. Despite being undoubtedly a good film, it is slightly weaker than its predecessor because it has a more complicated script and tries to do more things at the same time. Diego, Elena and Joaquin act by themselves against different opponents. That's not a bad thing, just different: the film is full of action and adventure, it's aesthetically beautiful and fun. What I really didn't like is the predictability of the story, roughly from the middle onwards, and that story of the Knights of Aragon which, besides being a very stupid cliché, is something absolutely far-fetched. António Banderas and Catherine Zeta Jones return to their characters, and they are very good at bringing them to life, which is an excellent point in favor of the whole film. The best scenes here, in addition to the fights and action, are the various scenes where both act together, with excellent chemistry and wonderfully developed joint work. The young actor who gave life to the son of both characters, Adrian Alonso, is not particularly brilliant, but he does what he needs to and is effective. Rufus Sewell is not unpleasant, he exudes an almost aristocratic presence, and that made his character more believable, but it doesn't make him a really fearsome villain. Technically, it's a pretty standard film with nothing special, and the most common ingredients of Hollywood adventure blockbusters: extremely choreographed fights with no chance of happening in a real situation, but cinematic and fun, a light, polite style, a lot of political correctness very common in family films, absence of dead moments thanks to an edition that gave rhythm and some velocity to the story, good sets and costumes that look beautiful, even if they are not exactly rigorous from the historical point of view, and a lively soundtrack, which pulls the atmosphere up and makes the film livelier and more dynamic, harmoniously blending with the cinematography, where warm colors dominate the look.