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Office Romance poster

Office Romance

"It's going down."

2026 1h 55m EN
😐
6.4
MID
★6.4TMDB · 391
RomanceComedy
Synopsis
Spoiler shield

Jackie, President and CEO of Air Cruz, runs a tight ship in her business, including a rigid anti-fraternization policy for all her employees. When a new sexy lawyer begins working for her, that policy becomes very tested.

“It's going down.”

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Cast

Credits

Behind the camera

Director
Ol Parker
Writers
Joe Kelly, Brett Goldstein
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
ERA

Did you know

Released this year — you're seeing it while it's still in the cultural conversation.

MoodPlayr · trivia#01
2 / 7
DIRECTOR

Did you know

Directed by Ol Parker, shot by Robert D. Yeoman. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02
3 / 7
DIRECTOR

Did you know

Original score by Michael Andrews. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#03
4 / 7
DIRECTOR

Did you know

Editor Peter Lambert shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 7
ERA

Did you know

Jennifer Lopez and Brett Goldstein and Betty Gilpin carry the top of the cast.

MoodPlayr · trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "It's going down.".

MoodPlayr · trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt33397980 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Ol Parker directs. Robert D. Yeoman behind the camera. Michael Andrews scores. Peter Lambert cuts. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Released this year — you're seeing it while it's still in the cultural conversation.
  • 2Directed by Ol Parker, shot by Robert D. Yeoman. Note their partnership — DPs and directors often return to each other across a career.
  • 3Original score by Michael Andrews. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 4Editor Peter Lambert shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Jennifer Lopez and Brett Goldstein and Betty Gilpin carry the top of the cast.
  • 6Marketing tagline: "It's going down.".
  • 7IMDB entry: tt33397980 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography
Robert D. Yeoman
Original score
Michael Andrews
Editing
Peter Lambert
Production design
Kristi Zea
Costume design
Caroline Duncan
Makeup / hair
Therese Ducey
VFX supervisor
Andy Kind
Stunt coordinator
Tara Macken
Runtime
115 min · 1h 55m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
EN
Certification (US)
R

Also by

Ol Parker

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • JPRetana

    Jennifer Lopez as the CEO of an airline is hard to buy. Hey, don’t look at me; the makers of Office Romance (2026) themselves didn’t have faith in that premise — but I’m getting ahead of myself. Harder to swallow is that Jackie Cruz (Lopez) can provoke raging hard-ons just by shaking hands. Who is she supposed to be? The Blue Pill Fairy? Maybe they should have made her the CEO of Pfizer. I don’t get it. On one hand, the film wants to portray Jackie as unfairly targeted by a lawsuit alleging she slept her way to a major business deal. On the other, the script reduces her to a literal sexual object — not unlike the Orgasmatron from Sleeper. Perhaps the lawsuit is not as “frivolous” as we’re told it is. To quote Nickelback, “she didn’t make it this far just by shaking hands.” Then again, she could have made it as far as she did by being the owner’s daughter. Other than dealing with the lawsuit and amending the company’s anti-fraternization policy, Jackie isn’t shown doing a whole lot of CEOing. The filmmakers deserve credit for one thing: when Jackie is made to choose between her job and her relationship, she chooses both. I’d say she’d be better off choosing her job if I only knew what it entails, but at least the movie assumes a woman can balance her professional and romantic lives. Sadly, this is all just an excuse to normalize sexual misconduct in the workplace. Jackie may eventually find it cute and perhaps a little flattering that Daniel Blanchflower (Brett Goldstein), the company’s in-house attorney, points an erection right at her, and she may be willing to overlook it because Daniel is a good lawyer, but it still sends the wrong message. Walking around a place of business with a stiffy in your pants is another lawsuit waiting to happen. Also, Harvey Weinstein was a hell of a film producer — should we break him out of prison and give him his job back? In the end, Jackie decides to allow interoffice relationships “as long as they are declared.” She makes this decision only after she becomes involved with an employee herself; that is, she only saw something wrong with it until it affected personally. What happens when Jackie and Daniel break up? Will she ban interoffice relationships again? And why do they have to be “declared”? What you’re saying is that employees have a right to a private life as long as they make it public — which they are conveniently very eager to do. The whole point of this development is a scene that plays during the closing credits in which several employees unload the graphic details of their sex lives on the HR guy, even though he makes it clear in no uncertain terms that he doesn’t need or want to hear it. Isn’t that a form of sexual harassment? That a string of further lawsuits right there — good thing Jackie has the “best lawyer in Jersey and the world.”

Production companies

Who made it

  • Ryder Picture Company

    Ryder Picture Company

    US

  • Nuyorican Productions

    Nuyorican Productions

    US

  • FO

    For the Table

    US

  • HE

    Hey Buddy

  • Netflix

    Netflix

    US

Key crew

  • ProducerAaron Ryder
  • ProducerAndrew Swett
  • ProducerBrett Goldstein
  • ProducerJennifer Lopez
  • ProducerElaine Goldsmith-Thomas
  • ProducerBenny Medina
  • Executive ProducerCourtney Baxter
  • Executive ProducerPamela Thur
  • Stunt CoordinatorTara Macken
  • EditorPeter Lambert
  • CastingNancy Nayor
  • Production DesignKristi Zea
  • Set DecorationAndrew Baseman
  • Costume DesignCaroline Duncan
  • Hair Department HeadTherese Ducey
  • First Assistant DirectorColin MacLellan
  • Music SupervisorSarah Bridge
  • Executive ProducerAlexander Black
  • ProducerJoe Kelly
  • Production ManagerPamela Thur
  • Executive ProducerJon Rosenberg
  • VFX SupervisorJasper Kidd
  • Visual Effects ProducerMatt Knight
  • VFX SupervisorAlex P. Twigg

Themes & keywords

What it's about, really

  • romcom
  • lawyer
  • ceo
  • airline
  • office romance
  • shocking
  • love story

Release history · US

When it landed

  • Digital2026-06-05R· Netflix

Also known as

International titles

  • Paixão de EscritórioBR
  • Служебный романRU
  • Офис романсBG

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